Panasonic GF1 vs Sony NEX-3N

The Panasonic Lumix DMC-GF1 and the Sony Alpha NEX-3N are two digital cameras that were announced, respectively, in September 2009 and February 2013. Both the GF1 and the NEX-3N are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF1) and an APS-C (NEX-3N) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 16 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF1		Sony NEX-3N
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
12 MP – Four Thirds sensor		16 MP – APS-C sensor
720/30p Video		1080/60i Video
ISO 100-3,200		ISO 200-16,000
Viewfinder optional		Viewfinder optional
3.0" LCD – 460k dots		3.0" LCD – 460k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3 shutter flaps per second		4 shutter flaps per second
380 shots per battery charge		480 shots per battery charge
119 x 71 x 36 mm, 385 g		110 x 62 x 35 mm, 269 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF1 and the Sony Alpha NEX-3N? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic GF1 and the Sony NEX-3N. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The NEX-3N can be obtained in two different colors (black, white), while the GF1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-3N is notably smaller (19 percent) than the Panasonic GF1. Moreover, the NEX-3N is markedly lighter (30 percent) than the GF1. In this context, it is worth noting that neither the GF1 nor the NEX-3N are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF1) and the Sony E-Mount Lens Catalog (NEX-3N). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GF1 gets 380 shots out of its Panasonic DMW-BLB13 battery, while the NEX-3N can take 480 images on a single charge of its Sony NP-FW50 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	749	ebay.com
2.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	499	ebay.com
3.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
4.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	799	ebay.com
5.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
6.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
7.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
8.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
9.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	899	ebay.com
10.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
11.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
12.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	899	ebay.com
13.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	449	ebay.com
14.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
15.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
16.		Sony NEX-5	111 mm	59 mm	38 mm	287 g	330	n	May 2010	699	ebay.com
17.		Sony NEX-F3	117 mm	67 mm	42 mm	314 g	470	n	May 2012	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NEX-3N was launched at a markedly lower price (by 33 percent) than the GF1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GF1 features a Four Thirds sensor and the Sony NEX-3N an APS-C sensor. The sensor area in the NEX-3N is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF1 has a native 4:3 aspect ratio, while the one in the NEX-3N offers a 3:2 aspect.

With 16MP, the NEX-3N offers a higher resolution than the GF1 (12MP), but the NEX-3N nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.33μm for the GF1) due to its larger sensor. Moreover, the NEX-3N is a much more recent model (by 3 years and 5 months) than the GF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony NEX-3N implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-3N for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-GF1 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha NEX-3N are ISO 200 to ISO 16000 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-3N offers substantially better image quality than the GF1 (overall score 20 points higher). The advantage is based on 1.6 bits higher color depth, 2.2 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
2.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
3.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
4.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
5.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
6.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
7.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
8.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
9.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
10.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
11.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
12.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
13.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
14.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
15.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
16.		Sony NEX-5	APS-C	14.0	4592	3056	1080/60i	22.2	12.2	796	69
17.		Sony NEX-F3	APS-C	16.0	4912	3264	1080/60i	22.7	12.3	1114	73

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the NEX-3N provides a better video resolution than the GF1. It can shoot movie footage at 1080/60i, while the Panasonic is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The GF1 and the NEX-3N are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the DMW-LVF1 for the GF1 and the FDA-SV1 for the NEX-3N – are available as accessories. The following table reports on some other key feature differences and similarities of the Panasonic GF1, the Sony NEX-3N, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
2.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
3.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
4.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
5.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
6.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
7.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
8.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
9.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
10.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
11.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
12.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
13.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
14.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
15.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
16.		Sony NEX-5	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
17.		Sony NEX-F3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The GF1 writes its imaging data to SDHC cards, while the NEX-3N uses SDXC or Memory Stick PRO Duo cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF1 and Sony Alpha NEX-3N and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
3.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
4.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
5.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
6.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
8.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
10.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Sony NEX-5	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony NEX-F3	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the GF1 has a hotshoe, while the NEX-3N does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the GF1 and the NEX-3N have been discontinued, but can regularly be found used on ebay. The GF1 was replaced by the Panasonic DMC-GF2, while the NEX-3N was followed by the Sony A5000. Further information on the features and operation of the GF1 and NEX-3N can be found, respectively, in the Panasonic GF1 Manual (free pdf) or the online Sony NEX-3N Manual.

Review summary

So what is the bottom line? Is the Panasonic GF1 better than the Sony NEX-3N or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Panasonic Lumix DMC-GF1:

• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been available for much longer (launched in September 2009).

Reasons to prefer the Sony Alpha NEX-3N:

• More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 18%.
• Better image quality: Scores substantially higher (20 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
• Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (110x62mm vs 119x71mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 116g or 30 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (480 versus 380) out of a single battery charge.
• More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
• More modern: Reflects 3 years and 5 months of technical progress since the GF1 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the NEX-3N is the clear winner of the contest (14 : 2 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF1 and the Sony NEX-3N place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GF1 or the NEX-3N perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	749	ebay.com
2.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	499	ebay.com
3.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
4.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	799	ebay.com
5.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
6.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
7.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
8.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
9.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	899	ebay.com
10.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
11.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
12.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	899	ebay.com
13.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	449	ebay.com
14.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
15.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
16.		Sony NEX-5	3/5	+ +	..	71/100	4.5/5	4/5	May 2010	699	ebay.com
17.		Sony NEX-F3	4/5	..	..	74/100	4.5/5	4.5/5	May 2012	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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