Canon 400D vs Sony A6300
The Canon EOS 400D (called Canon XTi in some regions) and the Sony Alpha A6300 are two digital cameras that were officially introduced, respectively, in August 2006 and February 2016. The 400D is a DSLR, while the A6300 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 10.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 400D||Sony A6300|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|10.1 MP, APS-C Sensor||24 MP, APS-C Sensor|
|no Video||4K/30p Video|
|ISO 100-1600||ISO 100-25600 (100-51200)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|2.5" LCD, 230k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3 shutter flaps per second||11 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|370 shots per battery charge||400 shots per battery charge|
|127 x 84 x 65 mm, 556 g||120 x 67 x 49 mm, 404 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 400D and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 400D and the Sony A6300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The A6300 can be obtained in two different colors (black, silver), while the 400D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is notably smaller (25 percent) than the Canon 400D. Moreover, the A6300 is markedly lighter (27 percent) than the 400D. It is noteworthy in this context that the A6300 is splash and dust-proof, while the 400D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (400D) and the Sony E-Mount Lens Catalog (A6300). Mirrorless cameras, such as the A6300, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 400D gets 370 shots out of its NB-2LH battery, while the A6300 can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 400D»||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799||Canon 400D|
|Sony A6300«||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||Canon 750D|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||Canon 760D|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||Canon 650D|
|Canon 1100D« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||Canon 1100D|
|Canon 550D« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||Canon 550D|
|Canon 500D« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||Canon 500D|
|Canon 450D« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||Canon 450D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||Canon 40D|
|Canon 350D« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||Canon 350D|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||Nikon D7200|
|Nikon D40X« »||4.9 in||3.7 in||2.5 in||18.4 oz||520||n||Mar 2007||729||Nikon D40X|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||Sony A3000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 400D was launched at a somewhat lower price (by 20 percent) than the A6300, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6300 is 12 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (400D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6300 offers a higher resolution than the 400D (10.1MP), but the A6300 has smaller individual pixels (pixel pitch of 3.91μm versus 5.71μm for the 400D). Yet, the A6300 is a much more recent model (by 9 years and 5 months) than the 400D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon 400D are 19.4 x 13 inch or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inch or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inch or 32.9 x 21.9 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 400D has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6300 offers substantially better image quality than the 400D (overall score 23 points higher). The advantage is based on 2.3 bits higher color depth, 2.7 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 400D||APS-C||10.1||3888||2592||none||22.1||11.0||664||62||Canon 400D|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Canon 750D||APS-C||24.0||6000||4000||1080/30p||22.7||12.0||919||71||Canon 750D|
|Canon 760D||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon 650D||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon 1100D||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Canon 550D||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon 550D|
|Canon 500D||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon 500D|
|Canon 450D||APS-C||12.2||4272||2848||none||21.9||10.8||692||61||Canon 450D|
|Canon 40D||APS-C||10.1||3888||2592||none||22.1||11.3||703||64||Canon 40D|
|Canon 350D||APS-C||8.0||3456||2304||none||21.8||10.8||637||60||Canon 350D|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D40X||APS-C||10.0||3872||2592||none||22.4||11.4||516||63||Nikon D40X|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A6300 indeed provides for movie recording, while the 400D does not. The highest resolution format that the A6300 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), while the 400D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6300 offers a wider field of view (100%) than the one in the 400D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6300 has a higher magnification (0.70x vs 0.49x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 400D and Sony A6300 along with similar information for a selection of comparators.
|Canon 400D||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon 400D|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Canon 750D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 750D|
|Canon 760D||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon 650D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 650D|
|Canon 1100D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Canon 550D||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon 550D|
|Canon 500D||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon 500D|
|Canon 450D||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon 450D|
|Canon 40D||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 350D||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon 350D|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D40X||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D40X|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 400D writes its imaging data to Compact Flash cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 400D and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 400D||Y||none||none||-||-||none||2.0||-||-||-||Canon 400D|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Canon 750D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon 650D||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon 1100D||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Canon 550D||Y||stereo||none||Y||-||mini||2.0||-||-||-||Canon 550D|
|Canon 500D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 500D|
|Canon 450D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 450D|
|Canon 40D||Y||none||none||-||-||none||2.0||-||-||-||Canon 40D|
|Canon 350D||Y||none||none||-||-||none||2.0||-||-||-||Canon 350D|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D40X||Y||none||none||-||-||none||2.0||-||-||-||Nikon D40X|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
It is notable that the A6300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 400D does not offer wifi capability.
Both the 400D and the A6300 have been discontinued, but can regularly be found used on eBay. The 400D was replaced by the Canon 450D, while the A6300 was followed by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon 400D or the Sony A6300 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 400D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2006).
Arguments in favor of the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 10.1MP), which boosts linear resolution by 54%.
- Better image quality: Scores substantially higher (23 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.49x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 127x84mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 152g or 27 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 9 years and 5 months of technical progress since the 400D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (22 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 400D and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 400D or the A6300 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 100D vs Canon 400D
- Canon 1D X vs Sony A6300
- Canon 400D vs Canon M50
- Canon 400D vs Kodak AZ901
- Canon 400D vs Olympus E-M1X
- Canon 5D Mark II vs Sony A6300
- Canon R vs Sony A6300
- Leica X-U Typ 113 vs Sony A6300
- Nikon D5100 vs Sony A6300
- Olympus E-PL8 vs Sony A6300
- Panasonic FZ2500 vs Sony A6300
- Sony A6300 vs Sony HX90V
Specifications: Canon 400D vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 400D||Sony A6300|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||August 2006||February 2016|
|Launch Price||USD 799||USD 999|
|Sensor Specs||Canon 400D||Sony A6300|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.2 x 14.8 mm||23.5 x 15.6 mm|
|Sensor Area||328.56 mm2||366.6 mm2|
|Sensor Diagonal||26.7 mm||28.2 mm|
|Sensor Resolution||10.1 Megapixels||24 Megapixels|
|Image Resolution||3888 x 2592 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.71 μm||3.91 μm|
|Pixel Density||3.07 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1600 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||100-51200 ISO|
|Image Processor||DIGIC II||BIONZ X|
|DXO Sensor Quality (score)||62||85|
|DXO Color Depth (bits)||22.1||24.4|
|DXO Dynamic Range (EV)||11.0||13.7|
|DXO Low Light (ISO)||664||1437|
|Screen Specs||Canon 400D||Sony A6300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||230k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 400D||Sony A6300|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||50 000 actuations||100 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 400D||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 400D||Sony A6300|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
127 x 84 x 65 mm
(5.0 x 3.3 x 2.6 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||556 g (19.6 oz)||404 g (14.3 oz)|
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