Panasonic GH5 vs Sony A9
The Panasonic Lumix DC-GH5 and the Sony Alpha A9 are two digital cameras that were revealed to the public, respectively, in January 2017 and April 2017. Both the GH5 and the A9 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GH5) and a full frame (A9) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5 and the Sony Alpha A9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GH5 and the Sony A9 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 is notably smaller (10 percent) than the Panasonic GH5. Moreover, the A9 is markedly lighter (7 percent) than the GH5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GH5) and the Sony FE Lens Catalog (A9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GH5 gets 410 shots out of its DMW-BLF19 battery, while the A9 can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A9 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|2.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|3.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|4.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|5.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|6.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|7.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|8.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|9.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|10.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|11.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|12.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|13.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|14.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GH5 was launched at a markedly lower price (by 56 percent) than the A9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GH5 features a Four Thirds sensor and the Sony A9 a full frame sensor. The sensor area in the A9 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH5 has a native 4:3 aspect ratio, while the one in the A9 offers a 3:2 aspect.
With 24MP, the A9 offers a higher resolution than the GH5 (20.2MP), but the A9 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.34μm for the GH5) due to its larger sensor. Moreover, the A9 is a somewhat more recent model (by 3 months) than the GH5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH5 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The A9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-GH5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A9 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A9 offers substantially better image quality than the GH5 (overall score 15 points higher). The advantage is based on 1 bits higher color depth, 0.3 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|2.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|4.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|5.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|6.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|7.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|8.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|9.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|10.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|11.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|12.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|13.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|14.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5 provides a higher frame rate than the A9. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A9 offers a slightly higher resolution than the one in the GH5 (3686k vs 3680k dots). The following table reports on some other key feature differences and similarities of the Panasonic GH5, the Sony A9, and comparable cameras.
|1.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|2.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|3.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|4.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|5.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0||n||Y|
|6.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|7.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|8.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|9.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|10.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|11.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|12.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|13.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|14.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GH5 writes its imaging data to SDXC cards, while the A9 uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. However, while the GH5 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on both slots, the A9 supports UHS-II only on its first slot and UHS-I (data transfer speed up to 104 MB/s) on the second one.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5 and Sony Alpha A9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|3.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|4.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|5.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|6.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|8.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|11.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|12.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GH5 and the A9 have been discontinued, but can regularly be found used on eBay. The GH5 was replaced by the Panasonic GH5 II, while the A9 was followed by the Sony A9 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Is the Panasonic GH5 better than the Sony A9 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-GH5:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1440k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2017).
Arguments in favor of the Sony Alpha A9:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.76x).
- Faster burst: Shoots at higher frequency (20 vs 12 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x96mm vs 139x98mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (650 versus 410) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (3 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A9 comes out slightly ahead of the GH5 (12 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5 and the Sony A9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GH5 or the A9 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|2.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|3.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|4.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|5.||Panasonic GH5 II||..||..||4.5/5||..||..||5/5||May 2021||1,699|
|6.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|7.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|8.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|9.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|10.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|11.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|12.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|13.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|14.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark II vs Panasonic GH5
- Canon SX710 vs Sony A9
- Canon SX730 vs Panasonic GH5
- Canon T7 vs Sony A9
- Fujifilm X-E2S vs Panasonic GH5
- Leica M Typ 262 vs Sony A9
- Nikon 1 J4 vs Panasonic GH5
- Nikon D5000 vs Panasonic GH5
- Olympus E-620 vs Sony A9
- Panasonic GH5 vs Panasonic GH5s
- Pentax K-70 vs Sony A9
- Samsung NX1 vs Sony A9
Specifications: Panasonic GH5 vs Sony A9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5||Sony A9|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||January 2017||April 2017|
|Launch Price||USD 1,999||USD 4,499|
|Sensor Specs||Panasonic GH5||Sony A9|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||20.2 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3888 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.34 μm||5.94 μm|
|Pixel Density||8.96 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 204,800 ISO|
|Image Processor||Venus 10||BIONZ X|
|DXO Sensor Quality (score)||77||92|
|DXO Color Depth (bits)||23.9||24.9|
|DXO Dynamic Range (EV)||13.0||13.3|
|DXO Low Light (ISO)||807||3517|
|Screen Specs||Panasonic GH5||Sony A9|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||1440k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic GH5||Sony A9|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||20 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||500 000 actuations|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||Single UHS-II|
|Connectivity Specs||Panasonic GH5||Sony A9|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic GH5||Sony A9|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||410 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
127 x 96 x 63 mm
(5.0 x 3.8 x 2.5 in)
|Camera Weight||725 g (25.6 oz)||673 g (23.7 oz)|
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