Sony A7 vs RX10 II
The Sony Alpha A7 and the Sony Cyber-shot DSC-RX10 II are two enthusiast cameras that were revealed to the public, respectively, in October 2013 and June 2015. The A7 is a mirrorless interchangeable lens camera, while the RX10 II is a fixed lens compact. The cameras are based on a full frame (A7) and an one-inch (RX10 II) sensor. The A7 has a resolution of 24 megapixels, whereas the RX10 II provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A7||Sony RX10 II|
|Mirrorless system camera||Fixed lens compact camera|
|Sony E mount lenses||24-200mm f/2.8|
|24 MP, Full Frame Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-25600 (50-51200)||ISO 100-12800 (64-25600)|
|Electronic viewfinder (2400k dots)||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1230k dots||3.0" LCD, 1229k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|5 shutter flaps per second||14 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|340 shots per battery charge||400 shots per battery charge|
|127 x 94 x 48 mm, 474 g||129 x 88 x 102 mm, 813 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7 and the Sony Cyber-shot DSC-RX10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Sony A7 and the Sony RX10 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 II is notably smaller (5 percent) than the Sony A7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 II has a lens built in, whereas the A7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 and their specifications in the Sony FE Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony A7»||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony RX10 II«||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||-||Canon 80D|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Samsung NX1« »||5.5 in||4.0 in||2.6 in||19.4 oz||500||Y||Sep 2014||1,499||-||Samsung NX1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||-||Sony RX1R|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
|Sony RX1« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX10 II was launched at a lower price than the A7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7 features a full frame sensor and the Sony RX10 II an one-inch sensor. The sensor area in the RX10 II is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 offers a higher resolution than the RX10 II (20MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 2.41μm for the RX10 II) due to its larger sensor. However, the RX10 II is a somewhat more recent model (by 1 year and 7 months) than the A7, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony RX10 II are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A7 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A7 provides substantially higher image quality than the RX10 II, with an overall score that is 20 points higher. This advantage is based on 1.8 bits higher color depth, 1.6 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7»||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony RX10 II«||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Samsung NX1« »||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony RX1R« »||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
|Sony RX1« »||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the RX10 II provides a better video resolution than the A7. It can shoot movie footage at 4K/30p, while the A7 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A7 offers a slightly higher resolution than the one in the RX10 II (2400k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Sony A7, the Sony RX10 II, and comparable cameras.
|Sony A7»||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony RX10 II«||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Samsung NX1« »||2360||Y||3.0||1036||tilting||Y||1/8000s||15.0||Y||n||Samsung NX1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
|Sony RX1R« »||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1R|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
|Sony RX1« »||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
One feature that is present on the RX10 II, but is missing on the A7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX10 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the A7 and the RX10 II write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 and Sony Cyber-shot DSC-RX10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A7»||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony RX10 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Samsung NX1« »||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony RX1R« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony RX10« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
|Sony RX1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
Both the A7 and the RX10 II have been discontinued, but can regularly be found used on eBay. The A7 was replaced by the Sony A7 II, while the RX10 II was followed by the Sony RX10 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what conclusions can be drawn? Which of the two cameras – the Sony A7 or the Sony RX10 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Sony Alpha A7:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Scores substantially higher (20 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.1 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/3200s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
Arguments in favor of the Sony Cyber-shot DSC-RX10 II:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the A7 necessitates an extra lens.
- Longer lasting: Gets more shots (400 versus 340) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (10 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A7 and the Sony RX10 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A7 or the RX10 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A7»||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony RX10 II«||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Nikon D610« »||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Panasonic GH4« »||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Samsung NX1« »||-||87/100||5/5||4.5/5||5/5||Sep 2014||1,499||-||Samsung NX1|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony RX10 III« »||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Sony RX1R« »||-||-||4/5||o||4.5/5||Jun 2013||2,799||-||Sony RX1R|
|Sony RX10« »||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
|Sony RX1« »||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds vs Sony A7 III
- Canon T7i vs Sony A7 II
- Fujifilm X30 vs Sony A7 III
- Leica D-LUX 6 vs Sony RX10 II
- Nikon D5 vs Sony RX10 II
- Nikon D5500 vs Sony A7 II
- Nikon D810 vs Sony A7 III
- Olympus E-M5 vs Sony A7 II
- Olympus E-PL5 vs Sony RX10 II
- Sony A7 III vs Sony A9
- Sony A7 III vs Sony NEX-6
- Sony A7 III vs Sony RX1
Specifications: Sony A7 vs Sony RX10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A7||Sony RX10 II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||24-200mm f/2.8|
|Launch Date||October 2013||June 2015|
|Launch Price||USD 1699||USD 1299|
|Sensor Specs||Sony A7||Sony RX10 II|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||35.8 x 23.9 mm||13.2 x 8.8 mm|
|Sensor Area||855.62 mm2||116.16 mm2|
|Sensor Diagonal||43 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||5.97 μm||2.41 μm|
|Pixel Density||2.80 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-12800 ISO|
|ISO Boost||50-51200 ISO||64-25600 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||90||70|
|DXO Color Depth (bits)||24.8||23.0|
|DXO Dynamic Range (EV)||14.2||12.6|
|DXO Low Light (ISO)||2248||531|
|Screen Specs||Sony A7||Sony RX10 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1230k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A7||Sony RX10 II|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/3200/s|
|Continuous Shooting||5 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A7||Sony RX10 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Sony A7||Sony RX10 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||340 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||474 g (16.7 oz)||813 g (28.7 oz)|
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