Panasonic LX100 II vs Olympus E-M5 II

The Panasonic Lumix DC-LX100 II and the Olympus OM-D E-M5 Mark II are two enthusiast cameras that were announced, respectively, in August 2018 and February 2015. The LX100 II is a fixed lens compact, while the E-M5 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Panasonic has a resolution of 16.8 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX100 II		Olympus E-M5 II
Fixed lens compact camera		Mirrorless system camera
24-75mm f/1.7-2.8		Micro Four Thirds lenses
16.8 MP – Four Thirds sensor		15.9 MP – Four Thirds sensor
4K/30p Video		1080/60p Video
ISO 200-25,600		ISO 200-25,600
Electronic viewfinder (2764k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1240k dots		3.0" LCD – 1037k dots
Fixed touchscreen		Swivel touchscreen
11 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
300 shots per battery charge		310 shots per battery charge
115 x 66 x 65 mm, 392 g		124 x 85 x 45 mm, 469 g

Check LX100 II offers at
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Check E-M5 II offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-LX100 II and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic LX100 II and the Olympus E-M5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the LX100 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably larger (39 percent) than the Panasonic LX100 II. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the LX100 II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 II has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the LX100 II gets 300 shots out of its Panasonic DMW-BLG10 battery, while the E-M5 II can take 310 images on a single charge of its Olympus BLN-1 power pack. The power pack in the LX100 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	999	ebay.com
2.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
3.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	899	ebay.com
4.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	1,049	ebay.com
5.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	1,195	ebay.com
6.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
7.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
8.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	1,199	ebay.com
9.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	699	ebay.com
10.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
11.		Panasonic FZ1000 II	136 mm	97 mm	131 mm	810 g	350	n	Feb 2019	899	amazon.com
12.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
13.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	849	ebay.com
14.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	ebay.com
15.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	899	ebay.com
16.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	449	ebay.com
17.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	449	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX100 II was launched at a lower price than the E-M5 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a Four Thirds sensor, but their sensors differ slightly in size. The sensor area in the E-M5 II is 22 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 2.2 (LX100 II) and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX100 II has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the Panasonic LX100 II offers a higher resolution of 16.8 megapixels, compared with 15.9 MP of the Olympus E-M5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.32μm versus 3.76μm for the E-M5 II). However, it should be noted that the LX100 II is much more recent (by 3 years and 6 months) than the E-M5 II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the LX100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the LX100 II, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-LX100 II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The Olympus OM-D E-M5 Mark II offers exactly the same ISO settings.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
2.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
3.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
5.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
6.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
7.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
8.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
9.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
10.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
11.		Panasonic FZ1000 II	1-inch	20.0	5472	3648	4K/30p	22.1	12.4	546	65
12.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
13.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
14.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
15.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
16.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
17.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX100 II provides a higher video resolution than the E-M5 II. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the LX100 II offers a higher resolution than the one in the E-M5 II (2764k vs 2360k dots). The table below summarizes some of the other core capabilities of the Panasonic LX100 II and Olympus E-M5 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
2.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
5.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
6.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
7.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
8.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
9.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
10.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
11.		Panasonic FZ1000 II	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
12.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
13.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
14.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
15.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
16.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Panasonic ZS80	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic LX100 II and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the LX100 II and the E-M5 II write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX100 II can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-LX100 II and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
2.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
4.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
6.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Panasonic FZ1000 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
14.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Panasonic ZS80	-	stereo / mono	-	-	micro	2.0	Y	-	Y

It is notable that the E-M5 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX100 II does not feature such a mic input.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the LX100 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the LX100 II and the E-M5 II have been discontinued, but can regularly be found used on ebay. The E-M5 II was replaced by the Olympus E-M5 III, while the LX100 II does not have a direct successor. Further information on the features and operation of the LX100 II and E-M5 II can be found, respectively, in the Panasonic LX100 II Manual (free pdf) or the online Olympus E-M5 II Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic LX100 II better than the Olympus E-M5 II or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DC-LX100 II:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2360k dots).
• More detailed LCD: Has a higher resolution rear screen (1240k vs 1037k dots).
• Ready to shoot: Has a lens built-in, whereas the E-M5 II requires a separate lens.
• More compact: Is smaller (115x66mm vs 124x85mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M5 II).
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 3 years and 6 months of technical progress since the E-M5 II launch.

Advantages of the Olympus OM-D E-M5 Mark II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been around for much longer (launched in February 2015).

If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (12 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX100 II and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX100 II or the E-M5 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	999	ebay.com
2.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
3.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	899	ebay.com
4.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	1,049	ebay.com
5.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	1,195	ebay.com
6.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
7.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
8.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	1,199	ebay.com
9.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	699	ebay.com
10.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
11.		Panasonic FZ1000 II	..	..	..	83/100	4.5/5	4.5/5	Feb 2019	899	amazon.com
12.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
13.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	849	ebay.com
14.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	ebay.com
15.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	899	ebay.com
16.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	449	ebay.com
17.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	449	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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