Canon 40D vs Olympus E-M5
The Canon EOS 40D and the Olympus OM-D E-M5 are two enthusiast cameras that were revealed to the public, respectively, in August 2007 and February 2012. The 40D is a DSLR, while the E-M5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (40D) and a Four Thirds (E-M5) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 40D and the Olympus OM-D E-M5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon 40D and the Olympus E-M5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The E-M5 can be obtained in two different colors (black, silver), while the 40D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is considerably smaller (31 percent) than the Canon 40D. Moreover, the E-M5 is substantially lighter (48 percent) than the 40D. It is noteworthy in this context that the E-M5 is splash and dust-proof, while the 40D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (40D) and the Micro Four Thirds Lens Catalog (E-M5). Mirrorless cameras, such as the E-M5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 40D gets 750 shots out of its Canon BP-511A battery, while the E-M5 can take 360 images on a single charge of its Olympus BLN-1 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 40D | 146 mm | 108 mm | 74 mm | 822 g | 750 | n | Aug 2007 | 1,299 | ebay.com | |
2. | Olympus E-M5 | 122 mm | 89 mm | 43 mm | 425 g | 360 | Y | Feb 2012 | 1,299 | ebay.com | |
3. | Canon 10D | 150 mm | 107 mm | 75 mm | 850 g | 500 | n | Feb 2003 | 1,999 | ebay.com | |
4. | Canon 20D | 144 mm | 106 mm | 72 mm | 770 g | 700 | n | Aug 2004 | 1,499 | ebay.com | |
5. | Canon 30D | 144 mm | 106 mm | 74 mm | 785 g | 750 | n | Feb 2006 | 1,399 | ebay.com | |
6. | Canon 50D | 146 mm | 108 mm | 74 mm | 822 g | 800 | Y | Aug 2008 | 1,299 | ebay.com | |
7. | Canon 60D | 145 mm | 106 mm | 79 mm | 755 g | 1100 | Y | Aug 2010 | 1,399 | ebay.com | |
8. | Canon T3 | 130 mm | 100 mm | 78 mm | 495 g | 700 | n | Feb 2011 | 449 | ebay.com | |
9. | Canon XS | 126 mm | 98 mm | 65 mm | 502 g | 500 | n | Jun 2008 | 449 | ebay.com | |
10. | Canon XSi | 129 mm | 98 mm | 62 mm | 524 g | 500 | n | Jan 2008 | 799 | ebay.com | |
11. | Canon XTi | 127 mm | 84 mm | 65 mm | 556 g | 370 | n | Aug 2006 | 799 | ebay.com | |
12. | Nikon D90 | 132 mm | 103 mm | 77 mm | 703 g | 850 | n | Aug 2008 | 1,299 | ebay.com | |
13. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | 1,399 | ebay.com | |
14. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
15. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | 999 | ebay.com | |
16. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | 1,199 | ebay.com | |
17. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 40D features an APS-C sensor and the Olympus E-M5 a Four Thirds sensor. The sensor area in the E-M5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 40D has a native 3:2 aspect ratio, while the one in the E-M5 offers a 4:3 aspect.
Despite having a smaller sensor, the E-M5 offers a higher resolution of 15.9 megapixels, compared with 10.1 MP of the 40D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 5.73μm for the 40D). However, it should be noted that the E-M5 is much more recent (by 4 years and 5 months) than the 40D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Olympus E-M5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Canon 40D are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS 40D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Olympus OM-D E-M5 are ISO 200 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the E-M5 has a markedly higher DXO score than the 40D (overall score 7 points higher), which will translate into better image quality. The advantage is based on 0.7 bits higher color depth, 1 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 40D | APS-C | 10.1 | 3888 | 2592 | none | 22.1 | 11.3 | 703 | 64 | |
2. | Olympus E-M5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 22.8 | 12.3 | 826 | 71 | |
3. | Canon 10D | APS-C | 6.3 | 3072 | 2048 | none | 21.1 | 10.9 | 571 | 57 | |
4. | Canon 20D | APS-C | 8.2 | 3504 | 2336 | none | 21.9 | 11.0 | 721 | 62 | |
5. | Canon 30D | APS-C | 8.2 | 3504 | 2336 | none | 21.5 | 10.8 | 736 | 59 | |
6. | Canon 50D | APS-C | 15.1 | 4752 | 3168 | none | 21.8 | 11.4 | 696 | 63 | |
7. | Canon 60D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.5 | 813 | 66 | |
8. | Canon T3 | APS-C | 12.2 | 4272 | 2848 | 720/30p | 21.9 | 11.0 | 755 | 62 | |
9. | Canon XS | APS-C | 10.1 | 3888 | 2592 | none | 22.0 | 10.9 | 719 | 62 | |
10. | Canon XSi | APS-C | 12.2 | 4272 | 2848 | none | 21.9 | 10.8 | 692 | 61 | |
11. | Canon XTi | APS-C | 10.1 | 3888 | 2592 | none | 22.1 | 11.0 | 664 | 62 | |
12. | Nikon D90 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 977 | 73 | |
13. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
14. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
15. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
16. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
17. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 |
Many modern cameras cannot only take still pictures, but also record videos. The E-M5 indeed provides for movie recording, while the 40D does not. The highest resolution format that the E-M5 can use is 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M5 has an electronic viewfinder (1440k dots), while the 40D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 offers a wider field of view (100%) than the one in the 40D (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 40D has a higher magnification (0.59x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 40D and Olympus E-M5 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 40D | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 6.5/s | Y | n | |
2. | Olympus E-M5 | 1440 | n | 3.0 / 610 | tilting | Y | 1/4000s | 9.0/s | n | Y | |
3. | Canon 10D | optical | Y | 1.8 / 118 | fixed | n | 1/4000s | 3.0/s | Y | n | |
4. | Canon 20D | optical | Y | 1.8 / 118 | fixed | n | 1/8000s | 5.0/s | Y | n | |
5. | Canon 30D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | Y | n | |
6. | Canon 50D | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 6.3/s | Y | n | |
7. | Canon 60D | optical | Y | 3.0 / 1040 | swivel | n | 1/8000s | 5.3/s | Y | n | |
8. | Canon T3 | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Canon XS | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
10. | Canon XSi | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.5/s | Y | n | |
11. | Canon XTi | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
12. | Nikon D90 | optical | Y | 3.0 / 920 | fixed | n | 1/4000s | 4.5/s | Y | n | |
13. | Olympus E-M1 | 2360 | n | 3.0 / 1037 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
14. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
15. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
16. | Olympus PEN-F | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
17. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The 40D has one, while the E-M5 does not. While the built-in flash of the 40D is not very powerful, it can at times be useful as a fill-in light.
The 40D writes its imaging data to Compact Flash cards, while the E-M5 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 40D and Olympus OM-D E-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 40D | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Olympus E-M5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon 10D | Y | - / - | - | - | - | 1.1 | - | - | - | |
4. | Canon 20D | Y | - / - | - | - | - | 1.1 | - | - | - | |
5. | Canon 30D | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Canon 50D | Y | - / - | - | - | mini | 2.0 | - | - | - | |
7. | Canon 60D | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Canon T3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Canon XS | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Canon XSi | Y | - / - | - | - | mini | 2.0 | - | - | - | |
11. | Canon XTi | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Nikon D90 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
13. | Olympus E-M1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
14. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
15. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Olympus PEN-F | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - |
Studio photographers will appreciate that the Canon 40D (unlike the E-M5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 40D and the E-M5 have been discontinued, but can regularly be found used on ebay. The 40D was replaced by the Canon 50D, while the E-M5 was followed by the Olympus E-M5 II. Further information on the features and operation of the 40D and E-M5 can be found, respectively, in the Canon 40D Manual (free pdf) or the online Olympus E-M5 Manual.
Review summary
So how do things add up? Which of the two cameras – the Canon 40D or the Olympus E-M5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 40D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.58x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (750 versus 360) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Olympus OM-D E-M5:
- More detail: Has more megapixels (15.9 vs 10.1MP), which boosts linear resolution by 23%.
- Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More detailed LCD: Has a higher resolution rear screen (610k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (9 vs 6.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x89mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 397g or 48 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 4 years and 5 months of technical progress since the 40D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 is the clear winner of the contest (16 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 40D and the Olympus E-M5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 40D and the E-M5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 40D | .. | + + | .. | + + | 4.5/5 | 4.5/5 | Aug 2007 | 1,299 | ebay.com | |
2. | Olympus E-M5 | 4/5 | + + | .. | 80/100 | 4.5/5 | 5/5 | Feb 2012 | 1,299 | ebay.com | |
3. | Canon 10D | .. | .. | .. | + + | .. | .. | Feb 2003 | 1,999 | ebay.com | |
4. | Canon 20D | .. | .. | .. | + + | .. | .. | Aug 2004 | 1,499 | ebay.com | |
5. | Canon 30D | .. | + + | .. | + + | o | .. | Feb 2006 | 1,399 | ebay.com | |
6. | Canon 50D | .. | + + | .. | + + | 4.5/5 | 4.5/5 | Aug 2008 | 1,299 | ebay.com | |
7. | Canon 60D | 5/5 | + | .. | 79/100 | 4/5 | 4.5/5 | Aug 2010 | 1,399 | ebay.com | |
8. | Canon T3 | .. | 80/100 | .. | 69/100 | 4/5 | 4.5/5 | Feb 2011 | 449 | ebay.com | |
9. | Canon XS | .. | 82/100 | .. | + + | 3.5/5 | 4.5/5 | Jun 2008 | 449 | ebay.com | |
10. | Canon XSi | .. | + + | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 799 | ebay.com | |
11. | Canon XTi | .. | + + | .. | + + | o | 4/5 | Aug 2006 | 799 | ebay.com | |
12. | Nikon D90 | .. | + + | .. | + + | 4/5 | 4.5/5 | Aug 2008 | 1,299 | ebay.com | |
13. | Olympus E-M1 | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | 1,399 | ebay.com | |
14. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
15. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | 999 | ebay.com | |
16. | Olympus PEN-F | .. | .. | 4/5 | 82/100 | 4.5/5 | 5/5 | Jan 2016 | 1,199 | ebay.com | |
17. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D C vs Olympus E-M5
- Canon 1D Mark II vs Olympus E-M5
- Canon 40D vs Fujifilm GFX 100S
- Canon 40D vs Fujifilm X-A3
- Canon 40D vs Nikon P900
- Canon 40D vs Panasonic G6
- Canon 40D vs Panasonic TZ100
- Canon 40D vs Pentax 645D
- Leica TL2 vs Olympus E-M5
- Nikon D3X vs Olympus E-M5
- Nikon Z8 vs Olympus E-M5
- Olympus E-450 vs Olympus E-M5
Specifications: Canon 40D vs Olympus E-M5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 40D | Olympus E-M5 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Micro Four Thirds lenses |
Launch Date | August 2007 | February 2012 |
Launch Price | USD 1,299 | USD 1,299 |
Sensor Specs | Canon 40D | Olympus E-M5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 22.3 x 14.9 mm | 17.3 x 13.0 mm |
Sensor Area | 332.27 mm2 | 224.9 mm2 |
Sensor Diagonal | 26.8 mm | 21.6 mm |
Crop Factor | 1.6x | 2.0x |
Sensor Resolution | 10.1 Megapixels | 15.9 Megapixels |
Image Resolution | 3888 x 2592 pixels | 4608 x 3456 pixels |
Pixel Pitch | 5.73 μm | 3.76 μm |
Pixel Density | 3.03 MP/cm2 | 7.08 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60i Video |
ISO Setting | 100 - 1,600 ISO | 200 - 25,600 ISO |
ISO Boost | 100 - 3,200 ISO | no Enhancement |
Image Processor | DIGIC 3 | TruePic VI |
DXO Sensor Quality (score) | 64 | 71 |
DXO Color Depth (bits) | 22.1 | 22.8 |
DXO Dynamic Range (EV) | 11.3 | 12.3 |
DXO Low Light (ISO) | 703 | 826 |
Screen Specs | Canon 40D | Olympus E-M5 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.59x | 0.58x |
Viewfinder Resolution | 1440k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 230k dots | 610k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon 40D | Olympus E-M5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 6.5 shutter flaps/s | 9 shutter flaps/s |
Shutter Life Expectancy | 100 000 actuations | 100 000 actuations |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
Connectivity Specs | Canon 40D | Olympus E-M5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Canon 40D | Olympus E-M5 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon BP-511A | Olympus BLN-1 |
Battery Life (CIPA) | 750 shots per charge | 360 shots per charge |
Body Dimensions |
146 x 108 x 74 mm (5.7 x 4.3 x 2.9 in) |
122 x 89 x 43 mm (4.8 x 3.5 x 1.7 in) |
Camera Weight | 822 g (29.0 oz) | 425 g (15.0 oz) |
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