Panasonic GX80 vs Sony A7R II
The Panasonic Lumix DMC-GX80 (called Panasonic GX85 in some regions) and the Sony Alpha A7R II are two digital cameras that were revealed to the public, respectively, in April 2016 and June 2015. Both the GX80 and the A7R II are mirrorless interchangeable lens cameras that are based on a Four Thirds (GX80) and a full frame (A7R II) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GX80||Sony A7R II|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|15.8 MP, Four Thirds Sensor||42.2 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 200-25,600||ISO 100-25,600 (50 - 102,400)|
|Electronic viewfinder (2765k dots)||Electronic viewfinder (2400k dots)|
|3.0 LCD, 1040k dots||3.0 LCD, 1229k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|8 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|290 shots per battery charge||290 shots per battery charge|
|122 x 71 x 44 mm, 426 g||127 x 96 x 60 mm, 625 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX80 and the Sony Alpha A7R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GX80 and the Sony A7R II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GX80 can be obtained in two different colors (black, silver), while the A7R II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R II is notably larger (41 percent) than the Panasonic GX80. Moreover, the A7R II is substantially heavier (47 percent) than the GX80. It is noteworthy in this context that the A7R II is splash and dust-proof, while the GX80 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GX80) and the Sony FE Lens Catalog (A7R II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the A7R II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GX80 was launched at a markedly lower price (by 75 percent) than the A7R II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GX80 features a Four Thirds sensor and the Sony A7R II a full frame sensor. The sensor area in the A7R II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GX80 has a native 4:3 aspect ratio, while the one in the A7R II offers a 3:2 aspect.
With 42.2MP, the A7R II offers a higher resolution than the GX80 (15.8MP), but the A7R II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.77μm for the GX80) due to its larger sensor. However, the GX80 is a somewhat more recent model (by 9 months) than the A7R II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Panasonic GX80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The A7R II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-GX80 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R II offers substantially better image quality than the GX80 (overall score 27 points higher). The advantage is based on 3.1 bits higher color depth, 1.3 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GX80 offers a higher resolution than the one in the A7R II (2765k vs 2400k dots). The following table reports on some other key feature differences and similarities of the Panasonic GX80, the Sony A7R II, and comparable cameras.
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Olympus E-M10 III||2360||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The GX80 has one, while the A7R II does not. While the built-in flash of the GX80 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX80 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GX80 writes its imaging data to SDXC cards, while the A7R II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX80 and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Olympus E-M10 III||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GX80 lacks such a headphone port.
The GX80 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7R II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7R II was succeeded by the Sony Alpha A7R III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Which of the two cameras – the Panasonic GX80 or the Sony A7R II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-GX80:
- More detailed viewfinder: Has higher resolution electronic viewfinder (2765k vs 2400k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x71mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 199g or 32 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 9 months after the A7R II).
Arguments in favor of the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 15.8MP), which boosts linear resolution by 66%.
- Better image quality: Scores substantially higher (27 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in June 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the A7R II is the clear winner of the contest (14 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GX80 and the Sony A7R II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GX80 and the A7R II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GX80||+ +||82/100||5/5||4.5/5||5/5||Apr 2016||799|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Olympus E-M10 III||+||80/100||4.5/5||4/5||4.5/5||Aug 2017||649|
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-M10||..||80/100||5/5||4.5/5||5/5||Jan 2014||699|
|Panasonic GX9||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849|
|Panasonic G80||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic G7||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649|
|Panasonic GX7||+||79/100||5/5||4.5/5||5/5||Aug 2013||999|
|Panasonic GH2||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Sony A7R||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1000D vs Panasonic GX80
- Canon XT vs Sony A7R II
- Fujifilm X100F vs Sony A7R II
- Leica D-LUX Typ 109 vs Panasonic GX80
- Leica M8 vs Panasonic GX80
- Nikon D2X vs Panasonic GX80
- Nikon D5500 vs Sony A7R II
- Olympus E-M10 vs Sony A7R II
- Panasonic G95 vs Sony A7R II
- Panasonic GX80 vs Sony RX100 VI
- Panasonic GX9 vs Sony A7R II
- Ricoh WG-6 vs Sony A7R II
Specifications: Panasonic GX80 vs Sony A7R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GX80||Sony A7R II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||April 2016||June 2015|
|Launch Price||USD 799||USD 3,199|
|Sensor Specs||Panasonic GX80||Sony A7R II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||15.8 Megapixels||42.2 Megapixels|
|Image Resolution||4592 x 3448 pixels||7952 x 5304 pixels|
|Pixel Pitch||3.77 μm||4.52 μm|
|Pixel Density||7.04 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 102,400 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||71||98|
|DXO Color Depth (bits)||22.9||26.0|
|DXO Dynamic Range (EV)||12.6||13.9|
|DXO Low Light (ISO)||662||3434|
|Screen Specs||Panasonic GX80||Sony A7R II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2765k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GX80||Sony A7R II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GX80||Sony A7R II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic GX80||Sony A7R II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||290 shots per charge||290 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 71 x 44 mm
(4.8 x 2.8 x 1.7 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||426 g (15.0 oz)||625 g (22.0 oz)|
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