Panasonic GH4 vs Sony A7 II
The Panasonic Lumix DMC-GH4 and the Sony Alpha A7 II are two enthusiast cameras that were officially introduced, respectively, in February 2014 and November 2014. Both the GH4 and the A7 II are mirrorless interchangeable lens cameras that are based on a Four Thirds (GH4) and a full frame (A7 II) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GH4||Sony A7 II|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Sony E mount lenses|
|15.9 MP, Four Thirds Sensor||24 MP, Full Frame Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-25600||ISO 100-25600 (50-51200)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1036k dots||3.0" LCD, 1230k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|12 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|500 shots per battery charge||350 shots per battery charge|
|133 x 93 x 84 mm, 560 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GH4 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic GH4 vs Sony A7 II
An illustration of the physical size and weight of the Panasonic GH4 and the Sony A7 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is somewhat smaller (1 percent) than the Panasonic GH4. However, the A7 II is markedly heavier (7 percent) than the GH4. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GH4) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GH4 gets 500 shots out of its DMW-BLF19 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic GH4»||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GM5« »||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-||Panasonic GM1|
|Panasonic GH3« »||5.2 in||3.7 in||3.2 in||19.4 oz||540||Y||Sep 2012||1,299||-||Panasonic GH3|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GH4 was launched at a somewhat lower price (by 25 percent) than the A7 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic GH4 vs Sony A7 II
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GH4 features a Four Thirds sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH4 has a native 4:3 aspect ratio, while the one in the A7 II offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the A7 II offers a higher resolution than the GH4 (15.9MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.76μm for the GH4) due to its larger sensor. Moreover, the A7 II is a somewhat more recent model (by 9 months) than the GH4, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH4 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-GH4 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the GH4 (overall score 16 points higher). The advantage is based on 1.7 bits higher color depth, 0.8 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic GH4»||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Sony A7 II«||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic GH3« »||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71||Panasonic GH3|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH4 provides a higher video resolution than the A7 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Feature comparison: Panasonic GH4 vs Sony A7 II
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a slightly higher resolution than the one in the GH4 (2400k vs 2359k dots). The adjacent table lists some of the other core features of the Panasonic GH4 and Sony A7 II along with similar information for a selection of comparators.
|Panasonic GH4»||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Sony A7 II«||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic GH3« »||1746||n||3.0||614||swivel||Y||1/4000s||6.0||Y||n||Panasonic GH3|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One difference between the cameras concerns the presence of an on-board flash. The GH4 has one, while the A7 II does not. While the built-in flash of the GH4 is not very powerful, it can at times be useful as a fill-in light.The GH4 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH4 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH4 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GH4 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Panasonic GH4 vs Sony A7 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GH4 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GH4»||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Sony A7 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GM5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic GH3« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Panasonic GH3|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
Studio photographers will appreciate that the Panasonic GH4 (unlike the A7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GH4 and the A7 II have been discontinued, but can regularly be found used on eBay. The GH4 was replaced by the Panasonic GH5, while the A7 II was followed by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
Review summary: Panasonic GH4 vs Sony A7 II
So what conclusions can be drawn? Is the Panasonic GH4 better than the Sony A7 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-GH4:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (500 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2014).
Advantages of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.6 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.67x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1036k dots).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (9 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the GH4 emerges as the winner of the contest (12 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH4 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GH4 and the A7 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic GH4 vs Sony A7 II
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GH4»||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Sony A7 II«||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GM5« »||+||77/100||5/5||5/5||4.5/5||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-||Panasonic GM1|
|Panasonic GH3« »||+ +||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-||Panasonic GH3|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 200D vs Sony A7 II
- Canon 700D vs Panasonic GH4
- Canon SL2 vs Panasonic GH4
- Fujifilm X-E1 vs Sony A7 II
- Leica M10 vs Panasonic GH4
- Leica TL2 vs Sony A7 II
- Nikon D3200 vs Panasonic GH4
- Olympus E-M1 II vs Sony A7 II
- Panasonic FZ2000 vs Panasonic GH4
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- Panasonic GH4 vs Panasonic S1R
Specifications: Panasonic GH4 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH4||Sony A7 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||February 2014||November 2014|
|Launch Price||USD 1499||USD 1999|
|Sensor Specs||Panasonic GH4||Sony A7 II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.8 x 23.9 mm|
|Sensor Area||224.9 mm2||855.62 mm2|
|Sensor Diagonal||21.6 mm||43 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.76 μm||5.97 μm|
|Pixel Density||7.08 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200-25600 ISO||100-25600 ISO|
|ISO Boost||100-25600 ISO||50-51200 ISO|
|Image Processor||Venus IX||BIONZ X|
|DXO Sensor Quality (score)||74||90|
|DXO Color Depth (bits)||23.2||24.9|
|DXO Dynamic Range (EV)||12.8||13.6|
|DXO Low Light (ISO)||791||2449|
|Screen Specs||Panasonic GH4||Sony A7 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1036k dots||1230k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GH4||Sony A7 II|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||12 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||200 000 actuations|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GH4||Sony A7 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Panasonic GH4||Sony A7 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||DMW-BLF19 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||500 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
133 x 93 x 84 mm
(5.2 x 3.7 x 3.3 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||560 g (19.8 oz)||599 g (21.1 oz)|
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