Canon 6D Mark II vs Panasonic GF5
The Canon EOS 6D Mark II and the Panasonic Lumix DMC-GF5 are two digital cameras that were officially introduced, respectively, in June 2017 and April 2012. The 6D Mark II is a DSLR, while the GF5 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and a Four Thirds (GF5) sensor. The Canon has a resolution of 26 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Panasonic Lumix DMC-GF5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon 6D Mark II and the Panasonic GF5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GF5 can be obtained in three different colors (black, red, white), while the 6D Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF5 is considerably smaller (55 percent) than the Canon 6D Mark II. Moreover, the GF5 is substantially lighter (65 percent) than the 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the GF5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Micro Four Thirds Lens Catalog (GF5). Mirrorless cameras, such as the GF5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the GF5 can take 360 images on a single charge of its DMW-BLE9 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | 1,999 | amazon.com | |
2. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
3. | Canon R | 139 mm | 98 mm | 84 mm | 660 g | 370 | Y | Sep 2018 | 2,299 | amazon.com | |
4. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
5. | Canon 5D Mark IV | 151 mm | 116 mm | 76 mm | 890 g | 900 | Y | Aug 2016 | 3,499 | amazon.com | |
6. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | 1,199 | ebay.com | |
7. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
8. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
9. | Canon 7D II | 149 mm | 112 mm | 78 mm | 910 g | 670 | Y | Sep 2014 | 1,799 | ebay.com | |
10. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | 2,099 | ebay.com | |
11. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | 1,999 | amazon.com | |
12. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
13. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
14. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
15. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
16. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
17. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF5 was launched at a markedly lower price (by 75 percent) than the 6D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Panasonic GF5 a Four Thirds sensor. The sensor area in the GF5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the GF5 offers a 4:3 aspect.
With 26MP, the 6D Mark II offers a higher resolution than the GF5 (12MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 4.33μm for the GF5) due to its larger sensor. Moreover, the 6D Mark II is a much more recent model (by 5 years and 2 months) than the GF5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 6D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D Mark II for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-GF5 are ISO 160 to ISO 6400, with the possibility to increase the ISO range to 160-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the GF5, with an overall score that is 35 points higher. This advantage is based on 3.9 bits higher color depth, 1.9 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
2. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
3. | Canon R | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.5 | 13.5 | 2742 | 89 | |
4. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
5. | Canon 5D Mark IV | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.8 | 13.6 | 2995 | 91 | |
6. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
7. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
8. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
9. | Canon 7D II | APS-C | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 11.8 | 1082 | 70 | |
10. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
11. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
12. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
13. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
14. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
15. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
16. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
17. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 6D Mark II provides a higher frame rate than the GF5. It can shoot video footage at 1080/60p, while the Panasonic is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 6D Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Panasonic GF5 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
2. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
3. | Canon R | 3690 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 8.0/s | n | n | |
4. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
5. | Canon 5D Mark IV | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 7.0/s | n | n | |
6. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
7. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
8. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
9. | Canon 7D II | optical | Y | 3.0 / 1040 | fixed | n | 1/8000s | 10.0/s | Y | n | |
10. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
11. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
12. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
13. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
14. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
15. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
16. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
17. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the 6D Mark II, but is missing on the GF5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GF5 does not have a selfie-screen.The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D Mark II and the GF5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Panasonic Lumix DMC-GF5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
2. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon R | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
4. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
5. | Canon 5D Mark IV | Y | mono / mono | Y | Y | mini | 3.0 | Y | Y | - | |
6. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
7. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
8. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
9. | Canon 7D II | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
10. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
11. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
12. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
13. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
14. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
15. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the 6D Mark II has a hotshoe, while the GF5 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the GF5 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF5 was succeeded by the Panasonic GF6. Further information on the features and operation of the 6D Mark II and GF5 can be found, respectively, in the Canon 6D Mark II Manual (free pdf) or the online Panasonic GF5 Manual.
Review summary
So how do things add up? Is the Canon 6D Mark II better than the Panasonic GF5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 6D Mark II:
- More detail: Offers more megapixels (26 vs 12MP) with a 50% higher linear resolution.
- Better image quality: Scores substantially higher (35 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.9 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.3 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.5 vs 4 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (1200 versus 360) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years and 2 months of technical progress since the GF5 launch.
Advantages of the Panasonic Lumix DMC-GF5:
- More compact: Is smaller (108x67mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 498g or 65 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in April 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the 6D Mark II is the clear winner of the match-up (23 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Panasonic GF5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the GF5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | 1,999 | amazon.com | |
2. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
3. | Canon R | 4/5 | o | 4/5 | 79/100 | 4.5/5 | 4/5 | Sep 2018 | 2,299 | amazon.com | |
4. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
5. | Canon 5D Mark IV | 4.5/5 | + + | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2016 | 3,499 | amazon.com | |
6. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | 1,199 | ebay.com | |
7. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
8. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
9. | Canon 7D II | 4.5/5 | + | 3.5/5 | 84/100 | 4/5 | 4.5/5 | Sep 2014 | 1,799 | ebay.com | |
10. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
11. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | 1,999 | amazon.com | |
12. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
13. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
14. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
15. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
16. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
17. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 600D vs Canon 6D Mark II
- Canon 6D Mark II vs Canon G7 X Mark II
- Canon 6D Mark II vs Canon G9 X Mark II
- Canon 6D Mark II vs Nikon D5200
- Canon 6D Mark II vs Panasonic G7
- Canon 6D Mark II vs Pentax K-1
- Nikon 1 J4 vs Panasonic GF5
- Olympus E-M10 II vs Panasonic GF5
- Olympus E-PL7 vs Panasonic GF5
- Panasonic GF5 vs Panasonic TZ95
- Panasonic GF5 vs Pentax K-5
- Panasonic GF5 vs Sony A850
Specifications: Canon 6D Mark II vs Panasonic GF5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 6D Mark II | Panasonic GF5 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Micro Four Thirds lenses |
Launch Date | June 2017 | April 2012 |
Launch Price | USD 1,999 | USD 499 |
Sensor Specs | Canon 6D Mark II | Panasonic GF5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Four Thirds Sensor |
Sensor Size | 35.9 x 24.0 mm | 17.3 x 13.0 mm |
Sensor Area | 861.6 mm2 | 224.9 mm2 |
Sensor Diagonal | 43.2 mm | 21.6 mm |
Crop Factor | 1.0x | 2.0x |
Sensor Resolution | 26 Megapixels | 12 Megapixels |
Image Resolution | 6240 x 4160 pixels | 4000 x 3000 pixels |
Pixel Pitch | 5.76 μm | 4.33 μm |
Pixel Density | 3.01 MP/cm2 | 5.34 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60i Video |
ISO Setting | 100 - 40,000 ISO | 160 - 6,400 ISO |
ISO Boost | 50 - 102,400 ISO | 160 - 12,800 ISO |
Image Processor | DIGIC 7 | Venus FHD |
DXO Sensor Quality (score) | 85 | 50 |
DXO Color Depth (bits) | 24.4 | 20.5 |
DXO Dynamic Range (EV) | 11.9 | 10.0 |
DXO Low Light (ISO) | 2862 | 573 |
Screen Specs | Canon 6D Mark II | Panasonic GF5 |
Viewfinder Type | Optical viewfinder | no viewfinder |
Viewfinder Field of View | 98% | |
Viewfinder Magnification | 0.72x | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 920k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon 6D Mark II | Panasonic GF5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 6.5 shutter flaps/s | 4 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Canon 6D Mark II | Panasonic GF5 |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Geotagging | GPS built-in | no internal GPS |
Body Specs | Canon 6D Mark II | Panasonic GF5 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | LP-E6N | DMW-BLE9 |
Battery Life (CIPA) | 1200 shots per charge | 360 shots per charge |
Body Dimensions |
144 x 111 x 75 mm (5.7 x 4.4 x 3.0 in) |
108 x 67 x 37 mm (4.3 x 2.6 x 1.5 in) |
Camera Weight | 765 g (27.0 oz) | 267 g (9.4 oz) |
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