Canon 1D X Mark II vs Sony NEX-3N
The Canon EOS-1D X Mark II and the Sony Alpha NEX-3N are two digital cameras that were officially introduced, respectively, in February 2016 and February 2013. The 1DX Mark II is a DSLR, while the NEX-3N is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1DX Mark II) and an APS-C (NEX-3N) sensor. The Canon has a resolution of 20 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D X Mark II||Sony NEX-3N|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|20 MP, Full Frame Sensor||16 MP, APS-C Sensor|
|4K/60p Video||1080/60i Video|
|ISO 100-51200 (50-409600)||ISO 200-16000|
|Optical viewfinder||Viewfinder optional|
|3.2" LCD, 1620k dots||3.0" LCD, 460k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|16 shutter flaps per second||4 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1210 shots per battery charge||480 shots per battery charge|
|158 x 168 x 83 mm, 1530 g||110 x 62 x 35 mm, 269 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D X Mark II and the Sony Alpha NEX-3N? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D X Mark II and the Sony NEX-3N are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The NEX-3N can be obtained in two different colors (black, white), while the 1DX Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-3N is considerably smaller (74 percent) than the Canon 1D X Mark II. Moreover, the NEX-3N is substantially lighter (82 percent) than the 1DX Mark II. It is worth mentioning in this context that the 1DX Mark II is splash and dust resistant, while the NEX-3N does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1DX Mark II) and the Sony E-Mount Lens Catalog (NEX-3N). Mirrorless cameras, such as the NEX-3N, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1DX Mark II gets 1210 shots out of its LP-E19 battery, while the NEX-3N can take 480 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1DX Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D X Mark II»||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Sony NEX-3N«||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||Sony NEX-3N|
|Canon 1D X Mark III« »||6.2 in||6.6 in||3.3 in||50.8 oz||2850||Y||Jan 2020||6,499||Canon 1D X Mark III|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 1D C« »||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||Canon 1D C|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||Canon 6D|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||Canon 1D X|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||Canon 5D Mark II|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||Canon 1Ds Mark III|
|Nikon D5« »||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499||Nikon D5|
|Sony A5000« »||4.3 in||2.5 in||1.4 in||9.5 oz||420||n||Jan 2014||449||Sony A5000|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||Sony NEX-F3|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||Sony NEX-3|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NEX-3N was launched at a markedly lower price (by 92 percent) than the 1DX Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D X Mark II features a full frame sensor and the Sony NEX-3N an APS-C sensor. The sensor area in the NEX-3N is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20MP, the 1DX Mark II offers a higher resolution than the NEX-3N (16MP), but the 1DX Mark II nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 4.78μm for the NEX-3N) due to its larger sensor. Moreover, the 1DX Mark II is a much more recent model (by 2 years and 11 months) than the NEX-3N, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 1D X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1DX Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Sony NEX-3N are 24.6 x 16.3 inch or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.6 x 27.6 cm for excellent quality prints.
The 1DX Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D X Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-409600. The corresponding ISO settings for the Sony Alpha NEX-3N are ISO 200 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 1DX Mark II provides substantially higher image quality than the NEX-3N, with an overall score that is 14 points higher. This advantage is based on 1.3 bits higher color depth, 1 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Sony NEX-3N||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||..||..||..||..||Canon 1D X Mark III|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||..||..||..||..||Canon 1D C|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Sony A5000||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony A5100||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony NEX-F3||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-3||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 1DX Mark II provides a higher video resolution than the NEX-3N. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1DX Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-3N relies on live view and the rear LCD for framing. That said, the NEX-3N can be equipped with an optional viewfinder – the FDA-SV1. The adjacent table lists some of the other core features of the Canon 1D X Mark II and Sony NEX-3N along with similar information for a selection of comparators.
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Sony NEX-3N||optional||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Canon 1D X Mark III||optical||Y||3.2||2100||fixed||Y||1/8000s||20.0||n||n||Canon 1D X Mark III|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 1D C||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Nikon D5||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Sony A5000||none||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Sony A5100||none||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony NEX-F3||optional||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-3||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Sony NEX-5||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One feature that is present on the 1DX Mark II, but is missing on the NEX-3N is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The NEX-3N has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1DX Mark II does not have a selfie-screen.
The 1DX Mark II writes its imaging data to Compact Flash or CFast cards, while the NEX-3N uses SDXC or Memory Stick PRO Duo cards. The 1DX Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the NEX-3N only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D X Mark II and Sony Alpha NEX-3N and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Sony NEX-3N||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Canon 1D X Mark III||Y||mono||mono||Y||Y||mini||3.1||Y||-||Y||Canon 1D X Mark III|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 1D C||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 1D X||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1Ds Mark III||Y||none||none||-||-||none||2.0||-||-||-||Canon 1Ds Mark III|
|Nikon D5||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Sony A5000||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony A5100||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony NEX-F3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
It is notable that the 1DX Mark II has a hotshoe, while the NEX-3N does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1D X Mark II (unlike the NEX-3N) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 1DX Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 1DX Mark II and the NEX-3N have been discontinued, but can regularly be found used on eBay. The NEX-3N was replaced by the Sony A5000, while the 1DX Mark II was followed by the Canon 1DX Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon 1D X Mark II or the Sony NEX-3N – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS-1D X Mark II:
- More detail: Offers more megapixels (20 vs 16MP) with a 12% higher linear resolution.
- Better image quality: Scores substantially higher (14 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (16 vs 4 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1210 versus 480) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 11 months of technical progress since the NEX-3N launch.
Arguments in favor of the Sony Alpha NEX-3N:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (110x62mm vs 158x168mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 1261g or 82 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the 1DX Mark II is the clear winner of the match-up (25 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D X Mark II and the Sony NEX-3N place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 1DX Mark II or the NEX-3N perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II vs Sony NEX-3N
- Canon 1D X Mark II vs Canon G5 X Mark II
- Canon 1D X Mark II vs Panasonic G2
- Canon 1D X Mark II vs Ricoh WG-60
- Canon 1D X Mark II vs Sony A77 II
- Canon 1D X Mark II vs Sony A7R III
- Canon 250D vs Sony NEX-3N
- Canon 50D vs Sony NEX-3N
- Nikon D800E vs Sony NEX-3N
- Panasonic S1H vs Sony NEX-3N
- Pentax 645Z vs Sony NEX-3N
- Sony NEX-3N vs Sony RX100 III
Specifications: Canon 1D X Mark II vs Sony NEX-3N
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D X Mark II||Sony NEX-3N|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2016||February 2013|
|Launch Price||USD 5999||USD 499|
|Sensor Specs||Canon 1D X Mark II||Sony NEX-3N|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.4 x 15.6 mm|
|Sensor Area||864 mm2||365.04 mm2|
|Sensor Diagonal||43.3 mm||28.1 mm|
|Sensor Resolution||20 Megapixels||16 Megapixels|
|Image Resolution||5472 x 3648 pixels||4912 x 3264 pixels|
|Pixel Pitch||6.57 μm||4.78 μm|
|Pixel Density||2.31 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/60i Video|
|ISO Setting||100-51200 ISO||200-16000 ISO|
|ISO Boost||50-409600 ISO||no Enhancement|
|Image Processor||DIGIC 6+ (Dual)||BIONZ|
|DXO Sensor Quality (score)||88||74|
|DXO Color Depth (bits)||24.1||22.8|
|DXO Dynamic Range (EV)||13.5||12.5|
|DXO Low Light (ISO)||3207||1067|
|Screen Specs||Canon 1D X Mark II||Sony NEX-3N|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 1D X Mark II||Sony NEX-3N|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||16 shutter flaps/s||4 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or CFAST cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D X Mark II||Sony NEX-3N|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 1D X Mark II||Sony NEX-3N|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1210 shots per charge||480 shots per charge|
158 x 168 x 83 mm
(6.2 x 6.6 x 3.3 in)
110 x 62 x 35 mm
(4.3 x 2.4 x 1.4 in)
|Camera Weight||1530 g (54.0 oz)||269 g (9.5 oz)|
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