Canon 1D Mark IV versus Canon 6D Mark II
The Canon EOS-1D Mark IV and the Canon EOS 6D Mark II are two digital cameras that were officially introduced, respectively, in October 2009 and June 2017. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark IV) and a full frame sensor. The 1D Mark IV has a resolution of 16 megapixel, whereas the 6D Mark II provides 26 MP.
An illustration of the physical size and weight of the Canon 1D Mark IV and the Canon 6D Mark II is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 1D Mark IV – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 6D Mark II is considerably smaller (35 percent) than the Canon 1D Mark IV. Moreover, the 6D Mark II is substantially lighter (38 percent) than the 1D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor (as in the 6D Mark II) will tend to go along with bigger and heavier lenses, while more compact options are available for the smaller-sensor camera (1D Mark IV). You can find a comprehensive overview of suitable optics in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 1D Mark IV (⇒ rgt)||156 mm||157 mm||80 mm||1230 g||1500||YES||2009||4,999||discont.||check|
|Canon 6D Mark II (⇒ lft)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Canon 5D Mark IV (⇒ lft | rgt)||151 mm||116 mm||76 mm||890 g||900||YES||2016||3,499||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon 6D (⇒ lft | rgt)||145 mm||111 mm||71 mm||770 g||1090||YES||2012||2,099||discont.||check|
|Canon 1D X (⇒ lft | rgt)||158 mm||168 mm||83 mm||1551 g||1120||YES||2011||6,799||discont.||check|
|Canon 60D (⇒ lft | rgt)||145 mm||106 mm||79 mm||755 g||1100||YES||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||148 mm||111 mm||74 mm||860 g||800||YES||2009||1,699||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||152 mm||114 mm||75 mm||850 g||850||YES||2008||3,499||discont.||check|
|Canon 50D (⇒ lft | rgt)||146 mm||108 mm||74 mm||822 g||800||YES||2008||1,299||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||156 mm||156.6 mm||80 mm||1155 g||2200||YES||2007||4,499||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||156 mm||157.6 mm||80 mm||1215 g||1200||YES||2004||7,999||discont.||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D4 (⇒ lft | rgt)||160 mm||157 mm||91 mm||1340 g||2600||YES||2012||5,999||discont.||check|
|Nikon D3S (⇒ lft | rgt)||160 mm||157 mm||88 mm||1240 g||4200||YES||2009||5,199||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 6D Mark II was launched at a markedly lower price (by 60 percent) than the 1D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Canon 6D Mark II a full frame sensor. The sensor area in the 6D Mark II is 66 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 26MP, the 6D Mark II offers a higher resolution than the 1D Mark IV (16MP), but the 6D Mark II nevertheless has marginally larger individual pixels (pixel pitch of 5.76μm versus 5.70μm for the 1D Mark IV) due to its larger sensor. Moreover, the 6D Mark II is a much more recent model (by 7 years and 8 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the 6D Mark II offers substantially better image quality than the 1D Mark IV (overall score 11 points higher). The advantage is based on 1.6 bits higher color depth, 0.1 EV of lower dynamic range, and 1.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1D Mark IV (⇒ rgt)||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 6D Mark II (⇒ lft)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 5D Mark IV (⇒ lft | rgt)||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 6D (⇒ lft | rgt)||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 1D X (⇒ lft | rgt)||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 7D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Canon 5D Mark II (⇒ lft | rgt)||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 50D (⇒ lft | rgt)||APS-C||15.1||4752||3168||no||21.8||11.4||696||63|
|Canon 1D Mark III (⇒ lft | rgt)||APS-H||10.1||3888||2592||no||22.7||11.7||1078||71|
|Canon 1Ds Mark II (⇒ lft | rgt)||Full Frame||16.6||4992||3328||no||23.3||11.3||1480||74|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D4 (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3S (⇒ lft | rgt)||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 6D Mark II provides a faster frame rate than the 1D Mark IV. It can shoot movie footage at 1080/60p, while the 1D Mark IV is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The 1D Mark IV and the 6D Mark II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Canon 1D Mark IV and Canon 6D Mark II in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 1D Mark IV (⇒ rgt)||optical||YES||3.0||920||fixed||no||8000||10.0||no||no|
|Canon 6D Mark II (⇒ lft)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Canon 5D Mark IV (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||7.0||no||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 6D (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||4000||4.5||no||no|
|Canon 1D X (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||14.0||no||no|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Canon 7D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||8.0||12||no|
|Canon 5D Mark II (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||3.9||no||no|
|Canon 50D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||6.3||13||no|
|Canon 1D Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||10.0||no||no|
|Canon 1Ds Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||4.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D4 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D3S (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||8000||11.0||no||no|
The 6D Mark II is a current model that online retailers, such as amazon, will have in stock. In contrast, the 1D Mark IV has been discontinued (but it can be found pre-owned on ebay). There has not been a direct replacement model for the 1D Mark IV from Canon.
So what conclusions can be drawn? Is the Canon 1D Mark IV better than the Canon 6D Mark II or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS-1D Mark IV:
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6.5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (1500 versus 1200) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Reasons to prefer the Canon EOS 6D Mark II:
- More detail: Has more megapixels (26 vs 16MP), which boosts linear resolution by 27%.
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p vs 1080/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More compact: Is smaller (144x111mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 465g or 38 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More modern: Reflects 7 years and 8 months of technical progress since the 1D Mark IV launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 6D Mark II is the clear winner of the contest (12 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D Mark IV or the 6D Mark II handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 1D Mark IV (⇒ rgt)||-||89/100 Gold||-||5/5||-||2009||4,999||discont.||check|
|Canon 6D Mark II (⇒ lft)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Canon 5D Mark IV (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||5/5||4.5/5||2016||3,499||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 6D (⇒ lft | rgt)||HiRec||83/100 Silver||4.5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Canon 1D X (⇒ lft | rgt)||-||-||4.5/5||4.5/5||4.5/5||2011||6,799||discont.||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||93/100 HiRec||84/100||4.5/5||5/5||4.5/5||2009||1,699||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||91/100||79/100 HiRec||4/5||5/5||-||2008||3,499||discont.||check|
|Canon 50D (⇒ lft | rgt)||90/100 HiRec||HiRec||4.5/5||5/5||4.5/5||2008||1,299||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||-||-||-||reviewed||-||2007||4,499||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||-||HiRec||-||-||-||2004||7,999||discont.||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D4 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2012||5,999||discont.||check|
|Nikon D3S (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2009||5,199||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to add information on that model to the database.
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