Sony A6500 vs A7
The Sony Alpha A6500 and the Sony Alpha A7 are two enthusiast cameras that were announced, respectively, in October 2016 and October 2013. Both the A6500 and the A7 are mirrorless interchangeable lens cameras that are based on an APS-C (A6500) and a full frame (A7) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A6500||Sony A7|
|Mirrorless system camera||Mirrorless system camera|
|Sony E mount lenses||Sony E mount lenses|
|24 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|4K/30p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 100-25600 (50-51200)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1230k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|11 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Weathersealed body|
|350 shots per battery charge||340 shots per battery charge|
|120 x 67 x 53 mm, 453 g||127 x 94 x 48 mm, 474 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Sony A6500 and the Sony A7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is considerably larger (48 percent) than the Sony A6500. Moreover, the A7 is markedly heavier (5 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Sony FE Lens Catalog (A7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony A6500»||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||Sony A6500|
|Sony A7«||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||Sony A7|
|Nikon D610« »||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||Nikon D610|
|Olympus PEN-F« »||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||Olympus PEN-F|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||Panasonic GX8|
|Samsung NX1« »||139 mm||102 mm||66 mm||550 g||500||Y||Sep 2014||1,499||Samsung NX1|
|Sony A6600« »||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399||Sony A6600|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony A6300« »||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||Sony A6300|
|Sony RX10 III« »||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX10 II« »||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||Sony RX10 II|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7S« »||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499||Sony A7S|
|Sony A7R« »||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299||Sony A7R|
|Sony A77« »||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||Sony A77|
|Sony NEX-7« »||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a somewhat lower price (by 18 percent) than the A7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6500 features an APS-C sensor and the Sony A7 a full frame sensor. The sensor area in the A7 is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A7 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A7 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6500 is much more recent (by 2 years and 11 months) than the A7, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7 has a markedly higher DXO score than the A6500 (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.3 bits higher color depth, 0.5 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Samsung NX1||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Sony A6600||APS-C||24.0||6000||4000||4K/30p||23.8||13.4||1497||82||Sony A6600|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
|Sony NEX-7||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a higher video resolution than the A7. It can shoot video footage at 4K/30p, while the A7 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 offers a slightly higher resolution than the one in the A6500 (2400k vs 2359k dots). The table below summarizes some of the other core capabilities of the Sony A6500 and Sony A7 in connection with corresponding information for a sample of similar cameras.
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Nikon D610||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Olympus PEN-F||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Samsung NX1||2360||Y||3.0||1036||tilting||Y||1/8000s||15.0||Y||n||Samsung NX1|
|Sony A6600||2359||n||3.0||922||tilting||Y||1/4000s||11.0||n||Y||Sony A6600|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
|Sony NEX-7||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the A7 does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the A6500 and the A7 write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Nikon D610||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Olympus PEN-F||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Samsung NX1||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Sony A6600||Y||stereo||mono||Y||Y||YES||2.0||Y||Y||Y||Sony A6600|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
|Sony NEX-7||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
It is notable that the A7 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A6500 lacks such a headphone port.
Both the A6500 and the A7 have been discontinued, but can regularly be found used on eBay. The A7 was replaced by the Sony A7 II, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So how do things add up? Is the Sony A6500 better than the Sony A7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A6500:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 127x94mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (18 percent cheaper at launch).
- More modern: Reflects 2 years and 11 months of technical progress since the A7 launch.
Arguments in favor of the Sony Alpha A7:
- Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the A6500 emerges as the winner of the contest (9 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6500 and the Sony A7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A6500 and the A7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Sony A6500 vs Sony A7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6500||Sony A7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||October 2016||October 2013|
|Launch Price||USD 1399||USD 1699|
|Sensor Specs||Sony A6500||Sony A7|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||366.6 mm2||855.62 mm2|
|Sensor Diagonal||28.2 mm||43 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.91 μm||5.97 μm|
|Pixel Density||6.55 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||50-51200 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||85||90|
|DXO Color Depth (bits)||24.5||24.8|
|DXO Dynamic Range (EV)||13.7||14.2|
|DXO Low Light (ISO)||1405||2248|
|Screen Specs||Sony A6500||Sony A7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1230k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Sony A6500||Sony A7|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||YES||no E-Shutter|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A6500||Sony A7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Sony A6500||Sony A7|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||340 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||453 g (16.0 oz)||474 g (16.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.