Canon 1Ds vs Olympus E-M1 II
The Canon EOS-1Ds and the Olympus OM-D E-M1 Mark II are two digital cameras that were officially introduced, respectively, in September 2002 and September 2016. The 1Ds is a DSLR, while the E-M1 II is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1Ds) and a Four Thirds (E-M1 II) sensor. The Canon has a resolution of 11 megapixels, whereas the Olympus provides 20.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 1Ds||Olympus E-M1 II|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|11 MP, Full Frame Sensor||20.2 MP, Four Thirds Sensor|
|no Video||4K/30p Video|
|ISO 100-1250||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|2.0" LCD, 120k dots||3.0" LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|3 shutter flaps per second||18 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|600 shots per battery charge||440 shots per battery charge|
|156 x 158 x 80 mm, 1265 g||134 x 91 x 67 mm, 574 g|
Body comparison: Canon 1Ds vs Olympus E-M1 II
The side-by-side display below illustrates the physical size and weight of the Canon 1Ds and the Olympus E-M1 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is considerably smaller (51 percent) than the Canon 1Ds. Moreover, the E-M1 II is substantially lighter (55 percent) than the 1Ds. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1Ds) and the Micro Four Thirds Lens Catalog (E-M1 II). Mirrorless cameras, such as the E-M1 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1Ds gets 600 shots out of its NP-E3 battery, while the E-M1 II can take 440 images on a single charge of its BLH-1 power pack. As can be seen in the images above, the 1Ds has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the E-M1 II, Olympus provides the HLD-9 vertical grip as an optional accessory (see here on eBay).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1Ds»||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Olympus E-M1 II«||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M1 II was launched at a markedly lower price (by 78 percent) than the 1Ds, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 1Ds vs Olympus E-M1 II
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1Ds features a full frame sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 1Ds has a native 3:2 aspect ratio, while the one in the E-M1 II offers a 4:3 aspect.
Despite having a smaller sensor, the E-M1 II offers a higher resolution of 20.2 megapixels, compared with 11 MP of the 1Ds. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 8.83μm for the 1Ds). However, it should be noted that the E-M1 II is much more recent (by 13 years and 11 months) than the 1Ds, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
Unlike the 1Ds, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS-1Ds has a native sensitivity range from ISO 100 to ISO 1250, which can be extended to ISO 50-1250. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M1 II offers substantially better image quality than the 1Ds (overall score 17 points higher). The advantage is based on 1.9 bits higher color depth, 1.8 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1Ds»||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Olympus E-M1 II«||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
Many modern cameras cannot only take still pictures, but also record videos. The E-M1 II indeed provides for movie recording, while the 1Ds does not. The highest resolution format that the E-M1 II can use is 4K/30p.
Feature comparison: Canon 1Ds vs Olympus E-M1 II
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the 1Ds has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M1 II has a higher magnification than the one of the 1Ds (0.74x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1Ds and Olympus E-M1 II in connection with corresponding information for a sample of similar cameras.
|Canon 1Ds»||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Olympus E-M1 II«||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
One feature that is present on the 1Ds, but is missing on the E-M1 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-M1 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1Ds does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1Ds writes its imaging data to Compact Flash cards, while the E-M1 II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison: Canon 1Ds vs Olympus E-M1 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds»||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Olympus E-M1 II«||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
It is notable that the E-M1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1Ds does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The E-M1 II is a recent model that features in the current product line-up of Olympus. In contrast, the 1Ds has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1Ds was succeeded by the Canon 1Ds Mark II. Further information on the two cameras, as well as related accessories, can be found on the official Canon and Olympus websites.
Review summary: Canon 1Ds vs Olympus E-M1 II
So how do things add up? Is there a clear favorite between the Canon 1Ds and the Olympus E-M1 II? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS-1Ds:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (600 versus 440) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2002).
Advantages of the Olympus OM-D E-M1 Mark II:
- More detail: Has more megapixels (20.2 vs 11MP), which boosts linear resolution by 33%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 120k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (18 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (134x91mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 691g or 55 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
- More modern: Reflects 13 years and 11 months of technical progress since the 1Ds launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (26 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
Do the specifications of the Canon 1Ds and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings.In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 1Ds or the E-M1 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 1Ds vs Olympus E-M1 II
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).
|Canon 1Ds»||-||++||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Olympus E-M1 II«||++||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||++||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||88/100||++||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||-||++||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||-||++||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Olympus E-M5 II« »||++||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||++||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic G9« »||++||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||++||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Notes: ++) highly recommended; +) recommended; o) reviewed; -) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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Specifications: Canon 1Ds vs Olympus E-M1 II
|Camera Model||Canon 1Ds||Olympus E-M1 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2002||September 2016|
|Launch Price||USD 8999||USD 1999|
|Sensor Specs||Canon 1Ds||Olympus E-M1 II|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 23.8 mm||17.3 x 13.0 mm|
|Sensor Area||856.8 mm2||224.9 mm2|
|Sensor Diagonal||43.2 mm||21.6 mm|
|Sensor Resolution||11 Megapixels||20.2 Megapixels|
|Image Resolution||4064 x 2704 pixels||5184 x 3888 pixels|
|Pixel Pitch||8.83 μm||3.34 μm|
|Pixel Density||1.28 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1250 ISO||200-25600 ISO|
|ISO Boost||50-1250 ISO||64-25600 ISO|
|Image Processor||DIGIC||TruePic VIII|
|DXO Sensor Quality (score)||63||80|
|DXO Color Depth (bits)||21.8||23.7|
|DXO Dynamic Range (EV)||11.0||12.8|
|DXO Low Light (ISO)||954||1312|
|Screen Specs||Canon 1Ds||Olympus E-M1 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||120k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1Ds||Olympus E-M1 II|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||18 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Canon 1Ds||Olympus E-M1 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||Firewire||USB 3.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 1Ds||Olympus E-M1 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||NP-E3 power pack||BLH-1 power pack|
|Battery Life (CIPA)||600 shots per charge||440 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
|Camera Weight||1265 g (44.6 oz)||574 g (20.2 oz)|
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