Panasonic GF5 vs Sony HX350
The Panasonic Lumix DMC-GF5 and the Sony Cyber-shot DSC-HX350 are two digital cameras that were announced, respectively, in April 2012 and December 2016. The GF5 is a mirrorless interchangeable lens camera, while the HX350 is a fixed lens compact. The cameras are based on a Four Thirds (GF5) and a 1/2.3-inch (HX350) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 19.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GF5||Sony HX350|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||24-1200mm f/2.8-6.3|
|12 MP, Four Thirds Sensor||19.9 MP, 1/2.3" Sensor|
|1080/60i Video||1080/60p Video|
|ISO 160-6400 (160-12800)||ISO 80-3200 (80-12800)|
|No viewfinder, LCD framing||Electronic viewfinder (202k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 922k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|4 shutter flaps per second||10 shutter flaps per second|
|360 shots per battery charge||300 shots per battery charge|
|108 x 67 x 37 mm, 267 g||130 x 93 x 103 mm, 652 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF5 and the Sony Cyber-shot DSC-HX350? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GF5 and the Sony HX350 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF5 can be obtained in three different colors (black, red, white), while the HX350 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX350 is considerably larger (67 percent) than the Panasonic GF5. In this context, it is worth noting that neither the GF5 nor the HX350 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX350 has a lens built in, whereas the GF5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF5 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic GF5»||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||Panasonic GF5|
|Sony HX350«||5.1 in||3.7 in||4.1 in||23.0 oz||300||n||Dec 2016||449||Sony HX350|
|Kodak AZ901« »||5.5 in||4.1 in||4.7 in||27.4 oz||400||n||Jan 2016||499||Kodak AZ901|
|Nikon B700« »||4.9 in||3.3 in||4.2 in||19.9 oz||350||n||Feb 2016||499||Nikon B700|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||Olympus E-PL3|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||Olympus E-PM1|
|Panasonic FZ80« »||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ80|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||Panasonic GF6|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||Panasonic GF3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||Panasonic G2|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||Panasonic GF2|
|Panasonic G1« »||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599||Panasonic G1|
|Sony HX90V« »||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429||Sony HX90V|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The HX350 was launched at a lower price than the GF5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GF5 features a Four Thirds sensor and the Sony HX350 a 1/2.3-inch sensor. The sensor area in the HX350 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the HX350 offers a higher resolution of 19.9 megapixels, compared with 12 MP of the GF5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.19μm versus 4.33μm for the GF5). However, it should be noted that the HX350 is much more recent (by 4 years and 8 months) than the GF5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the HX350 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony HX350 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX350 for good quality output (200 dots per inch) amounts to 25.8 x 19.3 inch or 65.4 x 49.1 cm, for very good quality (250 dpi) 20.6 x 15.5 inch or 52.3 x 39.3 cm, and for excellent quality (300 dpi) 17.2 x 12.9 inch or 43.6 x 32.7 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-GF5 has a native sensitivity range from ISO 160 to ISO 6400, which can be extended to ISO 160-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-HX350 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Sony HX350||1/2.3||19.9||5152||3864||1080/60p||..||..||..||..||Sony HX350|
|Kodak AZ901||1/2.3||20.2||5184||3888||1080/30p||..||..||..||..||Kodak AZ901|
|Nikon B700||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Nikon B700|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Panasonic FZ80||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Panasonic FZ80|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53||Panasonic G1|
|Sony HX90V||1/2.3||18.0||4896||3672||1080/60p||..||..||..||..||Sony HX90V|
|Sony HX400V||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Sony HX400V|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the HX350 provides a faster frame rate than the GF5. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the HX350 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GF5, the Sony HX350, and comparable cameras.
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Sony HX350||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
|Kodak AZ901||202||n||3.0||920||swivel||n||1/2000s||5.0||Y||Y||Kodak AZ901|
|Nikon B700||921||n||3.0||921||swivel||n||1/4000s||5.0||Y||Y||Nikon B700|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1||optional||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Panasonic FZ80||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic FZ80|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF6||none||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic GF3||none||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GF2||optional||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Panasonic G1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic G1|
|Sony HX90V||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
|Sony HX400V||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF5 has a touchscreen, while the HX350 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The GF5 writes its imaging data to SDXC cards, while the HX350 uses SDXC or Memory Stick PRO Duo cards. The GF5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the HX350 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF5 and Sony Cyber-shot DSC-HX350 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Sony HX350||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
|Kodak AZ901||-||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak AZ901|
|Nikon B700||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B700|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Panasonic FZ80||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ80|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF6||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic GF3||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Panasonic G1||Y||none||none||-||-||mini||2.0||-||-||-||Panasonic G1|
|Sony HX90V||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
|Sony HX400V||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
The HX350 is a recent model that features in the current product line-up of Sony. In contrast, the GF5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GF5 was succeeded by the Panasonic GF6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is there a clear favorite between the Panasonic GF5 and the Sony HX350? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-GF5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (108x67mm vs 130x93mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (360 versus 300) on a single battery charge.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been available for much longer (launched in April 2012).
Arguments in favor of the Sony Cyber-shot DSC-HX350:
- More detail: Has more megapixels (19.9 vs 12MP), which boosts linear resolution by 29%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GF5 necessitates an extra lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 8 months of technical progress since the GF5 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GF5 comes out slightly ahead of the HX350 (11 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF5 and the Sony HX350 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GF5 or the HX350 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D II vs Panasonic GF5
- Leica V-LUX 3 vs Panasonic GF5
- Leica X Typ 113 vs Panasonic GF5
- Nikon Coolpix A vs Panasonic GF5
- Nikon D600 vs Panasonic GF5
- Nikon D750 vs Sony HX350
- Nikon D800 vs Sony HX350
- Nikon L840 vs Sony HX350
- Panasonic GF5 vs Panasonic GF7
- Panasonic GF5 vs Sony RX100 V
- Sony A58 vs Sony HX350
- Sony H400 vs Sony HX350
Specifications: Panasonic GF5 vs Sony HX350
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GF5||Sony HX350|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-1200mm f/2.8-6.3|
|Launch Date||April 2012||December 2016|
|Launch Price||USD 499||USD 449|
|Sensor Specs||Panasonic GF5||Sony HX350|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||19.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||5152 x 3864 pixels|
|Pixel Pitch||4.33 μm||1.19 μm|
|Pixel Density||5.34 MP/cm2||70.91 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||1080/60p Video|
|ISO Setting||160-6400 ISO||80-3200 ISO|
|ISO Boost||160-12800 ISO||80-12800 ISO|
|Image Processor||Venus FHD||BIONZ X|
|DXO Sensor Quality (score)||61||..|
|DXO Color Depth (bits)||21.4||..|
|DXO Dynamic Range (EV)||11.6||..|
|DXO Low Light (ISO)||618||..|
|Screen Specs||Panasonic GF5||Sony HX350|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GF5||Sony HX350|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic GF5||Sony HX350|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic GF5||Sony HX350|
|Battery Life (CIPA)||360 shots per charge||300 shots per charge|
108 x 67 x 37 mm
(4.3 x 2.6 x 1.5 in)
130 x 93 x 103 mm
(5.1 x 3.7 x 4.1 in)
|Camera Weight||267 g (9.4 oz)||652 g (23.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.