Canon 5D Mark IV vs Sony HX400V
The Canon EOS 5D Mark IV and the Sony Cyber-shot DSC-HX400V are two digital cameras that were revealed to the public, respectively, in August 2016 and February 2014. The 5D Mark IV is a DSLR, while the HX400V is a fixed lens compact. The cameras are based on a full frame (5D Mark IV) and a 1/2.3-inch (HX400V) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Sony provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Sony Cyber-shot DSC-HX400V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark IV and the Sony HX400V is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX400V is considerably smaller (31 percent) than the Canon 5D Mark IV. It is worth mentioning in this context that the 5D Mark IV is splash and dust resistant, while the HX400V does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX400V has a lens built in, whereas the 5D Mark IV is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark IV and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|2.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|7.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|8.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|9.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|10.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|11.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|12.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|13.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|14.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|15.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|16.||Sony H400||130 mm||95 mm||122 mm||628 g||300||n||Feb 2014||319|
|17.||Sony H300||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The HX400V was launched at a lower price than the 5D Mark IV, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Sony HX400V a 1/2.3-inch sensor. The sensor area in the HX400V is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 5D Mark IV has a native 3:2 aspect ratio, while the one in the HX400V offers a 4:3 aspect.
With 30.1MP, the 5D Mark IV offers a higher resolution than the HX400V (20.2MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 1.18μm for the HX400V) due to its larger sensor. Moreover, the 5D Mark IV is a much more recent model (by 2 years and 6 months) than the HX400V, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the HX400V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Sony HX400V are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-HX400V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|6.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|8.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|9.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|10.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|11.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|12.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|13.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 5D Mark IV provides a higher video resolution than the HX400V. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the HX400V has an electronic viewfinder (210k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 5D Mark IV, the Sony HX400V, and comparable cameras.
|1.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|2.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||Y|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|5.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|6.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|7.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|8.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|9.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|10.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0||n||n|
|11.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0||n||n|
|12.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|13.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|14.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0||Y||Y|
|15.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0||Y||Y|
|16.||Sony H400||210||n||3.0 / 460||fixed||n||1/2000s||0.7||Y||Y|
|17.||Sony H300||none||n||3.0 / 460||fixed||n||1/1500s||0.8||Y||Y|
One feature that is present on the 5D Mark IV, but is missing on the HX400V is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 5D Mark IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the HX400V uses SDXC or Memory Stick PRO Duo cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the HX400V only has one slot. The 5D Mark IV supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the HX400V cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Sony Cyber-shot DSC-HX400V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|2.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|7.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|8.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|12.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|13.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|14.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony H400||-||mono / mono||-||-||micro||2.0||Y||-||-|
|17.||Sony H300||-||mono / mono||-||-||micro||2.0||Y||-||-|
It is notable that the 5D Mark IV has a microphone port, which is missing on the HX400V. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the HX400V) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that both cameras feature internal geolocalization sensors and can record GPS coordinates in their EXIF data.
Both the 5D Mark IV and the HX400V are recent models that are part of the current product line-up. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the HX400V does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is the Canon 5D Mark IV better than the Sony HX400V or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 20.2MP) with a 25% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (900 versus 300) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 6 months of technical progress since the HX400V launch.
Arguments in favor of the Sony Cyber-shot DSC-HX400V:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark IV requires a separate lens.
- More compact: Is smaller (130x93mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark IV).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV is the clear winner of the match-up (25 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Sony HX400V place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 5D Mark IV and the HX400V in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|2.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|6.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|7.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|8.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|9.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|10.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|11.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|12.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|13.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|14.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449|
|15.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429|
|16.||Sony H400||..||o||..||..||3.5/5||3.5/5||Feb 2014||319|
|17.||Sony H300||..||+||..||..||4.5/5||4/5||Feb 2014||219|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 500D vs Sony HX400V
- Canon 5D Mark IV vs Canon G5 X Mark II
- Canon 5D Mark IV vs Nikon D300
- Canon 5D Mark IV vs Nikon D3300
- Canon 5D Mark IV vs Panasonic G6
- Canon 5D Mark IV vs Panasonic GH2
- Canon 5D Mark IV vs Zeiss ZX1
- Leica Q Typ 116 vs Sony HX400V
- Nikon B500 vs Sony HX400V
- Nikon D600 vs Sony HX400V
- Olympus E-M5 II vs Sony HX400V
- Sony HX400V vs Zeiss ZX1
Specifications: Canon 5D Mark IV vs Sony HX400V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Sony HX400V|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-1200mm f/2.8-6.3|
|Launch Date||August 2016||February 2014|
|Launch Price||USD 3,499||USD 499|
|Sensor Specs||Canon 5D Mark IV||Sony HX400V|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||30.1 Megapixels||20.2 Megapixels|
|Image Resolution||6720 x 4480 pixels||5184 x 3888 pixels|
|Pixel Pitch||5.36 μm||1.18 μm|
|Pixel Density||3.48 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100 - 32,000 ISO||80 - 3,200 ISO|
|ISO Boost||50 - 102,400 ISO||80 - 12,800 ISO|
|Image Processor||DIGIC 6+||BIONZ X|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.8||..|
|DXO Dynamic Range (EV)||13.6||..|
|DXO Low Light (ISO)||2995||..|
|Screen Specs||Canon 5D Mark IV||Sony HX400V|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||210k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 5D Mark IV||Sony HX400V|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||7 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 5D Mark IV||Sony HX400V|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Geotagging||GPS built-in||GPS built-in|
|Body Specs||Canon 5D Mark IV||Sony HX400V|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||900 shots per charge||300 shots per charge|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
130 x 93 x 103 mm
(5.1 x 3.7 x 4.1 in)
|Camera Weight||890 g (31.4 oz)||660 g (23.3 oz)|
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