Panasonic TZ95 vs Pentax K-5 II
The Panasonic Lumix DC-TZ95 (called Panasonic ZS80 in some regions) and the Pentax K-5 II are two digital cameras that were officially introduced, respectively, in February 2019 and September 2012. The TZ95 is a fixed lens compact, while the K-5 II is a DSLR. The cameras are based on a 1/2.3-inch (TZ95) and an APS-C (K-5 II) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TZ95 and the Pentax K-5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic TZ95 and the Pentax K-5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The TZ95 can be obtained in two different colors (black, silver), while the K-5 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 II is considerably larger (64 percent) than the Panasonic TZ95. It is noteworthy in this context that the K-5 II is splash and dust-proof, while the TZ95 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ95 has a lens built in, whereas the K-5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the TZ95 gets 380 shots out of its DMW-BLG10 battery, while the K-5 II can take 740 images on a single charge of its D-LI90 power pack. The power pack in the TZ95 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic TZ95||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|2.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|5.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|6.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429|
|7.||Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|8.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|9.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|10.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|11.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|12.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|13.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|14.||Pentax K-30||130 mm||97 mm||71 mm||650 g||410||Y||May 2012||849|
|15.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|16.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|17.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TZ95 was launched at a lower price than the K-5 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TZ95 features a 1/2.3-inch sensor and the Pentax K-5 II an APS-C sensor. The sensor area in the K-5 II is 1229 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the TZ95 has a native 4:3 aspect ratio, while the one in the K-5 II offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic TZ95 offers a higher resolution of 20.2 megapixels, compared with 16.1 MP of the Pentax K-5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.81μm for the K-5 II). However, it should be noted that the TZ95 is much more recent (by 6 years and 5 months) than the K-5 II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the TZ95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ95 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ95 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Pentax K-5 II are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The Panasonic Lumix DC-TZ95 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Pentax K-5 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|8.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|11.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|16.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the TZ95 provides a higher video resolution than the K-5 II. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/25p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the TZ95 has an electronic viewfinder (2330k dots), while the K-5 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-5 II has a higher magnification than the one of the TZ95 (0.61x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic TZ95, the Pentax K-5 II, and comparable cameras.
|1.||Panasonic TZ95||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|2.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|4.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|5.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|6.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|7.||Panasonic FT7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|8.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|9.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|10.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|11.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|12.||Pentax K-50||optical||n||3.0 / 921||fixed||n||1/6000s||6.0||Y||Y|
|13.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||Y||Y|
|14.||Pentax K-30||optical||n||3.0 / 921||fixed||n||1/6000s||6.0||Y||Y|
|15.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|16.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0||Y||Y|
|17.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ95 has a touchscreen, while the K-5 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The TZ95 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-5 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ95 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Pentax K-5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the TZ95 and the K-5 II write their files to SDXC cards. The TZ95 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the K-5 II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ95 and Pentax K-5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic TZ95||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|7.||Panasonic FT7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|10.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|12.||Pentax K-50||Y||mono / mono||-||-||micro||2.0||-||-||-|
|13.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|14.||Pentax K-30||Y||mono / mono||-||-||-||2.0||-||-||-|
|15.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the TZ95 offers wifi support, while the K-5 II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax K-5 II (unlike the TZ95) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The TZ95 is a recent model that features in the current product line-up of Panasonic. In contrast, the K-5 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the K-5 II was succeeded by the Pentax K-3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So what is the bottom line? Is the Panasonic TZ95 better than the Pentax K-5 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DC-TZ95:
- More detail: Offers more megapixels (20.2 vs 16.1MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the K-5 II requires a separate lens.
- More compact: Is smaller (112x69mm vs 131x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-5 II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 5 months of technical progress since the K-5 II launch.
Reasons to prefer the Pentax K-5 II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.61x vs 0.53x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (740 versus 380) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the TZ95 emerges as the winner of the contest (19 : 17 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TZ95 and the Pentax K-5 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the TZ95 or the K-5 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic TZ95||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|2.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|5.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|6.||Nikon D3500||..||..||4/5||75/100||4/5||4.5/5||Aug 2018||429|
|7.||Panasonic FT7||..||+||..||..||3.5/5||3.5/5||May 2018||449|
|8.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|9.||Panasonic TZ200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|10.||Panasonic TZ90||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|11.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|12.||Pentax K-50||5/5||..||..||..||5/5||4.5/5||Jun 2013||599|
|13.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|14.||Pentax K-30||4/5||..||..||78/100||4.5/5||4.5/5||May 2012||849|
|15.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|16.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|17.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Panasonic TZ95
- Canon SX430 vs Panasonic TZ95
- Canon T7 vs Pentax K-5 II
- Leica C-LUX vs Panasonic TZ95
- Leica M9 vs Panasonic TZ95
- Olympus E-M1 III vs Pentax K-5 II
- Olympus E-PL10 vs Pentax K-5 II
- Olympus TG-6 vs Pentax K-5 II
- Panasonic G2 vs Panasonic TZ95
- Panasonic G9 vs Panasonic TZ95
- Pentax K-30 vs Pentax K-5 II
- Pentax K-5 II vs Ricoh GR III
Specifications: Panasonic TZ95 vs Pentax K-5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic TZ95||Pentax K-5 II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-720mm f/3.3-6.4||Pentax K mount lenses|
|Launch Date||February 2019||September 2012|
|Launch Price||USD 449||USD 1,099|
|Sensor Specs||Panasonic TZ95||Pentax K-5 II|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.7 x 15.7 mm|
|Sensor Area||28.0735 mm2||372.09 mm2|
|Sensor Diagonal||7.7 mm||28.4 mm|
|Sensor Resolution||20.2 Megapixels||16.1 Megapixels|
|Image Resolution||5184 x 3888 pixels||4928 x 3264 pixels|
|Pixel Pitch||1.18 μm||4.81 μm|
|Pixel Density||71.80 MP/cm2||4.32 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/25p Video|
|ISO Setting||80 - 3,200 ISO||100 - 12,800 ISO|
|ISO Boost||80 - 6,400 ISO||80 - 51,200 ISO|
|Image Processor||Venus||PRIME II|
|DXO Sensor Quality (score)||..||82|
|DXO Color Depth (bits)||..||23.8|
|DXO Dynamic Range (EV)||..||14.1|
|DXO Low Light (ISO)||..||1235|
|Screen Specs||Panasonic TZ95||Pentax K-5 II|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic TZ95||Pentax K-5 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic TZ95||Pentax K-5 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic TZ95||Pentax K-5 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||740 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
131 x 97 x 73 mm
(5.2 x 3.8 x 2.9 in)
|Camera Weight||327 g (11.5 oz)||760 g (26.8 oz)|
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