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Olympus E-M1 II versus Panasonic GX80

The Olympus OM-D E-M1 Mark II and the Panasonic Lumix DMC-GX80 (labelled Panasonic GX85 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2016 and April 2016. Both the E-M1 II and the GX80 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 20.2 megapixel, whereas the Panasonic provides 15.8 MP.

Body comparison

An illustration of the physical size and weight of the Olympus E-M1 II and the Panasonic GX80 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the E-M1 II – represents the basis for the calculations across all the size and weight measures).

Olympus E-M1 II vs Panasonic GX80 front
E-M1 II versus GX80 top view
E-M1 II and GX80 rear side
Body view (E-M1 II on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX80 is notably smaller (29 percent) than the Olympus E-M1 II. Moreover, the GX80 is markedly lighter (26 percent) than the E-M1 II. It is worth mentioning in this context that the E-M1 II is splash and dust resistant, while the GX80 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Olympus E-M1 II (⇒ rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Panasonic GX80 (⇒ lft) 122 mm 71 mm 44 mm 426 g 290 no 2016 799 latest check
Nikon D500 (⇒ lft | rgt) 147 mm 115 mm 81 mm 860 g 1240 YES 2016 1,999 latest check
Olympus PEN-F (⇒ lft | rgt) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Olympus E-M10 II (⇒ lft | rgt) 120 mm 83 mm 47 mm 390 g 320 no 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) 124 mm 85 mm 45 mm 469 g 310 YES 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) 119 mm 82 mm 46 mm 396 g 320 no 2014 699discont. check
Olympus E-M1 (⇒ lft | rgt) 130 mm 94 mm 63 mm 497 g 350 YES 2013 1,399discont. check
Panasonic G9 (⇒ lft | rgt) 137 mm 97 mm 92 mm 658 g 400 YES 2017 1,699 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic G80 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199 latest check
Panasonic GX7 (⇒ lft | rgt) 123 mm 71 mm 55 mm 402 g 350 no 2013 999discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999 latest check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX80 was launched at a markedly lower price (by 60 percent) than the E-M1 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Olympus E-M1 II and Panasonic GX80 sensor measures
Sensor size

While the two cameras under review share the same sensor size, the E-M1 II offers a higher resolution of 20.2 megapixel, compared with 15.8 MP of the GX80. This megapixel advantage translates into a 13 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M1 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 3.77μm for the GX80). In this context, it should be noted, however, that the E-M1 II is a somewhat more recent model (by 5 months) than the GX80, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

Unlike the GX80, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

E-M1 II versus GX80 MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the E-M1 II has a notably higher overall DXO score than the GX80 (overall score 9 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.8 bits higher color depth, 0.2 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Olympus E-M1 II (⇒ rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Panasonic GX80 (⇒ lft) Four Thirds 15.8 4592 3448 4K/30p 22.9 12.6 662 71
Nikon D500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.0 14.0 1324 83
Olympus PEN-F (⇒ lft | rgt) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Olympus E-M10 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.1 12.5 842 73
Olympus E-M5 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.0 12.5 842 73
Olympus E-M10 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.3 884 72
Olympus E-M1 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 23.0 12.7 757 73
Panasonic G9 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p - - - -
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic G80 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Panasonic GX7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.6 12.2 718 70
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX80 offers a higher resolution than the one in the E-M1 II (2765k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Olympus E-M1 II, the Panasonic GX80, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Olympus E-M1 II (⇒ rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Panasonic GX80 (⇒ lft) 2765 no 3.0 1040 tilting YES 4000 8.0 6 YES
Nikon D500 (⇒ lft | rgt) optical YES 3.2 2359 tilting YES 8000 10.0 no no
Olympus PEN-F (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-M10 II (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5.8 YES
Olympus E-M5 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-M10 (⇒ lft | rgt) 1440 no 3.0 1037 tilting YES 4000 8.0 5.8 YES
Olympus E-M1 (⇒ lft | rgt) 2360 no 3.0 1037 tilting YES 8000 10.0 no YES
Panasonic G9 (⇒ lft | rgt) 3680 YES 3.0 1040 swivel YES 8000 20.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic G80 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Panasonic GX7 (⇒ lft | rgt) 2760 no 3.0 1040 tilting YES 8000 5.0 7 YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES

Both the E-M1 II and the GX80 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The GX80 replaced the earlier Panasonic GX7, while the E-M1 II followed on from the Olympus E-M1.

Summary

So what is the bottom line? Is the Olympus E-M1 II better than the Panasonic GX80 or vice versa? A synthesis of the relative strong points of each of the models is listed below.


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Reasons to prefer the Olympus OM-D E-M1 Mark II:

  • More detail: Offers more megapixels (20.2 vs 15.8MP) with a 13% higher linear resolution.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Scores markedly higher (9 points) in the DXO overall assessment.
  • Better low-light sensitivity: Requires less light for good images (1 stops ISO advantage).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (18 vs 8 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (440 versus 290) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • More modern: Is somewhat more recent (announced 5 months after the GX80).

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Arguments in favor of the Panasonic Lumix DMC-GX80:

  • More detailed viewfinder: Has higher resolution electronic viewfinder (2765k vs 2360k dots).
  • More compact: Is smaller (122x71mm vs 134x91mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 148g or 26 percent) and is thus easier to take along.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in April 2016).

If the number of relative strengths (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the match-up (10 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

E-M1 II 10:06 GX80

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the E-M1 II or the GX80. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Olympus E-M1 II (⇒ rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Panasonic GX80 (⇒ lft) HiRec 82/100 Silver 5/5 4.5/5 5/5 2016 799 latest check
Nikon D500 (⇒ lft | rgt) HiRec 91/100 Gold 4.5/5 5/5 5/5 2016 1,999 latest check
Olympus PEN-F (⇒ lft | rgt) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Olympus E-M10 II (⇒ lft | rgt) HiRec 80/100 Silver 5/5 5/5 5/5 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) HiRec 81/100 Silver 5/5 4.5/5 5/5 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) - 80/100 Gold 5/5 4.5/5 5/5 2014 699discont. check
Olympus E-M1 (⇒ lft | rgt) HiRec 84/100 Gold 4.5/5 4.5/5 4.5/5 2013 1,399discont. check
Panasonic G9 (⇒ lft | rgt) .. 85/100 Silver 5/5 .. 5/5 2017 1,699 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic G80 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199 latest check
Panasonic GX7 (⇒ lft | rgt) Rec 79/100 Silver 5/5 4.5/5 5/5 2013 999discont. check
Sony A9 (⇒ lft | rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999 latest check

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to update the database with the necessary infos.

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