Olympus E-450 vs E-M5
The Olympus E-450 and the Olympus OM-D E-M5 are two digital cameras that were officially introduced, respectively, in March 2009 and February 2012. The E-450 is a DSLR, while the E-M5 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-450 has a resolution of 10 megapixels, whereas the E-M5 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-450||Olympus E-M5|
|Digital single lens reflex||Mirrorless system camera|
|Four Thirds lenses||Micro Four Thirds lenses|
|10 MP, Four Thirds Sensor||15.9 MP, Four Thirds Sensor|
|no Video||1080/60i Video|
|ISO 100-1600||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|2.7" LCD, 215k dots||3.0" LCD, 610k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3.5 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||360 shots per battery charge|
|130 x 91 x 53 mm, 440 g||122 x 89 x 43 mm, 425 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-450 and the Olympus OM-D E-M5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-450 and the Olympus E-M5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M5 can be obtained in two different colors (black, silver), while the E-450 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is notably smaller (8 percent) than the Olympus E-450. Moreover, the E-M5 is slightly lighter (3 percent) than the E-450. It is noteworthy in this context that the E-M5 is splash and dust-proof, while the E-450 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-450) and the Micro Four Thirds Lens Catalog (E-M5). Mirrorless cameras, such as the E-M5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus E-450»||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2009||499||Olympus E-450|
|Olympus E-M5«||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||Olympus E-M5|
|Canon G12« »||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499||Canon G12|
|Nikon D3000« »||5.0 in||3.8 in||2.5 in||18.9 oz||500||n||Jul 2009||599||Nikon D3000|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||Olympus E-M1|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||Olympus E-P5|
|Olympus E-PL2« »||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599||Olympus E-PL2|
|Olympus E-600« »||5.1 in||3.7 in||2.4 in||18.9 oz||500||n||Aug 2009||449||Olympus E-600|
|Olympus E-620« »||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699||Olympus E-620|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||Olympus E-420|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||Olympus E-520|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||Olympus E-410|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||Panasonic GX7|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||Panasonic G2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-450 was launched at a markedly lower price (by 62 percent) than the E-M5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the E-M5 uses a more advanced image processing engine (TruePic VI) than the E-450 (TruePic III+), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-M5 offers a higher resolution of 15.9 megapixels, compared with 10 MP of the E-450. This megapixels advantage translates into a 26 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.74μm for the E-450). However, it should be noted that the E-M5 is much more recent (by 2 years and 10 months) than the E-450, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Olympus E-M5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Olympus E-450 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Olympus E-450 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Olympus OM-D E-M5 are ISO 200 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the E-M5 offers substantially better image quality than the E-450 (overall score 15 points higher). The advantage is based on 1.3 bits higher color depth, 1.8 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56||Olympus E-450|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Canon G12||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Nikon D3000||APS-C||10.0||3872||2592||none||22.3||11.1||563||62||Nikon D3000|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55||Olympus E-600|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55||Olympus E-620|
|Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51||Olympus E-410|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-M5 indeed provides for movie recording, while the E-450 does not. The highest resolution format that the E-M5 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M5 has an electronic viewfinder (1440k dots), while the E-450 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 offers a wider field of view (100%) than the one in the E-450 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 has a higher magnification (0.58x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-450, the Olympus E-M5, and comparable cameras.
|Olympus E-450||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
|Olympus E-M5||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Canon G12||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Nikon D3000||optical||n||3.0||230||fixed||n||1/4000s||3.0||Y||n||Nikon D3000|
|Olympus PEN-F||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL2||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Olympus E-600||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-600|
|Olympus E-620||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-420||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
One difference between the cameras concerns the presence of an on-board flash. The E-450 has one, while the E-M5 does not. While the built-in flash of the E-450 is not very powerful, it can at times be useful as a fill-in light.
The E-450 writes its imaging data to Compact Flash or xD Picture cards, while the E-M5 uses SDXC cards. The E-450 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-450 and Olympus OM-D E-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-450||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-450|
|Olympus E-M5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Canon G12||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Nikon D3000||Y||none||none||-||-||none||2.0||-||-||-||Nikon D3000|
|Olympus PEN-F||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL2||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Olympus E-600||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-600|
|Olympus E-620||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-620|
|Olympus E-420||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-420|
|Olympus E-520||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-520|
|Olympus E-410||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-410|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
Both the E-450 and the E-M5 have been discontinued, but can regularly be found used on eBay. The E-M5 was replaced by the Olympus E-M5 II, while the E-450 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So what is the bottom line? Is there a clear favorite between the Olympus E-450 and the Olympus E-M5? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus E-450:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (500 versus 360) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2009).
Reasons to prefer the Olympus OM-D E-M5:
- More detail: Has more megapixels (15.9 vs 10MP), which boosts linear resolution by 26%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (TruePic VI vs TruePic III+).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (610k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (9 vs 3.5 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 2 years and 10 months of technical progress since the E-450 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 is the clear winner of the contest (19 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-450 and the Olympus E-M5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-450 or the E-M5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 400D vs Olympus E-450
- Canon SX420 vs Olympus E-M5 III
- Fujifilm XF10 vs Olympus E-M5 III
- Leica D-LUX Typ 109 vs Olympus E-M5 II
- Nikon D3000 vs Olympus E-450
- Nikon D810 vs Olympus E-M5
- Olympus E-450 vs Pentax K-1 II
- Olympus E-450 vs Sony A7S II
- Olympus E-M5 II vs Sony RX100 III
- Olympus E-M5 III vs Olympus E-P5
- Olympus E-M5 vs Panasonic GF3
- Olympus E-M5 vs Sony A7R III
Specifications: Olympus E-450 vs Olympus E-M5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-450||Olympus E-M5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||March 2009||February 2012|
|Launch Price||USD 499||USD 1299|
|Sensor Specs||Olympus E-450||Olympus E-M5|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||15.9 Megapixels|
|Image Resolution||3648 x 2736 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.74 μm||3.76 μm|
|Pixel Density||4.44 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-1600 ISO||200-25600 ISO|
|Image Processor||TruePic III+||TruePic VI|
|DXO Sensor Quality (score)||56||71|
|DXO Color Depth (bits)||21.5||22.8|
|DXO Dynamic Range (EV)||10.5||12.3|
|DXO Low Light (ISO)||512||826|
|Screen Specs||Olympus E-450||Olympus E-M5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7 inch||3.0 inch|
|LCD Resolution||215k dots||610k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-450||Olympus E-M5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3.5 shutter flaps/s||9 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-450||Olympus E-M5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-450||Olympus E-M5|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||360 shots per charge|
130 x 91 x 53 mm
(5.1 x 3.6 x 2.1 in)
122 x 89 x 43 mm
(4.8 x 3.5 x 1.7 in)
|Camera Weight||440 g (15.5 oz)||425 g (15.0 oz)|
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