Panasonic G6 vs Sony A7R II
The Panasonic Lumix DMC-G6 and the Sony Alpha A7R II are two digital cameras that were revealed to the public, respectively, in April 2013 and June 2015. Both the G6 and the A7R II are mirrorless interchangeable lens cameras that are based on a Four Thirds (G6) and a full frame (A7R II) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Sony Alpha A7R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G6 and the Sony A7R II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the A7R II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R II is notably larger (18 percent) than the Panasonic G6. Moreover, the A7R II is substantially heavier (60 percent) than the G6. It is noteworthy in this context that the A7R II is splash and dust-proof, while the G6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G6) and the Sony FE Lens Catalog (A7R II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the G6 gets 340 shots out of its DMW-BLC12 battery, while the A7R II can take 290 images on a single charge of its NP-FW50 power pack. The power pack in the A7R II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|2.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|3.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|4.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|5.||Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549||amazon.com|
|6.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|7.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|8.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|9.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|10.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|11.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|12.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||ebay.com|
|13.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|14.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|15.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||ebay.com|
|16.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|17.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G6 was launched at a markedly lower price (by 81 percent) than the A7R II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G6 features a Four Thirds sensor and the Sony A7R II a full frame sensor. The sensor area in the A7R II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G6 has a native 4:3 aspect ratio, while the one in the A7R II offers a 3:2 aspect.
With 42.2MP, the A7R II offers a higher resolution than the G6 (15.9MP), but the A7R II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.76μm for the G6) due to its larger sensor. Moreover, the A7R II is a much more recent model (by 2 years and 1 month) than the G6, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The A7R II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the G6 is build around a CMOS sensor, while the A7R II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R II offers substantially better image quality than the G6 (overall score 37 points higher). The advantage is based on 4.7 bits higher color depth, 2.4 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|2.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|4.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|5.||Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|6.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|7.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|8.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|9.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|10.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|11.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|12.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|13.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|14.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|15.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|16.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7R II provides a better video resolution than the G6. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R II offers a substantially higher resolution than the one in the G6 (2400k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G6 and Sony A7R II in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|2.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|3.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|4.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|5.||Panasonic GX800||none||n||3.0 / 1040||tilting||Y||1/500s||10.0/s||Y||n|
|6.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|7.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|8.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|9.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|10.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|11.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|12.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|13.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|15.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G6 has one, while the A7R II does not. While the built-in flash of the G6 is not very powerful, it can at times be useful as a fill-in light.The G6 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G6 writes its imaging data to SDXC cards, while the A7R II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|2.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|4.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Panasonic GX800||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|11.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|15.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G6 lacks such a headphone port.
Both the G6 and the A7R II have been discontinued, but can regularly be found used on ebay. The G6 was replaced by the Panasonic G7, while the A7R II was followed by the Sony Alpha A7R III. Further information on the features and operation of the G6 and A7R II can be found, respectively, in the Panasonic G6 Manual (free pdf) or the online Sony A7R II Manual.
So what is the bottom line? Is there a clear favorite between the Panasonic G6 and the Sony A7R II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-G6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x85mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 235g or 38 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (340 versus 290) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in April 2013).
Advantages of the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 15.9MP), which boosts linear resolution by 66%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (37 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1036k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Reflects 2 years and 1 month of technical progress since the G6 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R II is the clear winner of the contest (17 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Sony A7R II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G6 and the A7R II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|2.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|3.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|4.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|5.||Panasonic GX800||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549||amazon.com|
|6.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|7.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|8.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|9.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|10.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|11.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|12.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599||ebay.com|
|13.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|14.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|15.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999||ebay.com|
|16.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|17.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 2000D vs Sony A7R II
- Canon R6 vs Sony A7R II
- Fujifilm X-Pro1 vs Panasonic G6
- Leica M10 vs Panasonic G6
- Leica Q2 vs Panasonic G6
- Leica T vs Panasonic G6
- Leica T vs Sony A7R II
- Olympus E-600 vs Sony A7R II
- Panasonic FZ200 vs Panasonic G6
- Panasonic G1 vs Sony A7R II
- Panasonic G6 vs Panasonic GX9
- Panasonic GH5s vs Sony A7R II
Specifications: Panasonic G6 vs Sony A7R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G6||Sony A7R II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||April 2013||June 2015|
|Launch Price||USD 599||USD 3,199|
|Sensor Specs||Panasonic G6||Sony A7R II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||15.9 Megapixels||42.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||7952 x 5304 pixels|
|Pixel Pitch||3.76 μm||4.52 μm|
|Pixel Density||7.08 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||160 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||160 - 25,600 ISO||50 - 102,400 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||61||98|
|DXO Color Depth (bits)||21.3||26.0|
|DXO Dynamic Range (EV)||11.5||13.9|
|DXO Low Light (ISO)||639||3434|
|Screen Specs||Panasonic G6||Sony A7R II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1036k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G6||Sony A7R II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||7 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic G6||Sony A7R II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Panasonic G6||Sony A7R II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||340 shots per charge||290 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||390 g (13.8 oz)||625 g (22.0 oz)|
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