Sony A7 vs Nikon D5600
The Sony Alpha A7 and the Nikon D5600 are two digital cameras that were revealed to the public, respectively, in October 2013 and November 2016. The A7 is a mirrorless interchangeable lens camera, while the D5600 is a DSLR. The cameras are based on a full frame (A7) and an APS-C (D5600) sensor. Both cameras offer a resolution of 24 megapixels. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony A7||Nikon D5600|
|Mirrorless system camera||Digital single lens reflex|
|Sony E mount lenses||Nikon F mount lenses|
|24 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-25600 (50-51200)||ISO 100-25600|
|Electronic viewfinder (2400k dots)||Optical viewfinder|
|3.0" LCD, 1230k dots||3.2" LCD, 1037k dots|
|Tilting screen (no touchscreen)||Swivel touchscreen|
|5 shutter flaps per second||5 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|340 shots per battery charge||970 shots per battery charge|
|127 x 94 x 48 mm, 474 g||124 x 97 x 70 mm, 465 g|
Body comparison: Sony A7 vs Nikon D5600
An illustration of the physical size and weight of the Sony A7 and the Nikon D5600 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 and the Nikon D5600 are of equal size. However, the D5600 is slightly lighter (2 percent) than the A7. It is worth mentioning in this context that the A7 is splash and dust resistant, while the D5600 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7) and the Nikon Lens Catalog (D5600). Mirrorless cameras, such as the Sony A7, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the A7 gets 340 shots out of its NP-FW50 battery, while the D5600 can take 970 images on a single charge of its EN-EL14a power pack. The power pack in the A7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony A7»||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Nikon D5600«||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-||Nikon D5500|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||-||Nikon D3200|
|Nikon D5200« »||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749||-||Nikon D5200|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Samsung NX1« »||5.5 in||4.0 in||2.6 in||19.4 oz||500||Y||Sep 2014||1,499||-||Samsung NX1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||-||Sony RX1R|
|Sony RX1« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D5600 was launched at a markedly lower price (by 59 percent) than the A7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A7 vs Nikon D5600
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7 features a full frame sensor and the Nikon D5600 an APS-C sensor. The sensor area in the D5600 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Even though the A7 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A7 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.91μm for the D5600), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the D5600 is much more recent (by 3 years) than the A7, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the D5600 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Sony Alpha A7 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Nikon D5600 are ISO 100 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A7 has a notably higher overall DXO score than the D5600 (overall score 6 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.7 bits higher color depth, 0.2 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7»||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Nikon D5600«||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Nikon D3200« »||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Nikon D5200« »||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84||Nikon D5200|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Samsung NX1« »||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony RX1R« »||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony RX1« »||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Feature comparison: Sony A7 vs Nikon D5600
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 has an electronic viewfinder (2400k dots), while the D5600 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Sony A7 and Nikon D5600 along with similar information for a selection of comparators.
|Sony A7»||2400||n||3.0||1230||tilting||n||8000||5.0||n||n||Sony A7|
|Nikon D5600«||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n||Nikon D5600|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3400|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n||Nikon D5500|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||4000||6.0||Y||n||Nikon D610|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||4000||5.0||Y||n||Nikon D5300|
|Nikon D3200« »||optical||n||3.0||921||fixed||n||4000||4.0||Y||n||Nikon D3200|
|Nikon D5200« »||optical||n||3.0||921||swivel||n||4000||5.0||Y||n||Nikon D5200|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||8000||12.0||Y||n||Panasonic GH4|
|Samsung NX1« »||2360||Y||3.0||1036||tilting||Y||8000||15.0||Y||n||Samsung NX1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony A6300« »||2359||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6300|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||8000||5.0||n||n||Sony A7S|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n||Sony A7R|
|Sony RX1R« »||-||n||3.0||1229||fixed||n||4000||5.0||Y||n||Sony RX1R|
|Sony RX1« »||-||n||3.0||1229||fixed||n||4000||5.0||Y||n||Sony RX1|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D5600 has a touchscreen, while the A7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The D5600 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A7 does not have a selfie-screen.
The A7 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the D5600 uses SDXC cards.
Connectivity comparison: Sony A7 vs Nikon D5600
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 and Nikon D5600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A7»||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Nikon D5600«||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||Y||-||Y||Nikon D3400|
|Nikon D5500« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Nikon D3200« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Nikon D5200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D5200|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Samsung NX1« »||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony RX1R« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony RX1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
It is notable that the A7 has a headphone jack, which is not present on the D5600 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
The D5600 is a recent model that features in the current product line-up of Nikon. In contrast, the A7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7 was succeeded by the Sony A7 II.
Review summary: Sony A7 vs Nikon D5600
So how do things add up? Which of the two cameras – the Sony A7 or the Nikon D5600 – has the upper hand? The listing below highlights the relative strengths of the two models.
Advantages of the Sony Alpha A7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (6 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1037k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More heavily discounted: Has been available for much longer (launched in October 2013).
Arguments in favor of the Nikon D5600:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Gets more shots (970 versus 340) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More modern: Reflects 3 years of technical progress since the A7 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (11 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A7 or the D5600 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony A7 vs Nikon D5600
This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Sony A7»||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Nikon D5600«||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||Rec||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Nikon D5500« »||Rec||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Nikon D610« »||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D5300« »||HiRec||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Nikon D3200« »||HiRec||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599||-||Nikon D3200|
|Nikon D5200« »||HiRec||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749||-||Nikon D5200|
|Panasonic GH4« »||HiRec||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Samsung NX1« »||-||87/100||5/5||4.5/5||5/5||Sep 2014||1,499||-||Samsung NX1|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A6300« »||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Sony RX1R« »||-||-||4/5||rev||4.5/5||Jun 2013||2,799||-||Sony RX1R|
|Sony RX1« »||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 760D vs Panasonic LX15
- Canon SX70 vs Pentax KP
- Fujifilm X-A5 vs Pentax Q
- Fujifilm X-T100 vs Canon G9 X Mark II
- Fujifilm X100F vs Fujifilm X30
- Nikon D4S vs Sony A7 III
- Nikon D7000 vs Fujifilm X-T20
- Panasonic G9 vs Canon T6i
- Panasonic LX7 vs Panasonic LX10
- Sony A6000 vs Pentax Q
- Sony A6400 vs Canon 1D Mark IV
- Sony RX10 vs Fujifilm X-E1
Specifications: Sony A7 vs Nikon D5600
|Camera Model||Sony A7||Nikon D5600|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Sony E mount lenses||Nikon F mount lenses|
|Launch Date||October 2013||November 2016|
|Launch Price||USD 1699||USD 699|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.8 x 23.9 mm||23.5 x 23.9 mm|
|Sensor Area||855.62 mm2||366.6 mm2|
|Sensor Diagonal||43 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.97 μm||3.91 μm|
|Pixel Density||2.80 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||50-51200 ISO||no Enhancement|
|Image Processor||BIONZ X||EXPEED 4|
|DXO Sensor Quality (score)||90||84|
|DXO Color Depth (bits)||24.8||24.1|
|DXO Dynamic Range (EV)||14.2||14.0|
|DXO Low Light (ISO)||2248||1306|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2400k dots||n/a|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1230k dots||1037k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||NP-FW50 power pack||EN-EL14a power pack|
|Battery Life (CIPA)||340 shots per charge||970 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
|Camera Weight||474 g (16.7 oz)||465 g (16.4 oz)|
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