Sony A7R II vs Nikon D3S

The Sony Alpha A7R II and the Nikon D3S are two digital cameras that were officially introduced, respectively, in June 2015 and October 2009. The A7R II is a mirrorless interchangeable lens camera, while the D3S is a DSLR. Both cameras are equipped with a full frame sensor. The Sony has a resolution of 42.2 megapixels, whereas the Nikon provides 12.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A7R II		Nikon D3S
Mirrorless system camera		Digital single lens reflex
Sony E mount lenses		Nikon F mount lenses
42.2 MP – Full Frame sensor		12.1 MP – Full Frame sensor
4K/30p Video		720/24p Video
ISO 100-25,600 (50 - 102,400)		ISO 200-12,800 (100 - 102,400)
Electronic viewfinder (2400k dots)		Optical viewfinder
3.0" LCD – 1229k dots		3.0" LCD – 921k dots
Tilting screen (no touchscreen)		Fixed screen (not touch-sensitive)
5 shutter flaps per second		11 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
290 shots per battery charge		4200 shots per battery charge
127 x 96 x 60 mm, 625 g		160 x 157 x 88 mm, 1240 g

Check A7R II offers at
ebay.com
Check D3S offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7R II and the Nikon D3S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Sony A7R II and the Nikon D3S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D3S is considerably larger (106 percent) than the Sony A7R II. Moreover, the D3S is substantially heavier (98 percent) than the A7R II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7R II) and the Nikon Lens Catalog (D3S). Mirrorless cameras, such as the Sony A7R II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the A7R II gets 290 shots out of its Sony NP-FW50 battery, while the D3S can take 4200 images on a single charge of its Nikon EN-EL4a power pack. As can be seen in the images above, the D3S has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7R II, Sony provides the VG-C2EM vertical grip as an optional accessory (see here on ebay). The power pack in the A7R II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
2.		Nikon D3S	160 mm	157 mm	88 mm	1240 g	4200	Y	Oct 2009	5,199	ebay.com
3.		Nikon D3	160 mm	157 mm	88 mm	1300 g	4300	Y	Aug 2007	4,999	ebay.com
4.		Nikon D3X	160 mm	157 mm	88 mm	1260 g	4400	Y	Dec 2008	7,999	ebay.com
5.		Nikon D4	160 mm	157 mm	91 mm	1340 g	2600	Y	Jan 2012	5,999	ebay.com
6.		Nikon D5	160 mm	159 mm	92 mm	1415 g	3780	Y	Jan 2016	6,499	ebay.com
7.		Nikon D700	147 mm	123 mm	77 mm	1074 g	1000	Y	Jul 2008	2,999	ebay.com
8.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	6,499	amazon.com
9.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
10.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
11.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	3,199	amazon.com
12.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	3,499	ebay.com
13.		Sony A7R IVA	129 mm	96 mm	78 mm	665 g	670	Y	Apr 2021	3,499	amazon.com
14.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	3,899	amazon.com
15.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
16.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
17.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	3,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A7R II was launched at a markedly lower price (by 38 percent) than the D3S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 42.2MP, the A7R II offers a higher resolution than the D3S (12.1MP), but the A7R II has smaller individual pixels (pixel pitch of 4.52μm versus 8.43μm for the D3S). However, the A7R II is a much more recent model (by 5 years and 7 months) than the D3S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Nikon D3S are 21.3 x 14.2 inches or 54.1 x 36 cm for good quality, 17 x 11.3 inches or 43.2 x 28.8 cm for very good quality, and 14.2 x 9.4 inches or 36 x 24 cm for excellent quality prints.

The A7R II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A7R II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D3S are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-102400.

In terms of underlying technology, the A7R II is build around a BSI-CMOS sensor, while the D3S uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A7R II provides substantially higher image quality than the D3S, with an overall score that is 16 points higher. This advantage is based on 2.5 bits higher color depth, 1.9 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
2.		Nikon D3S	Full Frame	12.1	4256	2832	720/24p	23.5	12.0	3253	82
3.		Nikon D3	Full Frame	12.1	4256	2832	none	23.5	12.2	2290	81
4.		Nikon D3X	Full Frame	24.4	6048	4032	none	24.7	13.7	1992	88
5.		Nikon D4	Full Frame	16.2	4928	3280	1080/30p	24.7	13.1	2965	89
6.		Nikon D5	Full Frame	20.7	5588	3712	4K/30p	25.1	12.3	2343	88
7.		Nikon D700	Full Frame	12.1	4256	2832	none	23.5	12.2	2303	80
8.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
9.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
10.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
11.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
12.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
13.		Sony A7R IVA	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
14.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
15.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
16.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
17.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R II provides a higher video resolution than the D3S. It can shoot video footage at 4K/30p, while the Nikon is limited to 720/24p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R II has an electronic viewfinder (2400k dots), while the D3S has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7R II has a higher magnification than the one of the D3S (0.78x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Sony A7R II and Nikon D3S along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
2.		Nikon D3S	optical	Y	3.0 / 921	fixed	n	1/8000s	11.0/s	n	n
3.		Nikon D3	optical	Y	3.0 / 922	fixed	n	1/8000s	11.0/s	n	n
4.		Nikon D3X	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	n
5.		Nikon D4	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
6.		Nikon D5	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
7.		Nikon D700	optical	Y	3.0 / 922	fixed	n	1/8000s	8.0/s	Y	n
8.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
9.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
10.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
11.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
12.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
13.		Sony A7R IVA	5760	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
15.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the A7R II and the D3S is in-body image stabilization (IBIS). The A7R II reduces the risk of handshake-induced blur with all attached lenses, while the D3S offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon D3S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A7R II writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the D3S uses Compact Flash cards. The D3S features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7R II only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7R II and Nikon D3S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
2.		Nikon D3S	Y	stereo / -	-	-	mini	2.0	-	-	-
3.		Nikon D3	Y	- / -	-	-	mini	2.0	-	-	-
4.		Nikon D3X	Y	- / -	-	-	mini	2.0	-	-	-
5.		Nikon D4	Y	mono / mono	Y	Y	micro	2.0	-	-	-
6.		Nikon D5	Y	stereo / mono	Y	Y	mini	3.0	-	-	-
7.		Nikon D700	Y	- / -	-	-	mini	2.0	-	-	-
8.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
10.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
11.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
12.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
13.		Sony A7R IVA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
14.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

It is notable that the A7R II has a microphone port, which is missing on the D3S. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Nikon D3S (unlike the A7R II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the A7R II and the D3S have been discontinued, but can regularly be found used on ebay. The D3S was replaced by the Nikon D4, while the A7R II was followed by the Sony A7R III. Further information on the features and operation of the A7R II and D3S can be found, respectively, in the Sony A7R II Manual (free pdf) or the online Nikon D3S Manual.

Review summary

So how do things add up? Which of the two cameras – the Sony A7R II or the Nikon D3S – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Sony Alpha A7R II:

• More detail: Offers more megapixels (42.2 vs 12.1MP) with a 87% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (16 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.5 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
• Better video: Provides higher definition movie capture (4K/30p vs 720/24p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1229k vs 921k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (127x96mm vs 160x157mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 615g or 50 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
• More modern: Reflects 5 years and 7 months of technical progress since the D3S launch.

Arguments in favor of the Nikon D3S:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (4200 versus 290) out of a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in October 2009).

If the count of individual advantages (bullet points above) is taken as a guide, the A7R II is the clear winner of the match-up (23 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A7R II and the Nikon D3S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the A7R II or the D3S perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
2.		Nikon D3S	5/5	..	..	89/100	4.5/5	5/5	Oct 2009	5,199	ebay.com
3.		Nikon D3	..	..	..	+ +	5/5	4.5/5	Aug 2007	4,999	ebay.com
4.		Nikon D3X	..	..	..	86/100	4/5	5/5	Dec 2008	7,999	ebay.com
5.		Nikon D4	..	..	..	..	4.5/5	4.5/5	Jan 2012	5,999	ebay.com
6.		Nikon D5	..	..	4/5	89/100	4.5/5	5/5	Jan 2016	6,499	ebay.com
7.		Nikon D700	..	89/100	..	+ +	4.5/5	4.5/5	Jul 2008	2,999	ebay.com
8.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	6,499	amazon.com
9.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
10.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
11.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	3,199	amazon.com
12.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	3,499	ebay.com
13.		Sony A7R IVA	5/5	+	4.5/5	91/100	4.5/5	5/5	Apr 2021	3,499	amazon.com
14.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	3,899	amazon.com
15.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
16.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
17.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	3,199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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