Sony A6500 vs A99 II

The Sony Alpha A6500 and the Sony Alpha ALT-A99 II are two digital cameras that were revealed to the public, respectively, in October 2016 and September 2016. The A6500 is a mirrorless interchangeable lens camera, while the A99 II is a DSLR. The cameras are based on an APS-C (A6500) and a full frame (A99 II) sensor. The A6500 has a resolution of 24 megapixels, whereas the A99 II provides 42.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6500		Sony A99 II
Mirrorless system camera		Digital single lens reflex
Sony E mount lenses		Sony A mount lenses
24 MP, APS-C Sensor		42.2 MP, Full Frame Sensor
4K/30p Video		4K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-25,600
Electronic viewfinder (2359k dots)		Electronic viewfinder (2400k dots)
3.0 LCD, 922k dots		3.0 LCD, 1229k dots
Tilting touchscreen		Fully flexible screen (no touchscreen)
11 shutter flaps per second		12 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
350 shots per battery charge		490 shots per battery charge
120 x 67 x 53 mm, 453 g		143 x 104 x 76 mm, 849 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Sony A6500 and the Sony A99 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is considerably larger (85 percent) than the Sony A6500. Moreover, the A99 II is substantially heavier (87 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the A99 II can take 490 images on a single charge of its NP-FM500H power pack. The power pack in the A6500 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	1,399
2.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	3,199
3.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699
4.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199
5.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199
6.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	1,399
7.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199
8.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	4,499
9.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999
10.		Sony RX10 III	133 mm	94 mm	127 mm	1051 g	420	Y	Mar 2016	1,499
11.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199
12.		Sony RX10 II	129 mm	88 mm	102 mm	813 g	400	Y	Jun 2015	1,299
13.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699
14.		Sony A99	147 mm	111 mm	78 mm	812 g	500	Y	Sep 2012	2,799
15.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399
16.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349
17.		Sony A900	156 mm	117 mm	82 mm	895 g	880	Y	Sep 2008	2,999
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6500 was launched at a markedly lower price (by 56 percent) than the A99 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A6500 features an APS-C sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 42.2MP, the A99 II offers a higher resolution than the A6500 (24MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.91μm for the A6500) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Sony A6500 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A99 II has a markedly higher DXO score than the A6500 (overall score 7 points higher), which will translate into better image quality. The advantage is based on 0.9 bits higher color depth, 0.3 EV of lower dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
2.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
3.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
4.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
5.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
6.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
7.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
8.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
9.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
10.		Sony RX10 III	1-inch	20.0	5472	3648	4K/30p	23.1	12.6	472	70
11.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
12.		Sony RX10 II	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	531	70
13.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
14.		Sony A99	Full Frame	24.0	6000	4000	1080/60p	25.0	14.0	1555	89
15.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
16.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
17.		Sony A900	Full Frame	24.4	6048	4032	none	23.7	12.3	1431	79

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A99 II offers a slightly higher resolution than the one in the A6500 (2400k vs 2359k dots). The table below summarizes some of the other core capabilities of the Sony A6500 and Sony A99 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Mech Shutter Speed	Shutter Flaps (1/sec)	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0	Y	Y
2.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0	n	Y
3.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0	n	n
4.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0	n	Y
5.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0	n	Y
6.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0	n	Y
7.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0	n	Y
8.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0	n	Y
9.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0	Y	n
10.		Sony RX10 III	2359	Y	3.0 / 1229	tilting	n	1/2000s	14.0	Y	Y
11.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0	n	Y
12.		Sony RX10 II	2359	Y	3.0 / 1229	tilting	n	1/3200s	14.0	Y	Y
13.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0	n	n
14.		Sony A99	2359	Y	3.0 / 1229	full-flex	n	1/8000s	6.0	n	Y
15.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0	Y	Y
16.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0	Y	n
17.		Sony A900	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0	n	Y

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the A99 II does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

Concerning the storage of imaging data, both the A6500 and the A99 II write their files to SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
2.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
3.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
4.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
6.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
7.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
8.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
9.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
10.		Sony RX10 III	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
11.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
12.		Sony RX10 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A99	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
15.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony A900	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the A99 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A6500 lacks such a headphone port.

Studio photographers will appreciate that the Sony A99 II (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A99 II is a recent model that features in the current product line-up of Sony. In contrast, the A6500 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6500 was succeeded by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.

Review summary

So what conclusions can be drawn? Is the Sony A6500 better than the Sony A99 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Sony Alpha A6500:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (120x67mm vs 143x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 396g or 47 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).

Advantages of the Sony Alpha ALT-A99 II:

• More detail: Has more megapixels (42.2 vs 24MP), which boosts linear resolution by 33%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
• Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Gets more shots (490 versus 350) out of a single battery charge.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.

If the number of relative strengths (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (15 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6500 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A6500 and the A99 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	1,399
2.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	3,199
3.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699
4.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199
5.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199
6.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	1,399
7.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199
8.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	4,499
9.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999
10.		Sony RX10 III	5/5	+	..	84/100	4.5/5	4.5/5	Mar 2016	1,499
11.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199
12.		Sony RX10 II	5/5	+ +	..	82/100	4.5/5	4/5	Jun 2015	1,299
13.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699
14.		Sony A99	5/5	..	..	84/100	4.5/5	4.5/5	Sep 2012	2,799
15.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399
16.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349
17.		Sony A900	..	+ +	..	+ +	4.5/5	5/5	Sep 2008	2,999
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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Specifications: Sony A6500 vs Sony A99 II

Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

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