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Sony A6500 versus Sony A9

The Sony Alpha A6500 and the Sony Alpha A9 are two digital cameras that were officially introduced, respectively, in October 2016 and April 2017. Both the A6500 and the A9 are mirrorless interchangeable lens cameras that are based on an APS-C (A6500) and a full frame (A9) sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6500 vs Sony A9

The physical size and weight of the Sony A6500 and the Sony A9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A6500 – represents 100 percent across all the size and weight measures).

Compare Sony A6500 vs Sony A9
Compare A6500 versus A9 top
Compare A6500 and A9 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is considerably larger (52 percent) than the Sony A6500. Moreover, the A9 is substantially heavier (49 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Sony FE Lens Catalog (A9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the A9 can take 650 images on a single charge of its NP-FZ100 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500» 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Sony A9« 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
Olympus E-M1 II« » 5.3 in 3.6 in 2.6 in 20.2 oz 440 Y Sep 2016 1,999 i i Olympus E-M1 II
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GH5« » 5.5 in 3.9 in 3.4 in 25.6 oz 410 Y Jan 2017 1,999 i i Panasonic GH5
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
Sony A7R III« » 5.0 in 3.8 in 2.9 in 22.9 oz 650 Y Oct 2017 3,199 i i Sony A7R III
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony RX10 III« » 5.2 in 3.7 in 5.0 in 37.1 oz 420 Y Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
Sony A7 II« » 5.0 in 3.8 in 2.4 in 21.1 oz 350 Y Nov 2014 1,999- i Sony A7 II
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

Any camera purchase will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a markedly lower price (by 69 percent) than the A9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Sony A6500 vs Sony A9

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6500 features an APS-C sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A6500 and Sony A9 sensor measures

Even though the A9 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the A9 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. In addition, the A9 is a somewhat more recent model (by 6 months) than the A6500, and its sensor might have benefitted from technological advances during this time.

A6500 versus A9 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A9 has a markedly higher DXO score than the A6500 (overall score 7 points higher), which will translate into better image quality. The advantage is based on 0.4 bits higher color depth, 0.4 EV of lower dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6500» APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Sony A9« Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
Olympus E-M1 II« » Four Thirds 20.2 5184 38884K/30p23.712.8131280Olympus E-M1 II
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GH5« » Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
Sony A7R III« » Full Frame 42.2 7952 53044K/30p26.014.73523100Sony A7R III
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony RX10 III« » 1-inch 20.0 5472 36484K/30p23.112.647270Sony RX10 III
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
Sony A7 II« » Full Frame 24.0 6000 40001080/60p24.913.6244990Sony A7 II
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Sony A6500 vs Sony A9

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A9 offers a substantially higher resolution than the one in the A6500 (3686k vs 2300k dots). The table below summarizes some of the other core capabilities of the Sony A6500 and Sony A9 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6500»2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Sony A9«3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Nikon D7500« »optical Y 3.2 922 tilting Y 8000 8.0 Y n Nikon D7500
Olympus E-M1 II« »2360 n 3.0 1037 swivel Y 8000 18.0 n Y Olympus E-M1 II
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GH5« »3680 n 3.2 1620 swivel Y 8000 12.0 n Y Panasonic GH5
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III
Sony A7R III« »3686 n 3.0 1440 tilting Y 8000 10.0 n Y Sony A7R III
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony RX10 III« »2359 Y 3.0 1229 tilting n 2000 14.0 Y Y Sony RX10 III
Sony RX10 II« »2359 Y 3.0 1229 tilting n 3200 14.0 Y Y Sony RX10 II
Sony A7 II« »2400 n 3.0 1230 tilting n 8000 5.0 n Y Sony A7 II
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the A9 does not. While the build-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the A9 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

Both the A6500 and the A9 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The A6500 replaced the earlier Sony A6300, while the A9 does not have a direct predecessor.

Review summary: Sony A6500 vs Sony A9

So what is the bottom line? Which of the two cameras – the Sony A6500 or the Sony A9 – has the upper hand? The listing below highlights the relative strengths of the two models.


Reasons to prefer the Sony Alpha A6500:

  • More compact: Is smaller (120x67mm vs 127x96mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 220g or 33 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in October 2016).


Advantages of the Sony Alpha A9:

  • Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
  • Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 2300k dots).
  • More detailed LCD: Has a higher resolution rear screen (1440k vs 922k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (20 vs 11 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Longer lasting: Gets more shots (650 versus 350) out of a single battery charge.
  • More modern: Was introduced somewhat (6 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the A9 is the clear winner of the contest (9 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

A6500 05:09 A9

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the A6500 or the A9 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500»HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Sony A9«HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Nikon D7500« »HiRec86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
Olympus E-M1 II« »HiRec85/1004.5/55/54.5/5 Sep 2016 1,999 i i Olympus E-M1 II
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GH5« »HiRec85/1004.5/55/55/5 Jan 2017 1,999 i i Panasonic GH5
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A7 III« »HiRec89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
Sony A7R III« »HiRec90/1004.5/55/55/5 Oct 2017 3,199 i i Sony A7R III
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony RX10 III« »Rec84/1004.5/54.5/54.5/5 Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« »HiRec82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
Sony A7 II« »Rec82/1004.5/55/55/5 Nov 2014 1,999- i Sony A7 II
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, kindly get in touch, and I will try to update the database with the necessary infos.

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