Nikon D610 vs Sony A99 II
The Nikon D610 and the Sony Alpha ALT-A99 II are two digital cameras that were revealed to the public, respectively, in October 2013 and September 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Nikon has a resolution of 24.2 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D610 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D610 and the Sony A99 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is notably smaller (7 percent) than the Nikon D610. Moreover, the A99 II is slightly lighter (0 percent) than the D610. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|2.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|5.||Nikon D780||144 mm||116 mm||76 mm||840 g||2260||Y||Jan 2020||2,299|
|6.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|7.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|8.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|9.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|10.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|11.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|12.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|13.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|14.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|15.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|16.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|17.||Sony A900||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D610 was launched at a markedly lower price (by 38 percent) than the A99 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
While the two cameras under review share the same sensor size, the A99 II offers a higher resolution of 42.2 megapixels, compared with 24.2 MP of the D610. This megapixels advantage translates into a 32 percent gain in linear resolution. On the other hand, these sensor specs imply that the A99 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.52μm versus 5.97μm for the D610). However, it should be noted that the A99 II is much more recent (by 2 years and 11 months) than the D610, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Nikon D610 are 30.1 x 20.1 inches or 76.4 x 51 cm for good quality, 24.1 x 16.1 inches or 61.1 x 40.8 cm for very good quality, and 20.1 x 13.4 inches or 50.9 x 34 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D610 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 50-25600. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|2.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|4.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|5.||Nikon D780||Full Frame||24.3||6048||4024||4K/30p||..||..||..||..|
|7.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|8.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|10.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|11.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|12.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|13.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|14.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|15.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|16.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|17.||Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A99 II provides a better video resolution than the D610. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A99 II has an electronic viewfinder (2400k dots), while the D610 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A99 II has a higher magnification than the one of the D610 (0.78x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D610, the Sony A99 II, and comparable cameras.
|1.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|2.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||n||Y|
|3.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|4.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|5.||Nikon D780||optical||Y||3.2 / 2359||tilting||Y||1/8000s||12.0||n||n|
|6.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|7.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|8.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0||Y||n|
|9.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|10.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5||n||n|
|11.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5||Y||n|
|12.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|13.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|14.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|15.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|16.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0||n||Y|
|17.||Sony A900||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The D610 has one, while the A99 II does not. While the built-in flash of the D610 is not very powerful, it can at times be useful as a fill-in light.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D610 does not have a selfie-screen.
The Nikon D610 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D610 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D610 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|2.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|3.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|5.||Nikon D780||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|6.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|7.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|8.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|9.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|10.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|12.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|13.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|14.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|17.||Sony A900||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the A99 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D610 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the D610 and the A99 II are recent models that are part of the current product line-up. The D610 replaced the earlier Nikon D600, while the A99 II does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what is the bottom line? Is the Nikon D610 better than the Sony A99 II or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D610:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.3 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (900 versus 490) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2013).
Arguments in favor of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 24.2MP), which boosts linear resolution by 32%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 921k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 2 years and 11 months of technical progress since the D610 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A99 II is the clear winner of the contest (16 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D610 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D610 and the A99 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|2.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|3.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|5.||Nikon D780||5/5||..||5/5||87/100||4.5/5||4.5/5||Jan 2020||2,299|
|6.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|7.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|8.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|9.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|10.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|11.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|12.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|13.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|14.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|15.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|16.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|17.||Sony A900||..||+ +||..||+ +||4.5/5||5/5||Sep 2008||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 2000D vs Nikon D610
- Canon 6D Mark II vs Nikon D610
- Canon 750D vs Nikon D610
- Canon SX420 vs Sony A99 II
- Leica M Typ 240 vs Sony A99 II
- Nikon B700 vs Sony A99 II
- Nikon D60 vs Nikon D610
- Nikon D610 vs Olympus E-30
- Nikon D610 vs Sony NEX-5N
- Nikon Z6 vs Sony A99 II
- Olympus E-PL3 vs Sony A99 II
- Olympus E-PL5 vs Sony A99 II
Specifications: Nikon D610 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D610||Sony A99 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Sony A mount lenses|
|Launch Date||October 2013||September 2016|
|Launch Price||USD 1,999||USD 3,199|
|Sensor Specs||Nikon D610||Sony A99 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 24.0 mm||35.9 x 24.0 mm|
|Sensor Area||861.6 mm2||861.6 mm2|
|Sensor Diagonal||43.2 mm||43.2 mm|
|Sensor Resolution||24.2 Megapixels||42.2 Megapixels|
|Image Resolution||6016 x 4016 pixels||7952 x 5304 pixels|
|Pixel Pitch||5.97 μm||4.52 μm|
|Pixel Density||2.80 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 25,600 ISO||50 - 25,600 ISO|
|Image Processor||EXPEED 3||BIONZ X|
|DXO Sensor Quality (score)||94||92|
|DXO Color Depth (bits)||25.1||25.4|
|DXO Dynamic Range (EV)||14.4||13.4|
|DXO Low Light (ISO)||2925||2317|
|Screen Specs||Nikon D610||Sony A99 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||921k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Nikon D610||Sony A99 II|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||6 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||300 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon D610||Sony A99 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon D610||Sony A99 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||900 shots per charge||490 shots per charge|
141 x 113 x 82 mm
(5.6 x 4.4 x 3.2 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||850 g (30.0 oz)||849 g (29.9 oz)|
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