Sony RX100 V vs Olympus E-M5
The Sony Cyber-shot DSC-RX100 V and the Olympus OM-D E-M5 are two digital cameras that were revealed to the public, respectively, in October 2016 and February 2012. The RX100 V is a fixed lens compact, while the E-M5 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (RX100 V) and a Four Thirds (E-M5) sensor. The Sony has a resolution of 20 megapixels, whereas the Olympus provides 15.9 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony RX100 V||Olympus E-M5|
|Fixed lens compact camera||Mirrorless system camera|
|24-70mm f/1.8-2.8||Micro Four Thirds lenses|
|20 MP, 1" Sensor||15.9 MP, Four Thirds Sensor|
|4K/30p Video||1080/60i Video|
|ISO 125-12800 (80-25600)||ISO 200-25600|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 1229k dots||3.0" LCD, 610k dots|
|Tilting screen (no touchscreen)||Tilting touchscreen|
|24 shutter flaps per second||9 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|220 shots per battery charge||360 shots per battery charge|
|102 x 58 x 41 mm, 299 g||122 x 89 x 43 mm, 425 g|
Body comparison: Sony RX100 V vs Olympus E-M5
The physical size and weight of the Sony RX100 V and the Olympus E-M5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the RX100 V – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is considerably larger (84 percent) than the Sony RX100 V. It is noteworthy in this context that the E-M5 is splash and dust-proof, while the RX100 V does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 V has a lens built in, whereas the E-M5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony RX100 V»||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Olympus E-M5«||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||-||Olympus E-M5|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX100 V was launched at a lower price than the E-M5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony RX100 V vs Olympus E-M5
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony RX100 V features an one-inch sensor and the Olympus E-M5 a Four Thirds sensor. The sensor area in the E-M5 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the RX100 V has a native 3:2 aspect ratio, while the one in the E-M5 offers a 4:3 aspect.
Despite having a smaller sensor, the Sony RX100 V offers a higher resolution of 20 megapixels, compared with 15.9 MP of the Olympus E-M5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.76μm for the E-M5). However, it should be noted that the RX100 V is much more recent (by 4 years and 7 months) than the E-M5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Sony Cyber-shot DSC-RX100 V has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Olympus OM-D E-M5 are ISO 200 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony RX100 V»||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Olympus E-M5«||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX100 V provides a higher video resolution than the E-M5. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60i.
Feature comparison: Sony RX100 V vs Olympus E-M5
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the RX100 V offers a substantially higher resolution than the one in the E-M5 (2359k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Sony RX100 V, the Olympus E-M5, and comparable cameras.
|Sony RX100 V»||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y||Sony RX100 V|
|Olympus E-M5«||1440||n||3.0||610||tilting||Y||4000||9.0||n||Y||Olympus E-M5|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y||Canon G7 X Mark II|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y||Canon G3 X|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y||Canon G5 X|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Leica C-LUX|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y||Olympus PEN-F|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y||Olympus E-M1|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||8000||9.0||Y||Y||Olympus E-P5|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ2500|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||8000||5.0||Y||Y||Panasonic GX7|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y||Sony RX10 III|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||2000||10.0||Y||Y||Sony RX100 III|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||2000||10.0||Y||Y||Sony RX100 II|
One difference between the cameras concerns the presence of an on-board flash. The RX100 V has one, while the E-M5 does not. While the built-in flash of the RX100 V is not very powerful, it can at times be useful as a fill-in light.The RX100 V has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-M5 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the RX100 V features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The RX100 V writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the E-M5 uses SDXC cards.
Connectivity comparison: Sony RX100 V vs Olympus E-M5
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Cyber-shot DSC-RX100 V and Olympus OM-D E-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony RX100 V»||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Olympus E-M5«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Olympus PEN-F« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic FZ2500« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the RX100 V offers wifi support, while the E-M5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The RX100 V is a recent model that features in the current product line-up of Sony. In contrast, the E-M5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-M5 was succeeded by the Olympus E-M5 II.
Review summary: Sony RX100 V vs Olympus E-M5
So how do things add up? Which of the two cameras – the Sony RX100 V or the Olympus E-M5 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Cyber-shot DSC-RX100 V:
- More detail: Offers more megapixels (20 vs 15.9MP) with a 14% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 610k dots).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (24 vs 9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has a lens built-in, whereas the E-M5 requires a separate lens.
- More compact: Is smaller (102x58mm vs 122x89mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M5).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 7 months of technical progress since the E-M5 launch.
Reasons to prefer the Olympus OM-D E-M5:
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (360 versus 220) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in February 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the RX100 V is the clear winner of the match-up (15 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the RX100 V or the E-M5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Sony RX100 V vs Olympus E-M5
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Sony RX100 V»||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Olympus E-M5«||HiRec||80/100||4.5/5||5/5||5/5||Feb 2012||1,299||-||Olympus E-M5|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||Canon G7 X Mark II|
|Canon G3 X« »||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||Canon G5 X|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||HiRec||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Panasonic FZ2500« »||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic GX7« »||Rec||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Sony RX100 VI« »||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||HiRec||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||HiRec||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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- Sony A7S II vs Nikon D4S
Specifications: Sony RX100 V vs Olympus E-M5
|Camera Model||Sony RX100 V||Olympus E-M5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-70mm f/1.8-2.8||Micro Four Thirds lenses|
|Launch Date||October 2016||February 2012|
|Launch Price||USD 999||USD 1299|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 8.8 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.9 Megapixels|
|Image Resolution||5472 x 3648 pixels||4608 x 3456 pixels|
|Pixel Pitch||2.41 μm||3.76 μm|
|Pixel Density||17.18 MP/cm2||7.08 MP/cm2|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||125-12800 ISO||200-25600 ISO|
|ISO Boost||80-25600 ISO||no Enhancement|
|Image Processor||BIONZ X||TruePic VI|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Resolution||2359k dots||1440k dots|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1229k dots||610k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Maximum Shutter Speed||1/2000s||1/4000s|
|Continuous Shooting||24 shutter flaps/s||9 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||NP-BX1 power pack||BLN-1 power pack|
|Battery Life (CIPA)||220 shots per charge||360 shots per charge|
102 x 58 x 41 mm
(4.0 x 2.3 x 1.6 in)
122 x 89 x 43 mm
(4.8 x 3.5 x 1.7 in)
|Camera Weight||299 g (10.5 oz)||425 g (15.0 oz)|
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