Canon 1D Mark IV vs Panasonic GF5

The Canon EOS-1D Mark IV and the Panasonic Lumix DMC-GF5 are two digital cameras that were revealed to the public, respectively, in October 2009 and April 2012. The 1D Mark IV is a DSLR, while the GF5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark IV) and a Four Thirds (GF5) sensor. The Canon has a resolution of 16 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 1D Mark IV		Panasonic GF5
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
16 MP – APS-H sensor		12 MP – Four Thirds sensor
1080/30p Video		1080/60i Video
ISO 100-12,800 (50 - 102,400)		ISO 160-6,400 (160 - 12,800)
Optical viewfinder		No viewfinder, LCD framing
3.0" LCD – 920k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Fixed touchscreen
10 shutter flaps per second		4 shutter flaps per second
Weathersealed body		not weather sealed
1500 shots per battery charge		360 shots per battery charge
156 x 157 x 80 mm, 1230 g		108 x 67 x 37 mm, 267 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark IV and the Panasonic Lumix DMC-GF5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 1D Mark IV and the Panasonic GF5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The GF5 can be obtained in three different colors (black, red, white), while the 1D Mark IV is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF5 is considerably smaller (70 percent) than the Canon 1D Mark IV. Moreover, the GF5 is substantially lighter (78 percent) than the 1D Mark IV. It is worth mentioning in this context that the 1D Mark IV is splash and dust resistant, while the GF5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark IV) and the Micro Four Thirds Lens Catalog (GF5). Mirrorless cameras, such as the GF5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 1D Mark IV gets 1500 shots out of its Canon LP-E4 battery, while the GF5 can take 360 images on a single charge of its Panasonic DMW-BLE9 power pack. As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 1D Mark IV	156 mm	157 mm	80 mm	1230 g	1500	Y	Oct 2009	4,999	ebay.com
2.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
3.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
4.		Canon 1D X	158 mm	168 mm	83 mm	1551 g	1120	Y	Oct 2011	6,799	ebay.com
5.		Canon 60D	145 mm	106 mm	79 mm	755 g	1100	Y	Aug 2010	1,399	ebay.com
6.		Canon 7D	148 mm	111 mm	74 mm	860 g	800	Y	Sep 2009	1,699	ebay.com
7.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499	ebay.com
8.		Canon 1D Mark III	156 mm	157 mm	80 mm	1155 g	2200	Y	Feb 2007	4,499	ebay.com
9.		Canon 1D Mark II	156 mm	158 mm	80 mm	1535 g	1200	Y	Jan 2004	4,499	ebay.com
10.		Canon 1Ds Mark II	156 mm	158 mm	80 mm	1215 g	1200	Y	Sep 2004	7,999	ebay.com
11.		Nikon D4	160 mm	157 mm	91 mm	1340 g	2600	Y	Jan 2012	5,999	ebay.com
12.		Nikon D3S	160 mm	157 mm	88 mm	1240 g	4200	Y	Oct 2009	5,199	ebay.com
13.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
14.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
15.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
16.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
17.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF5 was launched at a markedly lower price (by 90 percent) than the 1D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Panasonic GF5 a Four Thirds sensor. The sensor area in the GF5 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark IV has a native 3:2 aspect ratio, while the one in the GF5 offers a 4:3 aspect.

With 16MP, the 1D Mark IV offers a higher resolution than the GF5 (12MP), but the 1D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.70μm versus 4.33μm for the GF5) due to its larger sensor. However, the GF5 is a much more recent model (by 2 years and 5 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon 1D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1D Mark IV for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Canon EOS-1D Mark IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-GF5 are ISO 160 to ISO 6400, with the possibility to increase the ISO range to 160-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 1D Mark IV provides substantially higher image quality than the GF5, with an overall score that is 24 points higher. This advantage is based on 2.3 bits higher color depth, 2 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 1D Mark IV	APS-H	16.0	4896	3264	1080/30p	22.8	12.0	1320	74
2.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
3.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
4.		Canon 1D X	Full Frame	17.9	5184	3456	1080/30p	23.8	11.8	2786	82
5.		Canon 60D	APS-C	17.9	5184	3456	1080/30p	22.2	11.5	813	66
6.		Canon 7D	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	854	66
7.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
8.		Canon 1D Mark III	APS-H	10.1	3888	2592	none	22.7	11.7	1078	71
9.		Canon 1D Mark II	APS-H	8.2	3504	2336	none	22.3	11.1	1003	66
10.		Canon 1Ds Mark II	Full Frame	16.6	4992	3328	none	23.3	11.3	1480	74
11.		Nikon D4	Full Frame	16.2	4928	3280	1080/30p	24.7	13.1	2965	89
12.		Nikon D3S	Full Frame	12.1	4256	2832	720/24p	23.5	12.0	3253	82
13.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
14.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
15.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
16.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
17.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GF5 provides a faster frame rate than the 1D Mark IV. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 1D Mark IV has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon 1D Mark IV, the Panasonic GF5, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 1D Mark IV	optical	Y	3.0 / 920	fixed	n	1/8000s	10.0/s	n	n
2.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
3.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
4.		Canon 1D X	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
5.		Canon 60D	optical	Y	3.0 / 1040	swivel	n	1/8000s	5.3/s	Y	n
6.		Canon 7D	optical	Y	3.0 / 920	fixed	n	1/8000s	8.0/s	Y	n
7.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
8.		Canon 1D Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	10.0/s	n	n
9.		Canon 1D Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	8.3/s	n	n
10.		Canon 1Ds Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	4.0/s	n	n
11.		Nikon D4	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
12.		Nikon D3S	optical	Y	3.0 / 921	fixed	n	1/8000s	11.0/s	n	n
13.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
14.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
15.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
16.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
17.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the 1D Mark IV, but is missing on the GF5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 1D Mark IV writes its imaging data to Compact Flash or SDHC cards, while the GF5 uses SDXC cards. The 1D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF5 only has one slot. The GF5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark IV cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark IV and Panasonic Lumix DMC-GF5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 1D Mark IV	Y	stereo / -	Y	-	mini	2.0	-	-	-
2.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
4.		Canon 1D X	Y	mono / -	Y	-	mini	2.0	-	-	-
5.		Canon 60D	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Canon 7D	Y	mono / -	Y	-	mini	2.0	-	-	-
7.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
8.		Canon 1D Mark III	Y	- / -	-	-	-	2.0	-	-	-
9.		Canon 1D Mark II	Y	- / -	-	-	-	1.1	-	-	-
10.		Canon 1Ds Mark II	Y	- / -	-	-	-	2.0	-	-	-
11.		Nikon D4	Y	mono / mono	Y	Y	micro	2.0	-	-	-
12.		Nikon D3S	Y	stereo / -	-	-	mini	2.0	-	-	-
13.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
14.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
15.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
17.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the 1D Mark IV has a hotshoe, while the GF5 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Canon 1D Mark IV (unlike the GF5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 1D Mark IV and the GF5 have been discontinued, but can regularly be found used on ebay. The GF5 was replaced by the Panasonic GF6, while the 1D Mark IV does not have a direct successor. Further information on the features and operation of the 1D Mark IV and GF5 can be found, respectively, in the Canon 1D Mark IV Manual (free pdf) or the online Panasonic GF5 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon 1D Mark IV and the Panasonic GF5? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Canon EOS-1D Mark IV:

• More detail: Offers more megapixels (16 vs 12MP) with a 18% higher linear resolution.
• Better image quality: Scores substantially higher (24 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.3 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (2 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.2 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (1500 versus 360) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in October 2009).

Arguments in favor of the Panasonic Lumix DMC-GF5:

• Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More compact: Is smaller (108x67mm vs 156x157mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 963g or 78 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
• More modern: Reflects 2 years and 5 months of technical progress since the 1D Mark IV launch.

If the count of individual advantages (bullet points above) is taken as a guide, the 1D Mark IV is the clear winner of the match-up (17 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 1D Mark IV and the Panasonic GF5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1D Mark IV or the GF5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 1D Mark IV	5/5	..	..	89/100	..	..	Oct 2009	4,999	ebay.com
2.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
3.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
4.		Canon 1D X	5/5	..	..	..	4.5/5	4.5/5	Oct 2011	6,799	ebay.com
5.		Canon 60D	5/5	+	..	79/100	4/5	4.5/5	Aug 2010	1,399	ebay.com
6.		Canon 7D	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2009	1,699	ebay.com
7.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	3,499	ebay.com
8.		Canon 1D Mark III	..	..	..	..	..	..	Feb 2007	4,499	ebay.com
9.		Canon 1D Mark II	..	..	..	+ +	..	..	Jan 2004	4,499	ebay.com
10.		Canon 1Ds Mark II	..	..	..	+ +	..	..	Sep 2004	7,999	ebay.com
11.		Nikon D4	..	..	..	..	4.5/5	4.5/5	Jan 2012	5,999	ebay.com
12.		Nikon D3S	5/5	..	..	89/100	4.5/5	5/5	Oct 2009	5,199	ebay.com
13.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
14.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
15.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
16.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
17.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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