Canon 200D vs Panasonic GM1
The Canon EOS 200D (called Canon SL2 in some regions) and the Panasonic Lumix DMC-GM1 are two digital cameras that were revealed to the public, respectively, in June 2017 and October 2013. The 200D is a DSLR, while the GM1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (200D) and a Four Thirds (GM1) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Panasonic Lumix DMC-GM1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 200D and the Panasonic GM1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the GM1 is available in three color-versions (black, silver, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM1 is considerably smaller (52 percent) than the Canon 200D. Moreover, the GM1 is substantially lighter (55 percent) than the 200D. In this context, it is worth noting that neither the 200D nor the GM1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (200D) and the Micro Four Thirds Lens Catalog (GM1). Mirrorless cameras, such as the GM1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|2.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|3.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||amazon.com|
|4.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||amazon.com|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||ebay.com|
|6.||Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||ebay.com|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||amazon.com|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||ebay.com|
|9.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||ebay.com|
|10.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|11.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|12.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||ebay.com|
|13.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|15.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|16.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 200D was launched at a markedly lower price (by 27 percent) than the GM1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Panasonic GM1 a Four Thirds sensor. The sensor area in the GM1 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 200D has a native 3:2 aspect ratio, while the one in the GM1 offers a 4:3 aspect.
With 24MP, the 200D offers a higher resolution than the GM1 (15.8MP), but the 200D has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.77μm for the GM1). However, the 200D is a much more recent model (by 3 years and 8 months) than the GM1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 200D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 200D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GM1 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GM1 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 125-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 200D provides substantially higher image quality than the GM1, with an overall score that is 13 points higher. This advantage is based on 1.3 bits higher color depth, 1.7 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|13.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|15.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 200D provides a higher frame rate than the GM1. It can shoot video footage at 1080/60p, while the Panasonic is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 200D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GM1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 200D and Panasonic GM1 along with similar information for a selection of comparators.
|1.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|3.||Canon 250D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon 2000D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|6.||Canon 800D||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|7.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|8.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|9.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0/s||Y||n|
|10.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|11.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|12.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|13.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|15.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|16.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 200D and the GM1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Panasonic Lumix DMC-GM1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon 250D||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon 2000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 800D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|13.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the 200D has a hotshoe, while the GM1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the 200D and the GM1 have been discontinued, but can regularly be found used on ebay. The GM1 was replaced by the Panasonic GM5, while the 200D was followed by the Canon 250D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon 200D or the Panasonic GM1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 200D:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better image quality: Scores substantially higher (13 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (650 versus 230) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
- More modern: Reflects 3 years and 8 months of technical progress since the GM1 launch.
Arguments in favor of the Panasonic Lumix DMC-GM1:
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (99x55mm vs 122x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 249g or 55 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the 200D is the clear winner of the match-up (18 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 200D and the Panasonic GM1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 200D or the GM1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|2.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|3.||Canon 250D||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599||amazon.com|
|4.||Canon 2000D||..||o||..||..||3.5/5||3.5/5||Feb 2018||449||amazon.com|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899||ebay.com|
|6.||Canon 800D||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749||ebay.com|
|7.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||amazon.com|
|8.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499||ebay.com|
|9.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979||ebay.com|
|10.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|11.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|12.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499||ebay.com|
|13.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|15.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|16.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 200D vs Fujifilm X-A1
- Canon 200D vs Fujifilm X-A10
- Canon 200D vs Leica M Typ 240
- Canon 200D vs Panasonic LX5
- Canon 200D vs Panasonic TZ200
- Canon 200D vs Pentax K-1 II
- Canon 550D vs Panasonic GM1
- Nikon 1 V2 vs Panasonic GM1
- Nikon D1X vs Panasonic GM1
- Olympus E-PL9 vs Panasonic GM1
- Panasonic FZ82 vs Panasonic GM1
- Panasonic GM1 vs Panasonic S1H
Specifications: Canon 200D vs Panasonic GM1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 200D||Panasonic GM1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2017||October 2013|
|Launch Price||USD 549||USD 749|
|Sensor Specs||Canon 200D||Panasonic GM1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.72 μm||3.77 μm|
|Pixel Density||7.22 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||100 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||125 - 25,600 ISO|
|Image Processor||DIGIC 7||Venus IX|
|DXO Sensor Quality (score)||79||66|
|DXO Color Depth (bits)||23.6||22.3|
|DXO Dynamic Range (EV)||13.4||11.7|
|DXO Low Light (ISO)||1041||660|
|Screen Specs||Canon 200D||Panasonic GM1|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1036k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon 200D||Panasonic GM1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 200D||Panasonic GM1|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 200D||Panasonic GM1|
|Battery Life (CIPA)||650 shots per charge||230 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
99 x 55 x 30 mm
(3.9 x 2.2 x 1.2 in)
|Camera Weight||453 g (16.0 oz)||204 g (7.2 oz)|
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