Panasonic TZ200 vs GH5
The Panasonic Lumix DC-TZ200 (called Panasonic ZS200 in some regions) and the Panasonic Lumix DC-GH5 are two digital cameras that were revealed to the public, respectively, in February 2018 and January 2017. The TZ200 is a fixed lens compact, while the GH5 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (TZ200) and a Four Thirds (GH5) sensor. The TZ200 has a resolution of 20 megapixels, whereas the GH5 provides 20.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic TZ200||Panasonic GH5|
|Fixed lens compact camera||Mirrorless system camera|
|24-360mm f/3.3-6.4||Micro Four Thirds lenses|
|20 MP, 1" Sensor||20.2 MP, Four Thirds Sensor|
|4K/30p Video||4K/60p Video|
|ISO 125-12800 (80-25600)||ISO 200-25600|
|Electronic viewfinder (2330k dots)||Electronic viewfinder (3680k dots)|
|3.0" LCD, 1240k dots||3.2" LCD, 1620k dots|
|Fixed touchscreen||Swivel touchscreen|
|10 shutter flaps per second||12 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|370 shots per battery charge||410 shots per battery charge|
|111 x 65 x 45 mm, 340 g||139 x 98 x 87 mm, 725 g|
Body comparison: Panasonic TZ200 vs GH5
The physical size and weight of the Panasonic TZ200 and the Panasonic GH5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 is considerably larger (89 percent) than the Panasonic TZ200. It is noteworthy in this context that the GH5 is splash and dust-proof, while the TZ200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ200 has a lens built in, whereas the GH5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH5 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the TZ200 gets 370 shots out of its DMW-BLG10 battery, while the GH5 can take 410 images on a single charge of its DMW-BLF19 power pack. The power pack in the TZ200 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic TZ200»||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic TZ200|
|Panasonic GH5«||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||Canon M6|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ95« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G85|
|Panasonic LX15« »||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX15|
|Panasonic TZ100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic TZ100|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ200 was launched at a lower price than the GH5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic TZ200 vs GH5
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic TZ200 features an one-inch sensor and the Panasonic GH5 a Four Thirds sensor. The sensor area in the GH5 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the TZ200 has a native 3:2 aspect ratio, while the one in the GH5 offers a 4:3 aspect.
With 20.2MP, the GH5 offers a higher resolution than the TZ200 (20MP), but the GH5 nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the TZ200) due to its larger sensor. However, the TZ200 is a somewhat more recent model (by 1 year and 1 month) than the GH5, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DC-TZ200 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DC-GH5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic TZ200»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic TZ200|
|Panasonic GH5«||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic TZ95« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic LX15« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX15|
|Panasonic TZ100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic TZ100|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH5 provides a faster frame rate than the TZ200. It can shoot movie footage at 4K/60p, while the TZ200 is limited to 4K/30p.
Feature comparison: Panasonic TZ200 vs GH5
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH5 offers a substantially higher resolution than the one in the TZ200 (3680k vs 2330k dots). The following table reports on some other key feature differences and similarities of the Panasonic TZ200, the Panasonic GH5, and comparable cameras.
|Panasonic TZ200»||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Panasonic TZ200|
|Panasonic GH5«||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y||Panasonic GH5|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||4000||10.0||Y||n||Canon M50|
|Canon M6« »||-||n||3.0||1040||tilting||Y||4000||9.0||Y||n||Canon M6|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n||Nikon D500|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y||Olympus E-M1 II|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||4000||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic TZ95« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic TZ95|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||4000||11.0||n||Y||Panasonic LX100 II|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||4000||9.0||Y||Y||Panasonic GX9|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||8000||20.0||n||Y||Panasonic G9|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic TZ90|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y||Panasonic G85|
|Panasonic LX15« »||-||n||3.0||1040||tilting||Y||4000||10.0||Y||Y||Panasonic LX15|
|Panasonic TZ100« »||1166||n||3.0||1040||fixed||Y||2000||10.0||Y||Y||Panasonic TZ100|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y||Panasonic FZ1000|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||8000||12.0||Y||n||Panasonic GH4|
One difference between the cameras concerns the presence of an on-board flash. The TZ200 has one, while the GH5 does not. While the built-in flash of the TZ200 is not very powerful, it can at times be useful as a fill-in light.The GH5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the TZ200 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the TZ200 and the GH5 write their files to SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the TZ200 only has one slot.
Connectivity comparison: Panasonic TZ200 vs GH5
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TZ200 and Panasonic Lumix DC-GH5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic TZ200»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ200|
|Panasonic GH5«||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic TZ95« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic LX15« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX15|
|Panasonic TZ100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ100|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
It is notable that the GH5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TZ200 does not feature such a mic input.
Studio photographers will appreciate that the Panasonic GH5 (unlike the TZ200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the TZ200 and the GH5 are recent models that feature in their makers' current product line-up. The GH5 replaced the earlier Panasonic GH4, while the TZ200 followed on from the Panasonic TZ100.
Review summary: Panasonic TZ200 vs GH5
So how do things add up? Which of the two cameras – the Panasonic TZ200 or the Panasonic GH5 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DC-TZ200:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has a lens built-in, whereas the GH5 requires a separate lens.
- More compact: Is smaller (111x65mm vs 139x98mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GH5).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 1 month after the GH5).
Reasons to prefer the Panasonic Lumix DC-GH5:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2330k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1240k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (410 versus 370) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in January 2017).
If the count of individual advantages (bullet points above) is taken as a guide, the GH5 is the clear winner of the contest (25 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the TZ200 or the GH5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Panasonic TZ200 vs GH5
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic TZ200»||HiRec||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic TZ200|
|Panasonic GH5«||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Canon M50« »||Rec||79/100||-||-||3.5/5||Feb 2018||779||Canon M50|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||Canon M6|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic FZ1000 II« »||-||-||-||-||-||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ95« »||-||-||-||-||-||Feb 2019||449||Panasonic TZ95|
|Panasonic LX100 II« »||Rec||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic GX9« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic G9« »||HiRec||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic TZ90« »||HiRec||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic G85« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||Panasonic G85|
|Panasonic LX15« »||HiRec||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX15|
|Panasonic TZ100« »||HiRec||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic TZ100|
|Panasonic FZ1000« »||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic GH4« »||HiRec||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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Specifications: Panasonic TZ200 vs Panasonic GH5
|Camera Model||Panasonic TZ200||Panasonic GH5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-360mm f/3.3-6.4||Micro Four Thirds lenses|
|Launch Date||February 2018||January 2017|
|Launch Price||USD 799||USD 1999|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 8.8 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||20.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||5184 x 3888 pixels|
|Pixel Pitch||2.41 μm||3.34 μm|
|Pixel Density||17.18 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||125-12800 ISO||200-25600 ISO|
|ISO Boost||80-25600 ISO||100-25600 ISO|
|Image Processor||Venus||Venus 10|
|DXO Sensor Quality (score)||..||77|
|DXO Color Depth (bits)||..||23.9|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||807|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2330k dots||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1240k dots||1620k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/2000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Silent Shooting||Electronic Shutter||Electronic Shutter|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLG10 power pack||DMW-BLF19 power pack|
|Battery Life (CIPA)||370 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||340 g (12.0 oz)||725 g (25.6 oz)|
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