Panasonic TZ100 versus Olympus PEN-F
The Panasonic Lumix DMC-TZ100 (called Panasonic ZS100 in some regions) and the Olympus PEN-F are two digital cameras that were announced in January 2016. The TZ100 is a fixed lens compact, while the PEN-F is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (TZ100) and a Four Thirds (PEN-F) sensor. The Panasonic has a resolution of 20 megapixel, whereas the Olympus provides 20.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic TZ100 vs Olympus PEN-F
The physical size and weight of the Panasonic TZ100 and the Olympus PEN-F are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the TZ100 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is notably larger (25 percent) than the Panasonic TZ100. In this context, it is worth noting that neither the TZ100 nor the PEN-F are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ100 has a lens build in, whereas the PEN-F is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the PEN-F and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Panasonic TZ100 (⇒ rgt)||4.4 in||2.6 in||1.7 in||11.0 oz||300||no||2016||699||discont.||check|
|Olympus PEN-F (⇒ lft)||4.9 in||2.8 in||1.5 in||15.1 oz||330||no||2016||1,199||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||4.2 in||2.4 in||1.7 in||11.3 oz||265||no||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||4.4 in||2.7 in||1.7 in||12.9 oz||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||4.4 in||3.0 in||1.7 in||12.5 oz||210||no||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||4.1 in||2.4 in||1.6 in||10.7 oz||210||no||2014||699||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||5.3 in||3.6 in||2.6 in||20.2 oz||440||YES||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||4.7 in||3.3 in||1.9 in||13.8 oz||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||4.9 in||3.3 in||1.8 in||16.5 oz||310||YES||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||4.7 in||3.2 in||1.8 in||14.0 oz||320||no||2014||699||discont.||check|
|Panasonic TZ200 (⇒ lft | rgt)||4.4 in||2.6 in||1.8 in||12.0 oz||370||no||2018||799||latest||check|
|Panasonic LX15 (⇒ lft | rgt)||4.2 in||2.4 in||1.7 in||10.9 oz||260||no||2016||699||latest||check|
|Sony RX100 V (⇒ lft | rgt)||4.0 in||2.3 in||1.6 in||10.5 oz||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||4.0 in||2.3 in||1.6 in||10.5 oz||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||4.0 in||2.3 in||1.6 in||10.2 oz||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||4.0 in||2.3 in||1.5 in||9.9 oz||350||no||2013||749||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TZ100 was launched at a lower price than the PEN-F, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic TZ100 vs Olympus PEN-F
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic TZ100 features an one-inch sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.75 and 2.0. The sensor in the TZ100 has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.
With 20.2MP, the PEN-F offers a higher resolution than the TZ100 (20MP), but the PEN-F nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the TZ100) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the TZ100, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the PEN-F has a markedly higher DXO score than the TZ100 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.3 bits higher color depth, 0.1 EV of lower dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic TZ100 (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Olympus PEN-F (⇒ lft)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic TZ200 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic LX15 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TZ100 provides a higher video resolution than the PEN-F. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.
Feature comparison: Panasonic TZ100 vs Olympus PEN-F
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the PEN-F offers a substantially higher resolution than the one in the TZ100 (2360k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Panasonic TZ100, the Olympus PEN-F, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic TZ100 (⇒ rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
|Olympus PEN-F (⇒ lft)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Panasonic TZ200 (⇒ lft | rgt)||2330||no||3.0||1240||fixed||YES||2000||10.0||6.8||YES|
|Panasonic LX15 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||10.0||12.1||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
The PEN-F is a current model that online retailers, such as amazon, will have in stock. In contrast, the TZ100 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the TZ100 was succeeded by the Panasonic TZ200.
Review summary: Panasonic TZ100 vs Olympus PEN-F
So what conclusions can be drawn? Is there a clear favorite between the Panasonic TZ100 and the Olympus PEN-F? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-TZ100:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Ready to shoot: Has a lens build-in, whereas the PEN-F requires a separate lens.
- More compact: Is smaller (111x65mm vs 125x72mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a build-in lens (unlike the PEN-F).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a build-in lens.
Arguments in favor of the Olympus PEN-F:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1166k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
If the count of individual advantages (bullet points above) is taken as a guide, the PEN-F comes out slightly ahead of the TZ100 (8 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the TZ100 or the PEN-F. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic TZ100 (⇒ rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||discont.||check|
|Olympus PEN-F (⇒ lft)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Panasonic TZ200 (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||..||4.5/5||2018||799||latest||check|
|Panasonic LX15 (⇒ lft | rgt)||HiRec||81/100 Silver||4/5||4.5/5||4.5/5||2016||699||latest||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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