Canon R vs Sony A7R II
The Canon EOS R and the Sony Alpha A7R II are two digital cameras that were revealed to the public, respectively, in September 2018 and June 2015. Both the Canon R and the A7R II are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Canon has a resolution of 30.1 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon R||Sony A7R II|
|Mirrorless system camera||Mirrorless system camera|
|Canon RF mount lenses||Sony E mount lenses|
|30.1 MP, Full Frame Sensor||42.2 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-40000 (50-102400)||ISO 100-25600 (50-102400)|
|Electronic viewfinder (3690k dots)||Electronic viewfinder (2400k dots)|
|3.2" LCD, 2100k dots||3.0" LCD, 1229k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|8 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|370 shots per battery charge||290 shots per battery charge|
|139 x 98 x 84 mm, 660 g||127 x 96 x 60 mm, 625 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R and the Sony Alpha A7R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon R and the Sony A7R II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R II is notably smaller (10 percent) than the Canon R. Moreover, the A7R II is markedly lighter (5 percent) than the Canon R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Canon R gets 370 shots out of its LP-E6N battery, while the A7R II can take 290 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon R»||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Sony A7R II«||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||Sony A7R II|
|Canon RP« »||5.2 in||3.3 in||2.8 in||17.1 oz||250||n||Feb 2019||1,299||Canon RP|
|Canon 90D« »||5.6 in||4.1 in||3.0 in||24.7 oz||1300||Y||Aug 2019||1,199||Canon 90D|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||Canon 6D|
|Leica Q2« »||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995||Leica Q2|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Canon R was launched at a markedly lower price (by 28 percent) than the A7R II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7R II offers a higher resolution of 42.2 megapixels, compared with 30.1 MP of the Canon R. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.52μm versus 5.36μm for the Canon R). Moreover, it should be noted that the Canon R is much more recent (by 3 years and 2 months) than the A7R II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Canon R are 33.6 x 22.4 inch or 85.3 x 56.9 cm for good quality, 26.9 x 17.9 inch or 68.3 x 45.5 cm for very good quality, and 22.4 x 14.9 inch or 56.9 x 37.9 cm for excellent quality prints.
The Canon EOS R has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R II has a markedly higher DXO score than the Canon R (overall score 9 points higher), which will translate into better image quality. The advantage is based on 1.5 bits higher color depth, 0.4 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89||Canon R|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Canon RP||Full Frame||26.2||6240||4160||4K/30p||..||..||..||..||Canon RP|
|Canon 90D||APS-C||32.3||6960||4640||4K/30p||..||..||..||..||Canon 90D|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86||Leica M10|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Canon R offers a substantially higher resolution than the one in the A7R II (3690k vs 2400k dots). The table below summarizes some of the other core capabilities of the Canon R and Sony A7R II in connection with corresponding information for a sample of similar cameras.
|Canon R||3690||Y||3.2||2100||swivel||Y||1/8000s||8.0||n||n||Canon R|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Canon RP||2360||n||3.0||1040||swivel||Y||1/4000s||5.0||n||n||Canon RP|
|Canon 90D||optical||Y||3.0||1040||swivel||Y||1/8000s||11.0||Y||n||Canon 90D|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Leica Q2||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica M10||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Nikon Z6||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon D750||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One feature that is present on the Canon R, but is missing on the A7R II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The Canon R has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R writes its imaging data to SDXC cards, while the A7R II uses SDXC or Memory Stick PRO Duo cards. The Canon R supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A7R II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon R||Y||stereo||mono||Y||-||mini||3.1||Y||-||Y||Canon R|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Canon RP||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Canon RP|
|Canon 90D||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Canon 90D|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Leica Q2||Y||stereo||mono||-||-||none||none||Y||-||Y||Leica Q2|
|Leica M10||Y||none||none||-||-||none||none||Y||-||-||Leica M10|
|Nikon Z6||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon D750||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7R II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The Canon R lacks such a headphone port.
The Canon R is a recent model that features in the current product line-up of Canon. In contrast, the A7R II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7R II was succeeded by the Sony Alpha A7R III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is the Canon R better than the Sony A7R II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS R:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2400k dots).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1229k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (370 versus 290) on a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (28 percent cheaper at launch).
- More modern: Reflects 3 years and 2 months of technical progress since the A7R II launch.
Advantages of the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 30.1MP), which boosts linear resolution by 18%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (0.3 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.76x).
- More compact: Is smaller (127x96mm vs 139x98mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in June 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the Canon R is the clear winner of the match-up (15 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R and the Sony A7R II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the Canon R and the A7R II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 10D vs Canon R
- Canon 1D Mark II N vs Sony A7R II
- Canon 50D vs Canon R
- Canon R vs Epson R-D1
- Canon R vs Olympus XZ-2
- Canon R vs Panasonic GX85
- Fujifilm X-T1 vs Sony A7R II
- Leica V-LUX 3 vs Sony A7R II
- Nikon D3X vs Sony A7R II
- Nikon D7100 vs Sony A7R II
- Olympus E-PL6 vs Sony A7R II
- Panasonic GX8 vs Sony A7R II
Specifications: Canon R vs Sony A7R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R||Sony A7R II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Sony E mount lenses|
|Launch Date||September 2018||June 2015|
|Launch Price||USD 2299||USD 3199|
|Sensor Specs||Canon R||Sony A7R II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.9 x 24.0 mm|
|Sensor Area||864 mm2||861.6 mm2|
|Sensor Diagonal||43.3 mm||43.2 mm|
|Sensor Resolution||30.1 Megapixels||42.2 Megapixels|
|Image Resolution||6720 x 4480 pixels||7952 x 5304 pixels|
|Pixel Pitch||5.36 μm||4.52 μm|
|Pixel Density||3.48 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-40000 ISO||100-25600 ISO|
|ISO Boost||50-102400 ISO||50-102400 ISO|
|Image Processor||DIGIC 8||BIONZ X|
|DXO Sensor Quality (score)||89||98|
|DXO Color Depth (bits)||24.5||26.0|
|DXO Dynamic Range (EV)||13.5||13.9|
|DXO Low Light (ISO)||2742||3434|
|Screen Specs||Canon R||Sony A7R II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||2100k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon R||Sony A7R II|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||8 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||500 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon R||Sony A7R II|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon R||Sony A7R II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||370 shots per charge||290 shots per charge|
|In-Camera Charging||USB charging||USB charging|
139 x 98 x 84 mm
(5.5 x 3.9 x 3.3 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||660 g (23.3 oz)||625 g (22.0 oz)|
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