Panasonic GF6 vs Sony A6100

The Panasonic Lumix DMC-GF6 and the Sony Alpha A6100 are two digital cameras that were revealed to the public, respectively, in April 2013 and August 2019. Both the GF6 and the A6100 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF6) and an APS-C (A6100) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF6		Sony A6100
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.8 MP – Four Thirds sensor		24 MP – APS-C sensor
1080/60i Video		4K/30p Video
ISO 160-12,800 (160 - 25,600)		ISO 100-32,000 (100 - 51,200)
No viewfinder, LCD framing		Electronic viewfinder (1440k dots)
3.0" LCD – 1040k dots		3.0" LCD – 922k dots
Tilting touchscreen		Tilting touchscreen
4.2 shutter flaps per second		11 shutter flaps per second
340 shots per battery charge		420 shots per battery charge
111 x 65 x 38 mm, 323 g		120 x 67 x 59 mm, 396 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF6 and the Sony Alpha A6100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GF6 and the Sony A6100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The GF6 can be obtained in four different colors (black, brown, red, white), while the A6100 is available in three color-versions (black, silver, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6100 is notably larger (11 percent) than the Panasonic GF6. Moreover, the A6100 is markedly heavier (23 percent) than the GF6. In this context, it is worth noting that neither the GF6 nor the A6100 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF6) and the Sony E-Mount Lens Catalog (A6100). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GF6 gets 340 shots out of its Panasonic DMW-BLG10 battery, while the A6100 can take 420 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A6100 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
2.		Sony A6100	120 mm	67 mm	59 mm	396 g	420	n	Aug 2019	749	ebay.com
3.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
4.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
5.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
6.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
7.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
8.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
9.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
10.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	499	ebay.com
11.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
12.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	ebay.com
13.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
14.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
15.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
16.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
17.		Sony ZV-E10	115 mm	64 mm	45 mm	343 g	440	n	Jul 2021	699	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF6 was launched at a markedly lower price (by 33 percent) than the A6100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GF6 features a Four Thirds sensor and the Sony A6100 an APS-C sensor. The sensor area in the A6100 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF6 has a native 4:3 aspect ratio, while the one in the A6100 offers a 3:2 aspect.

With 24MP, the A6100 offers a higher resolution than the GF6 (15.8MP), but the A6100 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the GF6) due to its larger sensor. Moreover, the A6100 is a much more recent model (by 6 years and 4 months) than the GF6, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6100 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GF6 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A6100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-GF6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Sony Alpha A6100 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
2.		Sony A6100	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1947	84
3.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
4.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
5.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
6.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
7.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
8.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
9.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
10.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
11.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
12.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
13.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
14.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
15.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
16.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
17.		Sony ZV-E10	APS-C	24.0	6000	4000	4K/30p	24.2	13.8	2134	85
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6100 provides a better video resolution than the GF6. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6100 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF6 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic GF6 and Sony A6100 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
2.		Sony A6100	1440	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
3.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
4.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
5.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
6.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
7.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
8.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
9.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
10.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
11.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
12.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
13.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
14.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
15.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
16.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
17.		Sony ZV-E10	none	n	3.0 / 922	swivel	Y	1/4000s	11.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Sony A6100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GF6 writes its imaging data to SDXC cards, while the A6100 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF6 and Sony Alpha A6100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
2.		Sony A6100	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
3.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
4.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
8.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
16.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony ZV-E10	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y

It is notable that the A6100 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GF6 does not feature such a mic input.

Both the GF6 and the A6100 have been discontinued, but can regularly be found used on ebay. The GF6 was replaced by the Panasonic GF7, while the A6100 was followed by the Sony A6600. Further information on the features and operation of the GF6 and A6100 can be found, respectively, in the Panasonic GF6 Manual (free pdf) or the online Sony A6100 Manual.

Review summary

So how do things add up? Is the Panasonic GF6 better than the Sony A6100 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Panasonic Lumix DMC-GF6:

• More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
• Less heavy: Is lighter (by 73g or 18 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in April 2013).

Reasons to prefer the Sony Alpha A6100:

• More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Faster burst: Shoots at higher frequency (11 vs 4.2 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (420 versus 340) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 6 years and 4 months of technical progress since the GF6 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A6100 is the clear winner of the contest (17 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF6 and the Sony A6100 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF6 or the A6100. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
2.		Sony A6100	..	..	4/5	82/100	4/5	5/5	Aug 2019	749	ebay.com
3.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
4.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
5.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
6.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
7.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
8.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
9.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
10.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	499	ebay.com
11.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
12.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	ebay.com
13.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
14.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
15.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
16.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
17.		Sony ZV-E10	4/5	..	4/5	82/100	4.5/5	4.5/5	Jul 2021	699	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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