Canon 5D Mark II vs T3
The Canon EOS 5D Mark II and the Canon EOS Rebel T3 (labelled Canon 1100D in some countries) are two digital cameras that were officially introduced, respectively, in September 2008 and February 2011. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (5D Mark II) and an APS-C (T3) sensor. The 5D Mark II has a resolution of 21 megapixels, whereas the T3 provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark II and the Canon EOS Rebel T3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark II and the Canon T3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T3 is notably smaller (25 percent) than the Canon 5D Mark II. Moreover, the T3 is substantially lighter (42 percent) than the 5D Mark II. It is worth mentioning in this context that the 5D Mark II is splash and dust resistant, while the T3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor (as in the 5D Mark II) will tend to go along with bigger and heavier lenses, while more compact options are available for the smaller-sensor camera (T3). You can compare the optics available in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||ebay.com|
|2.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||ebay.com|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||amazon.com|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||ebay.com|
|5.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||amazon.com|
|6.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|7.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|8.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|9.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||ebay.com|
|10.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|11.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||ebay.com|
|12.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|13.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799||ebay.com|
|14.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||ebay.com|
|15.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449||ebay.com|
|16.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||ebay.com|
|17.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T3 was launched at a markedly lower price (by 87 percent) than the 5D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark II features a full frame sensor and the Canon T3 an APS-C sensor. The sensor area in the T3 is 63 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 21MP, the 5D Mark II offers a higher resolution than the T3 (12.2MP), but the 5D Mark II nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 5.15μm for the T3) due to its larger sensor. However, the T3 is a much more recent model (by 2 years and 4 months) than the 5D Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark II for good quality output (200 dots per inch) amounts to 28.1 x 18.7 inches or 71.3 x 47.5 cm, for very good quality (250 dpi) 22.5 x 15 inches or 57.1 x 38 cm, and for excellent quality (300 dpi) 18.7 x 12.5 inches or 47.5 x 31.7 cm. The corresponding values for the Canon T3 are 21.4 x 14.2 inches or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inches or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inches or 36.2 x 24.1 cm for excellent quality prints.
The Canon EOS 5D Mark II has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 50-25600. The corresponding ISO settings for the Canon EOS Rebel T3 are ISO 100 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 5D Mark II provides substantially higher image quality than the T3, with an overall score that is 17 points higher. This advantage is based on 1.8 bits higher color depth, 0.9 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|7.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|9.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|10.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|11.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|13.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|16.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|17.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 5D Mark II provides a higher video resolution than the T3. It can shoot video footage at 1080/30p, while the T3 is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 5D Mark II and the T3 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 5D Mark II offers a wider field of view (98%) than the one in the T3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 5D Mark II has a higher magnification (0.71x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D Mark II and Canon T3 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|2.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|5.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|6.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|7.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|8.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|9.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|10.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|11.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|12.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|13.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|14.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|15.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|16.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0/s||n||n|
|17.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 5D Mark II, but is missing on the T3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 5D Mark II writes its imaging data to Compact Flash cards, while the T3 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark II and Canon EOS Rebel T3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|6.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|7.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|8.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|10.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|11.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|14.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|15.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|17.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the 5D Mark II has a microphone port, which is missing on the T3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark II (unlike the T3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark II and the T3 have been discontinued, but can regularly be found used on ebay. The 5D Mark II was replaced by the Canon 5D Mark III, while the T3 was followed by the Canon T5. Further information on the features and operation of the 5D Mark II and T3 can be found, respectively, in the Canon 5D Mark II Manual (free pdf) or the online Canon T3 Manual.
So what is the bottom line? Which of the two cameras – the Canon 5D Mark II or the Canon T3 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 5D Mark II:
- More detail: Offers more megapixels (21 vs 12.2MP) with a 31% higher linear resolution.
- Better image quality: Scores substantially higher (17 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More complete view: Has a viewfinder with a larger field of view (98% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.50x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (3.9 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (850 versus 700) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Advantages of the Canon EOS Rebel T3:
- More compact: Is smaller (130x100mm vs 152x114mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 355g or 42 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More modern: Reflects 2 years and 4 months of technical progress since the 5D Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the 5D Mark II is the clear winner of the match-up (18 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark II and the Canon T3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 5D Mark II or the T3 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499||ebay.com|
|2.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449||ebay.com|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399||amazon.com|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999||ebay.com|
|5.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499||amazon.com|
|6.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|7.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|8.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|9.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499||ebay.com|
|10.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|11.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799||ebay.com|
|12.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|13.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799||ebay.com|
|14.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699||ebay.com|
|15.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449||ebay.com|
|16.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999||ebay.com|
|17.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Canon 5D Mark II
- Canon 1D Mark II N vs Canon T3
- Canon 550D vs Canon 5D Mark II
- Canon 5D Mark II vs Nikon D40
- Canon 5D Mark II vs Nikon D750
- Canon 5D Mark II vs Panasonic TZ90
- Canon 5D Mark II vs Sony A7R III
- Canon T3 vs Olympus TG-6
- Canon T3 vs Panasonic GX7
- Canon T3 vs Panasonic GX9
- Canon T3 vs Sony A99 II
- Canon T3 vs Sony RX100 IV
Specifications: Canon 5D Mark II vs Canon T3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark II||Canon T3|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||September 2008||February 2011|
|Launch Price||USD 3,499||USD 449|
|Sensor Specs||Canon 5D Mark II||Canon T3|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||22.0 x 14.7 mm|
|Sensor Area||864 mm2||323.4 mm2|
|Sensor Diagonal||43.3 mm||26.5 mm|
|Sensor Resolution||21 Megapixels||12.2 Megapixels|
|Image Resolution||5616 x 3744 pixels||4272 x 2848 pixels|
|Pixel Pitch||6.41 μm||5.15 μm|
|Pixel Density||2.43 MP/cm2||3.76 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 6,400 ISO|
|ISO Boost||50 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 4||DIGIC 4|
|DXO Sensor Quality (score)||79||62|
|DXO Color Depth (bits)||23.7||21.9|
|DXO Dynamic Range (EV)||11.9||11.0|
|DXO Low Light (ISO)||1815||755|
|Screen Specs||Canon 5D Mark II||Canon T3|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||98%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||920k dots||230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 5D Mark II||Canon T3|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3.9 shutter flaps/s||3 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||100 000 actuations|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 5D Mark II||Canon T3|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 5D Mark II||Canon T3|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||850 shots per charge||700 shots per charge|
152 x 114 x 75 mm
(6.0 x 4.5 x 3.0 in)
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
|Camera Weight||850 g (30.0 oz)||495 g (17.5 oz)|
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