Panasonic GX850 vs Sony RX10 II
The Panasonic Lumix DMC-GX850 (called Panasonic GX800 in some regions) and the Sony Cyber-shot DSC-RX10 II are two digital cameras that were revealed to the public, respectively, in January 2017 and June 2015. The GX850 is a mirrorless interchangeable lens camera, while the RX10 II is a fixed lens compact. The cameras are based on a Four Thirds (GX850) and an one-inch (RX10 II) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GX850||Sony RX10 II|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||24-200mm f/2.8|
|15.8 MP, Four Thirds Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 200-25600||ISO 100-12800 (64-25600)|
|No viewfinder, LCD framing||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||14 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|210 shots per battery charge||400 shots per battery charge|
|107 x 65 x 33 mm, 269 g||129 x 88 x 102 mm, 813 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX850 and the Sony Cyber-shot DSC-RX10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GX850 and the Sony RX10 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The GX850 can be obtained in three different colors (black, silver, red), while the RX10 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 II is considerably larger (63 percent) than the Panasonic GX850. It is noteworthy in this context that the RX10 II is splash and dust-proof, while the GX850 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 II has a lens built in, whereas the GX850 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX850 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GX850 gets 210 shots out of its DMW-BLH7 battery, while the RX10 II can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the RX10 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic GX850»||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549||Panasonic GX850|
|Sony RX10 II«||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||-||Canon 80D|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||-||Olympus E-PM2|
|Panasonic GF7« »||4.2 in||2.6 in||1.3 in||9.4 oz||230||n||Jan 2015||499||-||Panasonic GF7|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-||Panasonic G5|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||-||Panasonic GX1|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GX850 features a Four Thirds sensor and the Sony RX10 II an one-inch sensor. The sensor area in the RX10 II is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GX850 has a native 4:3 aspect ratio, while the one in the RX10 II offers a 3:2 aspect.
Despite having a smaller sensor, the RX10 II offers a higher resolution of 20 megapixels, compared with 15.8 MP of the GX850. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the GX850). Moreover, it should be noted that the GX850 is a somewhat more recent model (by 1 year and 6 months) than the RX10 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GX850 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX10 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX10 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Panasonic GX850 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-GX850 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic GX850»||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73||Panasonic GX850|
|Sony RX10 II«||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-PM2« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Panasonic GF7« »||Four Thirds||15.8||4592||3448||1080/60p||-||-||-||-||Panasonic GF7|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX10 II has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX850 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic GX850 and Sony RX10 II along with similar information for a selection of comparators.
|Panasonic GX850»||-||n||3.0||1040||tilting||Y||1/500s||10.0||Y||n||Panasonic GX850|
|Sony RX10 II«||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Olympus E-PM2« »||-||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Panasonic GF7« »||-||n||3.0||1040||tilting||Y||1/500s||5.8||Y||n||Panasonic GF7|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX850 has a touchscreen, while the RX10 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GX850 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX10 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX850 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GX850 writes its imaging data to SDXC cards, while the RX10 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX850 and Sony Cyber-shot DSC-RX10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GX850»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX850|
|Sony RX10 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Olympus E-PL5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-PM2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Panasonic GF7« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic GF7|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic G5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX10« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
It is notable that the RX10 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GX850 does not feature such a mic input.
The GX850 is a recent model that features in the current product line-up of Panasonic. In contrast, the RX10 II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX10 II was succeeded by the Sony RX10 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is the Panasonic GX850 better than the Sony RX10 II or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-GX850:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (107x65mm vs 129x88mm) and thus needs less room in the bag.
- More modern: Is somewhat more recent (announced 1 year and 6 months after the RX10 II).
Arguments in favor of the Sony Cyber-shot DSC-RX10 II:
- More detail: Has more megapixels (20 vs 15.8MP), which boosts linear resolution by 15%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/3200s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GX850 necessitates an extra lens.
- Longer lasting: Gets more shots (400 versus 210) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in June 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the RX10 II is the clear winner of the contest (16 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GX850 and the Sony RX10 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GX850 and the RX10 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GX850»||+||76/100||4.5/5||4/5||4.5/5||Jan 2017||549||Panasonic GX850|
|Sony RX10 II«||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Olympus E-PL5« »||+ +||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PM2« »||-||77/100||5/5||4.5/5||4.5/5||Sep 2012||499||-||Olympus E-PM2|
|Panasonic GF7« »||+||-||4.5/5||4.5/5||4.5/5||Jan 2015||499||-||Panasonic GF7|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic G5« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic GX1« »||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699||-||Panasonic GX1|
|Sony RX10 III« »||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX10« »||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G7 X vs Sony RX10 II
- Canon RP vs Panasonic GX850
- Fujifilm X-A5 vs Sony RX10 II
- Leica D-LUX Typ 109 vs Panasonic GX850
- Leica Q2 vs Panasonic GX850
- Nikon D2Xs vs Sony RX10 II
- Olympus TG-6 vs Sony RX10 II
- Panasonic G5 vs Sony RX10 II
- Panasonic GH5 vs Sony RX10 II
- Panasonic GX850 vs Sony A7S
- Sony RX1 vs Sony RX10 II
- Sony RX10 II vs Sony RX1R II
Specifications: Panasonic GX850 vs Sony RX10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GX850||Sony RX10 II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-200mm f/2.8|
|Launch Date||January 2017||June 2015|
|Launch Price||USD 549||USD 1299|
|Sensor Specs||Panasonic GX850||Sony RX10 II|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||15.8 Megapixels||20 Megapixels|
|Image Resolution||4592 x 3448 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.77 μm||2.41 μm|
|Pixel Density||7.04 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||100-12800 ISO|
|ISO Boost||100-25600 ISO||64-25600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||73||70|
|DXO Color Depth (bits)||23.2||23.0|
|DXO Dynamic Range (EV)||13.3||12.6|
|DXO Low Light (ISO)||586||531|
|Screen Specs||Panasonic GX850||Sony RX10 II|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GX850||Sony RX10 II|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/500/s||1/3200/s|
|Continuous Shooting||10 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GX850||Sony RX10 II|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic GX850||Sony RX10 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||210 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||269 g (9.5 oz)||813 g (28.7 oz)|
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