Sony NEX-6 vs Olympus E-PL2
The Sony Alpha NEX-6 and the Olympus PEN E-PL2 are two digital cameras that were officially introduced, respectively, in September 2012 and January 2011. Both the NEX-6 and the E-PL2 are mirrorless interchangeable lens cameras that are based on an APS-C (NEX-6) and a Four Thirds (E-PL2) sensor. The Sony has a resolution of 16 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony NEX-6||Olympus E-PL2|
|Mirrorless system camera||Mirrorless system camera|
|Sony E mount lenses||Micro Four Thirds lenses|
|16 MP, APS-C Sensor||12.2 MP, Four Thirds Sensor|
|1080/60i Video||720/30p Video|
|ISO 100-25600||ISO 200-6400|
|Electronic viewfinder (2359k dots)||Viewfinder optional|
|3.0" LCD, 921k dots||3.0" LCD, 460k dots|
|Tilting screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||3 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|360 shots per battery charge||280 shots per battery charge|
|120 x 67 x 43 mm, 345 g||114 x 72 x 42 mm, 362 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha NEX-6 and the Olympus PEN E-PL2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Sony NEX-6 and the Olympus E-PL2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-PL2 can be obtained in four different colors (black, silver, red, white), while the NEX-6 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-PL2 is somewhat larger (2 percent) than the Sony NEX-6. Moreover, the E-PL2 is markedly heavier (5 percent) than the NEX-6. In this context, it is worth noting that neither the NEX-6 nor the E-PL2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (NEX-6) and the Micro Four Thirds Lens Catalog (E-PL2). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony NEX-6»||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||-||Sony NEX-6|
|Olympus E-PL2«||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599||-||Olympus E-PL2|
|Olympus E-P3« »||4.8 in||2.7 in||1.3 in||13.0 oz||330||n||Jun 2011||799||-||Olympus E-P3|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PL1« »||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599||-||Olympus E-PL1|
|Olympus E-P2« »||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Nov 2009||799||-||Olympus E-P2|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Sony NEX-C3« »||4.3 in||2.4 in||1.3 in||7.9 oz||400||n||Jun 2011||599||-||Sony NEX-C3|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||-||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-PL2 was launched at a markedly lower price (by 40 percent) than the NEX-6, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony NEX-6 features an APS-C sensor and the Olympus E-PL2 a Four Thirds sensor. The sensor area in the E-PL2 is 38 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the NEX-6 has a native 3:2 aspect ratio, while the one in the E-PL2 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 16MP, the NEX-6 offers a higher resolution than the E-PL2 (12.2MP), but the NEX-6 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.29μm for the E-PL2) due to its larger sensor. Moreover, the NEX-6 is a somewhat more recent model (by 1 year and 8 months) than the E-PL2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony NEX-6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-6 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inch or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inch or 41.6 x 27.6 cm. The corresponding values for the Olympus E-PL2 are 20.2 x 15.1 inch or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inch or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inch or 34.1 x 25.6 cm for excellent quality prints.
The Sony Alpha NEX-6 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Olympus PEN E-PL2 are ISO 200 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the NEX-6 provides substantially higher image quality than the E-PL2, with an overall score that is 23 points higher. This advantage is based on 2.3 bits higher color depth, 2.9 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony NEX-6»||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Olympus E-PL2«||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Olympus E-P3« »||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51||Olympus E-P3|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PL1« »||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54||Olympus E-PL1|
|Olympus E-P2« »||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56||Olympus E-P2|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5T« »||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
|Sony NEX-C3« »||APS-C||16.0||4912||3264||720/30p||22.7||12.2||1083||73||Sony NEX-C3|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5« »||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the NEX-6 provides a higher video resolution than the E-PL2. It can shoot video footage at 1080/60i, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the NEX-6 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PL2 relies on live view and the rear LCD for framing. That said, the E-PL2 can be equipped with an optional viewfinder – the VF-2. The table below summarizes some of the other core capabilities of the Sony NEX-6 and Olympus E-PL2 in connection with corresponding information for a sample of similar cameras.
|Sony NEX-6»||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Olympus E-PL2«||-||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Olympus E-P3« »||-||n||3.0||614||fixed||Y||1/4000s||3.0||Y||Y||Olympus E-P3|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PL1« »||-||n||2.7||230||fixed||n||1/2000s||3.0||Y||Y||Olympus E-PL1|
|Olympus E-P2« »||-||n||3.0||230||fixed||n||1/4000s||3.0||n||Y||Olympus E-P2|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5T« »||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
|Sony NEX-C3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||n||n||Sony NEX-C3|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Sony NEX-5« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One feature that differentiates the E-PL2 and the NEX-6 is in-body image stabilization (IBIS). The E-PL2 reduces the risk of handshake-induced blur with all attached lenses, while the NEX-6 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The NEX-6 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the E-PL2 uses SDHC cards. The NEX-6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the E-PL2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha NEX-6 and Olympus PEN E-PL2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony NEX-6»||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Olympus E-PL2«||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Olympus E-P3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-P3|
|Olympus E-PL3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PL1« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL1|
|Olympus E-P2« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-P2|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5T« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
|Sony NEX-C3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-C3|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
It is notable that the NEX-6 offers wifi support, while the E-PL2 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the NEX-6 and the E-PL2 have been discontinued, but can regularly be found used on eBay. The E-PL2 was replaced by the Olympus E-PL3, while the NEX-6 was followed by the Sony A6000. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony and Olympus websites.
So what is the bottom line? Which of the two cameras – the Sony NEX-6 or the Olympus E-PL2 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Sony Alpha NEX-6:
- More detail: Offers more megapixels (16 vs 12.2MP) with a 17% higher linear resolution.
- Better image quality: Scores substantially higher (23 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (360 versus 280) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 8 months after the E-PL2).
Advantages of the Olympus PEN E-PL2:
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-6 is the clear winner of the match-up (14 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony NEX-6 and the Olympus E-PL2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the NEX-6 and the E-PL2 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony NEX-6»||+ +||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Olympus E-PL2«||83/100||71/100||4.5/5||4.5/5||4.5/5||Jan 2011||599||-||Olympus E-PL2|
|Olympus E-P3« »||83/100||74/100||4.5/5||4.5/5||4.5/5||Jun 2011||799||-||Olympus E-P3|
|Olympus E-PL3« »||+ +||72/100||4.5/5||-||4/5||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PL1« »||86/100||69/100||4/5||4.5/5||4.5/5||Feb 2010||599||-||Olympus E-PL1|
|Olympus E-P2« »||+||69/100||4/5||4.5/5||4.5/5||Nov 2009||799||-||Olympus E-P2|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5T« »||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Sony NEX-C3« »||+ +||74/100||4.5/5||4.5/5||4/5||Jun 2011||599||-||Sony NEX-C3|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||+ +||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark II vs Olympus E-PL2
- Canon 700D vs Sony NEX-6
- Canon T5 vs Olympus E-PL2
- Fujifilm X-A7 vs Olympus E-PL2
- Leica M10 vs Sony NEX-6
- Nikon 1 J4 vs Olympus E-PL2
- Nikon D3 vs Sony NEX-6
- Nikon D3500 vs Sony NEX-6
- Nikon D90 vs Olympus E-PL2
- Olympus E-PL2 vs Sony RX100 V
- Sony A6400 vs Sony NEX-6
- Sony NEX-6 vs Sony RX10
Specifications: Sony NEX-6 vs Olympus E-PL2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony NEX-6||Olympus E-PL2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2012||January 2011|
|Launch Price||USD 999||USD 599|
|Sensor Specs||Sony NEX-6||Olympus E-PL2|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.4 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||365.04 mm2||224.9 mm2|
|Sensor Diagonal||28.1 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||12.2 Megapixels|
|Image Resolution||4912 x 3264 pixels||4032 x 3024 pixels|
|Pixel Pitch||4.78 μm||4.29 μm|
|Pixel Density||4.39 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||720/30p Video|
|ISO Setting||100-25600 ISO||200-6400 ISO|
|Image Processor||BIONZ||Truepic V|
|DXO Sensor Quality (score)||78||55|
|DXO Color Depth (bits)||23.7||21.4|
|DXO Dynamic Range (EV)||13.1||10.2|
|DXO Low Light (ISO)||1018||573|
|Screen Specs||Sony NEX-6||Olympus E-PL2|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Sony NEX-6||Olympus E-PL2|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Sony NEX-6||Olympus E-PL2|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Sony NEX-6||Olympus E-PL2|
|Battery Life (CIPA)||360 shots per charge||280 shots per charge|
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
114 x 72 x 42 mm
(4.5 x 2.8 x 1.7 in)
|Camera Weight||345 g (12.2 oz)||362 g (12.8 oz)|
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