Kodak S-1 vs Panasonic TZ95
The Kodak PixPro S-1 and the Panasonic Lumix DC-TZ95 (labelled Panasonic ZS80 in some countries) are two digital cameras that were announced, respectively, in January 2012 and February 2019. The S-1 is a mirrorless interchangeable lens camera, while the TZ95 is a fixed lens compact. The cameras are based on a Four Thirds (S-1) and a 1/2.3-inch (TZ95) sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Panasonic Lumix DC-TZ95? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Kodak S-1 and the Panasonic TZ95. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the TZ95 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ95 is somewhat smaller (2 percent) than the Kodak S-1. In this context, it is worth noting that neither the S-1 nor the TZ95 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ95 has a lens built in, whereas the S-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the S-1 and their specifications in the Micro Four Thirds Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299|
|Panasonic TZ95||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|Panasonic FT7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Kodak S-1 features a Four Thirds sensor and the Panasonic TZ95 a 1/2.3-inch sensor. The sensor area in the TZ95 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the TZ95 offers a higher resolution of 20.2 megapixels, compared with 16.1 MP of the S-1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.74μm for the S-1). However, it should be noted that the TZ95 is much more recent (by 7 years and 1 month) than the S-1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the TZ95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ95 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ95 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inches or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inches or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inches or 39.3 x 29.5 cm for excellent quality prints.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DC-TZ95 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the TZ95 provides a better video resolution than the S-1. It can shoot movie footage at 4K/30p, while the Kodak is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the TZ95 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Kodak S-1 and Panasonic TZ95 in connection with corresponding information for a sample of similar cameras.
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ95 has a touchscreen, while the S-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TZ95 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the S-1 and the TZ95 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Panasonic Lumix DC-TZ95 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
It is notable that the S-1 has a hotshoe, while the TZ95 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the S-1 and the TZ95 are recent models that are part of the current product line-up. The TZ95 replaced the earlier Panasonic TZ90, while the S-1 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Kodak and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Kodak S-1 and the Panasonic TZ95? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Kodak PixPro S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in January 2012).
Advantages of the Panasonic Lumix DC-TZ95:
- More detail: Has more megapixels (20.2 vs 16.1MP), which boosts linear resolution by 12%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the S-1 necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 7 years and 1 month of technical progress since the S-1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the TZ95 emerges as the winner of the match-up (12 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Panasonic TZ95 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the S-1 and the TZ95 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Kodak S-1||..||..||4/5||..||4/5||Jan 2012||299|
|Panasonic TZ95||+ +||..||4.5/5||..||..||Feb 2019||449|
|Canon SX740||+||..||4/5||..||4/5||Jul 2018||399|
|Fujifilm XF10||..||75/100||4/5||..||4.5/5||Jul 2018||499|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Olympus E-PL6||..||..||..||..||..||May 2013||599|
|Olympus E-PL5||+ +||..||4.5/5||4.5/5||4.5/5||Sep 2012||599|
|Olympus E-PM2||..||77/100||5/5||4.5/5||4.5/5||Sep 2012||499|
|Olympus E-PL3||+ +||72/100||4.5/5||..||4/5||Jun 2011||599|
|Olympus E-PM1||86/100||71/100||4.5/5||..||4.5/5||Jun 2011||499|
|Panasonic FT7||+||..||3.5/5||..||3.5/5||May 2018||449|
|Panasonic LX100 II||+||82/100||4.5/5||4.5/5||4.5/5||Aug 2018||999|
|Panasonic TZ90||+ +||..||4/5||..||4/5||Apr 2017||449|
|Panasonic GF6||+ +||..||4.5/5||..||4.5/5||Apr 2013||499|
|Panasonic GX7||+||79/100||5/5||4.5/5||5/5||Aug 2013||999|
|Panasonic G3||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D vs Panasonic TZ95
- Canon 600D vs Kodak S-1
- Canon SX420 vs Panasonic TZ95
- Fujifilm GFX 50R vs Kodak S-1
- Kodak S-1 vs Leica SL
- Kodak S-1 vs Leica X Vario
- Kodak S-1 vs Nikon P900
- Kodak S-1 vs Panasonic FZ200
- Olympus E-M10 vs Panasonic TZ95
- Panasonic FZ100 vs Panasonic TZ95
- Panasonic GX1 vs Panasonic TZ95
- Panasonic TZ95 vs Sony NEX-5
Specifications: Kodak S-1 vs Panasonic TZ95
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Panasonic TZ95|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-720mm f/3.3-6.4|
|Launch Date||January 2012||February 2019|
|Launch Price||USD 299||USD 449|
|Sensor Specs||Kodak S-1||Panasonic TZ95|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||16.1 Megapixels||20.2 Megapixels|
|Image Resolution||4640 x 3480 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.74 μm||1.18 μm|
|Pixel Density||7.18 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 6,400 ISO|
|Screen Specs||Kodak S-1||Panasonic TZ95|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Kodak S-1||Panasonic TZ95|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||4 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Kodak S-1||Panasonic TZ95|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Kodak S-1||Panasonic TZ95|
|Battery Life (CIPA)||410 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
|Camera Weight||290 g (10.2 oz)||327 g (11.5 oz)|
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