Canon 1D C vs Panasonic G5

The Canon EOS-1D C and the Panasonic Lumix DMC-G5 are two digital cameras that were revealed to the public, respectively, in April 2012 and July 2012. The 1DC is a DSLR, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1DC) and a Four Thirds (G5) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 1D C		Panasonic G5
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
17.9 MP – Full Frame sensor		15.9 MP – Four Thirds sensor
4K/24p Video		1080/60p Video
ISO 100-51,200 (50 - 204,800)		ISO 160-12,800
Optical viewfinder		Electronic viewfinder (1440k dots)
3.2" LCD – 1040k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
14 shutter flaps per second		6 shutter flaps per second
Weathersealed body		not weather sealed
1120 shots per battery charge		320 shots per battery charge
158 x 164 x 83 mm, 1545 g		120 x 83 x 71 mm, 396 g

Check 1DC offers at
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Check G5 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D C and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 1D C and the Panasonic G5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The G5 can be obtained in two different colors (black, silver), while the 1DC is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is considerably smaller (62 percent) than the Canon 1D C. Moreover, the G5 is substantially lighter (74 percent) than the 1DC. It is worth mentioning in this context that the 1DC is splash and dust resistant, while the G5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1DC) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the G5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 1DC gets 1120 shots out of its LP-E4N battery, while the G5 can take 320 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the 1DC has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 1D C	158 mm	164 mm	83 mm	1545 g	1120	Y	Apr 2012	14,999	ebay.com
2.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
3.		Canon 1D X Mark III	158 mm	168 mm	83 mm	1440 g	2850	Y	Jan 2020	6,499	amazon.com
4.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
5.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	3,499	ebay.com
6.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
7.		Canon 1D X	158 mm	168 mm	83 mm	1551 g	1120	Y	Oct 2011	6,799	ebay.com
8.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499	ebay.com
9.		Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	7,999	ebay.com
10.		Canon 1Ds Mark II	156 mm	158 mm	80 mm	1215 g	1200	Y	Sep 2004	7,999	ebay.com
11.		Canon 1Ds	156 mm	158 mm	80 mm	1265 g	600	Y	Sep 2002	8,999	ebay.com
12.		Nikon D4	160 mm	157 mm	91 mm	1340 g	2600	Y	Jan 2012	5,999	ebay.com
13.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	amazon.com
14.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
15.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
16.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
17.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5 was launched at a markedly lower price (by 96 percent) than the 1DC, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 1D C features a full frame sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 1DC has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.

With 17.9MP, the 1DC offers a higher resolution than the G5 (15.9MP), but the 1DC nevertheless has larger individual pixels (pixel pitch of 6.95μm versus 3.76μm for the G5) due to its larger sensor. However, the G5 is a somewhat more recent model (by 3 months) than the 1DC, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon 1D C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1DC for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic G5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The Canon EOS-1D C has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 1D C	Full Frame	17.9	5184	3456	4K/24p	24.3	13.0	2155	85
2.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
3.		Canon 1D X Mark III	Full Frame	20.0	5472	3648	4K/60p	24.2	14.5	3248	91
4.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
5.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
6.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
7.		Canon 1D X	Full Frame	17.9	5184	3456	1080/30p	23.8	11.8	2786	82
8.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
9.		Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
10.		Canon 1Ds Mark II	Full Frame	16.6	4992	3328	none	23.3	11.3	1480	74
11.		Canon 1Ds	Full Frame	11.0	4064	2704	none	21.8	11.0	954	63
12.		Nikon D4	Full Frame	16.2	4928	3280	1080/30p	24.7	13.1	2965	89
13.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
14.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
15.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
16.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
17.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 1DC provides a higher video resolution than the G5. It can shoot video footage at 4K/24p, while the Panasonic is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), while the 1DC has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1DC has a higher magnification than the one of the G5 (0.76x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D C and Panasonic G5 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 1D C	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
2.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
3.		Canon 1D X Mark III	optical	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	n
4.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
5.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
6.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
7.		Canon 1D X	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
8.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
9.		Canon 1Ds Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	5.0/s	n	n
10.		Canon 1Ds Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	4.0/s	n	n
11.		Canon 1Ds	optical	Y	2.0 / 120	fixed	n	1/8000s	3.0/s	n	n
12.		Nikon D4	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
13.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
14.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
15.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
16.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
17.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the 1DC, but is missing on the G5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 1DC writes its imaging data to Compact Flash cards, while the G5 uses SDXC cards. The 1DC features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D C and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 1D C	Y	mono / mono	Y	Y	mini	2.0	-	-	-
2.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon 1D X Mark III	Y	mono / mono	Y	Y	mini	3.1	Y	-	Y
4.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
5.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
6.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
7.		Canon 1D X	Y	mono / -	Y	-	mini	2.0	-	-	-
8.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Canon 1Ds Mark III	Y	mono / -	-	-	-	2.0	-	-	-
10.		Canon 1Ds Mark II	Y	- / -	-	-	-	2.0	-	-	-
11.		Canon 1Ds	Y	- / -	-	-	-	FW	-	-	-
12.		Nikon D4	Y	mono / mono	Y	Y	micro	2.0	-	-	-
13.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
16.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the 1DC has a microphone port, which is missing on the G5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Canon 1D C (unlike the G5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 1DC and the G5 have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the 1DC does not have a direct successor. Further information on the features and operation of the 1DC and G5 can be found, respectively, in the Canon 1D C Manual (free pdf) or the online Panasonic G5 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Canon 1D C or the Panasonic G5 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS-1D C:

• More detail: Offers more megapixels (17.9 vs 15.9MP) with a 8% higher linear resolution.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better video: Provides higher definition movie capture (4K/24p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 6 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (1120 versus 320) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been on the market for longer (launched in April 2012).

Advantages of the Panasonic Lumix DMC-G5:

• More framing info: Has an electronic viewfinder that displays shooting data.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (120x83mm vs 158x164mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 1149g or 74 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (96 percent cheaper at launch).
• More modern: Was introduced somewhat (3 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the 1DC is the clear winner of the match-up (21 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 1D C and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 1DC and the G5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 1D C	..	..	..	..	..	..	Apr 2012	14,999	ebay.com
2.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
3.		Canon 1D X Mark III	..	+ +	5/5	..	4.5/5	4/5	Jan 2020	6,499	amazon.com
4.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
5.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	3,499	ebay.com
6.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
7.		Canon 1D X	5/5	..	..	..	4.5/5	4.5/5	Oct 2011	6,799	ebay.com
8.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	3,499	ebay.com
9.		Canon 1Ds Mark III	..	..	..	+ +	4.5/5	..	Aug 2007	7,999	ebay.com
10.		Canon 1Ds Mark II	..	..	..	+ +	..	..	Sep 2004	7,999	ebay.com
11.		Canon 1Ds	..	..	..	+ +	..	..	Sep 2002	8,999	ebay.com
12.		Nikon D4	..	..	..	..	4.5/5	4.5/5	Jan 2012	5,999	ebay.com
13.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	amazon.com
14.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
15.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
16.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
17.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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