Canon 5D Mark II vs Sony A7

The Canon EOS 5D Mark II and the Sony Alpha A7 are two digital cameras that were officially introduced, respectively, in September 2008 and October 2013. The 5D Mark II is a DSLR, while the A7 is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 21 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 5D Mark II		Sony A7
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Sony E mount lenses
21 MP – Full Frame sensor		24 MP – Full Frame sensor
1080/30p Video		1080/60p Video
ISO 100-6,400 (50 - 25,600)		ISO 100-25,600 (50 - 51,200)
Optical viewfinder		Electronic viewfinder (2400k dots)
3.0" LCD – 920k dots		3.0" LCD – 1230k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3.9 shutter flaps per second		5 shutter flaps per second
Weathersealed body		Weathersealed body
850 shots per battery charge		340 shots per battery charge
152 x 114 x 75 mm, 850 g		127 x 94 x 48 mm, 474 g

Check 5D Mark II offers at
ebay.com
Check A7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark II and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 5D Mark II and the Sony A7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is considerably smaller (31 percent) than the Canon 5D Mark II. Moreover, the A7 is substantially lighter (44 percent) than the 5D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark II) and the Sony FE Lens Catalog (A7). Mirrorless cameras, such as the A7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 5D Mark II gets 850 shots out of its Canon LP-E6 battery, while the A7 can take 340 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	EUR 3 299	ebay.com
2.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	EUR 1 499	ebay.com
3.		Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	EUR 7 999	ebay.com
4.		Canon 5D	152 mm	113 mm	75 mm	895 g	400	Y	Aug 2005	EUR 3 399	ebay.com
5.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	EUR 3 299	ebay.com
6.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	EUR 4 065	amazon.com
7.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	EUR 3 499	ebay.com
8.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	EUR 3 699	ebay.com
9.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	EUR 1 999	ebay.com
10.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	EUR 2 099	amazon.com
11.		Canon 7D	148 mm	111 mm	74 mm	860 g	800	Y	Sep 2009	EUR 1 499	ebay.com
12.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	EUR 1 285	ebay.com
13.		Samsung NX1	139 mm	102 mm	66 mm	550 g	500	Y	Sep 2014	EUR 1 499	ebay.com
14.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	EUR 2 099	ebay.com
15.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	EUR 2 099	amazon.com
16.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	EUR 2 099	ebay.com
17.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	EUR 2 399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A7 was launched at a markedly lower price (by 51 percent) than the 5D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7 is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a slightly smaller sensor, the A7 offers a higher resolution of 24 megapixels, compared with 21 MP of the 5D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.97μm versus 6.41μm for the 5D Mark II). However, it should be noted that the A7 is much more recent (by 5 years) than the 5D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 5D Mark II are 28.1 x 18.7 inches or 71.3 x 47.5 cm for good quality, 22.5 x 15 inches or 57.1 x 38 cm for very good quality, and 18.7 x 12.5 inches or 47.5 x 31.7 cm for excellent quality prints.

The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 5D Mark II has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 50-25600. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 offers substantially better image quality than the 5D Mark II (overall score 11 points higher). The advantage is based on 1.1 bits higher color depth, 2.3 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
2.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
3.		Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
4.		Canon 5D	Full Frame	12.7	4368	2912	none	22.9	11.1	1368	71
5.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
6.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
7.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
8.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
9.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
10.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
11.		Canon 7D	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	854	66
12.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
13.		Samsung NX1	APS-C	28.0	6480	4320	4K/30p	24.2	13.2	1363	83
14.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
15.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
16.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
17.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7 provides a faster frame rate than the 5D Mark II. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 has an electronic viewfinder (2400k dots), while the 5D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same magnification (0.71x), but the one in the A7 has a wider field of view (100%) than the finder in the 5D Mark II (98%), so that a larger proportion of the captured image is visible. The following table reports on some other key feature differences and similarities of the Canon 5D Mark II, the Sony A7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
2.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
3.		Canon 1Ds Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	5.0/s	n	n
4.		Canon 5D	optical	Y	2.5 / 230	fixed	n	1/8000s	3.0/s	n	n
5.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
6.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
7.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
8.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
9.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
10.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
11.		Canon 7D	optical	Y	3.0 / 920	fixed	n	1/8000s	8.0/s	Y	n
12.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
13.		Samsung NX1	2360	Y	3.0 / 1036	tilting	Y	1/8000s	15.0/s	Y	n
14.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
16.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
17.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the 5D Mark II, but is missing on the A7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 5D Mark II writes its imaging data to Compact Flash cards, while the A7 uses SDXC or Memory Stick PRO Duo cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark II and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
2.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon 1Ds Mark III	Y	mono / -	-	-	-	2.0	-	-	-
4.		Canon 5D	Y	- / -	-	-	-	2.0	-	-	-
5.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
6.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
7.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
8.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
9.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
10.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
11.		Canon 7D	Y	mono / -	Y	-	mini	2.0	-	-	-
12.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
13.		Samsung NX1	Y	stereo / mono	Y	Y	micro	3.0	Y	Y	Y
14.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the A7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D Mark II does not provide wifi capability.

Studio photographers will appreciate that the Canon 5D Mark II (unlike the A7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 5D Mark II and the A7 have been discontinued, but can regularly be found used on ebay. The 5D Mark II was replaced by the Canon 5D Mark III, while the A7 was followed by the Sony A7 II. Further information on the features and operation of the 5D Mark II and A7 can be found, respectively, in the Canon 5D Mark II Manual (free pdf) or the online Sony A7 Manual.

Review summary

So how do things add up? Which of the two cameras – the Canon 5D Mark II or the Sony A7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Canon EOS 5D Mark II:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Longer lasting: Can take more shots (850 versus 340) on a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been available for much longer (launched in September 2008).

Arguments in favor of the Sony Alpha A7:

• More detail: Has more megapixels (24 vs 21MP), which boosts linear resolution by 7%.
• Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 920k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster burst: Shoots at higher frequency (5 vs 3.9 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (127x94mm vs 152x114mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 376g or 44 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (51 percent cheaper at launch).
• More modern: Reflects 5 years of technical progress since the 5D Mark II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A7 is the clear winner of the contest (21 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 5D Mark II and the Sony A7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 5D Mark II and the A7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	EUR 3 299	ebay.com
2.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	EUR 1 499	ebay.com
3.		Canon 1Ds Mark III	..	..	..	+ +	4.5/5	..	Aug 2007	EUR 7 999	ebay.com
4.		Canon 5D	..	88/100	..	+ +	o	..	Aug 2005	EUR 3 399	ebay.com
5.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	EUR 3 299	ebay.com
6.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	EUR 4 065	amazon.com
7.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	EUR 3 499	ebay.com
8.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	EUR 3 699	ebay.com
9.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	EUR 1 999	ebay.com
10.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	EUR 2 099	amazon.com
11.		Canon 7D	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2009	EUR 1 499	ebay.com
12.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	EUR 1 285	ebay.com
13.		Samsung NX1	5/5	..	..	87/100	5/5	5/5	Sep 2014	EUR 1 499	ebay.com
14.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	EUR 2 099	ebay.com
15.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	EUR 2 099	amazon.com
16.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	EUR 2 099	ebay.com
17.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	EUR 2 399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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