Panasonic G9 vs L1
The Panasonic Lumix DC-G9 and the Panasonic Lumix DMC-L1 are two digital cameras that were officially introduced, respectively, in November 2017 and February 2006. The G9 is a mirrorless interchangeable lens camera, while the L1 is a DSLR. Both cameras are equipped with a Four Thirds sensor. The G9 has a resolution of 20.2 megapixels, whereas the L1 provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-G9 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G9 and the Panasonic L1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is somewhat smaller (4 percent) than the Panasonic G9. Moreover, the L1 is markedly lighter (8 percent) than the G9. It is worth mentioning in this context that the G9 is splash and dust resistant, while the L1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G9) and the Four Thirds Lens Catalog (L1). Mirrorless cameras, such as the Panasonic G9, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The power pack in the G9 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|2.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|3.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|4.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899|
|5.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|6.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|7.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|8.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|9.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|10.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|11.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|12.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|13.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|14.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|15.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|16.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The L1 was launched at a markedly lower price (by 41 percent) than the G9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G9 offers a higher resolution of 20.2 megapixels, compared with 7.4 MP of the L1. This megapixels advantage translates into a 65 percent gain in linear resolution. On the other hand, these sensor specs imply that the G9 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 5.51μm for the L1). In this context, it should be noted, however, that the G9 is much more recent (by 11 years and 8 months) than the L1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
Unlike the L1, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-G9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|2.||Panasonic L1||Four Thirds||7.4||3136||2352||none||20.8||10.4||80||52|
|5.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|6.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1356||76|
|7.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|8.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|9.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|10.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|11.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||23.1||12.8||1154||74|
|12.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||23.1||12.8||1163||74|
|13.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|14.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|15.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|16.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The G9 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the G9 can use is 4K/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G9 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G9 has a higher magnification (0.83x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Panasonic G9 and Panasonic L1 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|2.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|3.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|5.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|7.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|8.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|9.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|10.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|11.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||n|
|12.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0/s||Y||Y|
|13.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|14.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|15.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|16.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the G9, but is missing on the L1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G9 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the L1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G9 writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot. The G9 supports UHS-II cards (on both slots), while the L1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G9 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|2.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|5.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|6.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|7.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|8.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|11.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|13.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the G9 offers wifi support, while the L1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Panasonic G9 (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the L1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the L1 was succeeded by the Panasonic L10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Which of the two cameras – the Panasonic G9 or the Panasonic L1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-G9:
- More detail: Offers more megapixels (20.2 vs 7.4MP) with a 65% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Broader imaging potential: Can record not only still images but also 4K/60p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.47x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 11 years and 8 months of technical progress since the L1 launch.
Advantages of the Panasonic Lumix DMC-L1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (750 versus 400) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (41 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2006).
If the count of individual advantages (bullet points above) is taken as a guide, the G9 is the clear winner of the match-up (28 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G9 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G9 or the L1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|2.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999|
|3.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|4.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899|
|5.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499|
|6.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|7.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|8.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|9.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|10.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699|
|11.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499|
|12.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|13.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|14.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|15.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|16.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 600D vs Panasonic G9
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- Canon SX510 vs Panasonic G9
- Fujifilm GFX 50S vs Panasonic G9
- Leica Q2 vs Panasonic G9
- Leica X2 vs Panasonic L1
- Nikon D300S vs Panasonic L1
- Nikon D3X vs Panasonic L1
- Nikon D5 vs Panasonic G9
- Nikon D7000 vs Panasonic L1
- Nikon W150 vs Panasonic L1
- Olympus E-PL9 vs Panasonic L1
Specifications: Panasonic G9 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G9||Panasonic L1|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Four Thirds lenses|
|Launch Date||November 2017||February 2006|
|Launch Price||USD 1,699||USD 999|
|Sensor Specs||Panasonic G9||Panasonic L1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||20.2 Megapixels||7.4 Megapixels|
|Image Resolution||5184 x 3888 pixels||3136 x 2352 pixels|
|Pixel Pitch||3.34 μm||5.51 μm|
|Pixel Density||8.96 MP/cm2||3.28 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||no Video|
|ISO Setting||200 - 25,600 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||Venus 10||Venus|
|Screen Specs||Panasonic G9||Panasonic L1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||1040k dots||207k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G9||Panasonic L1|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||20 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Panasonic G9||Panasonic L1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||full HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic G9||Panasonic L1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||750 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
|Camera Weight||658 g (23.2 oz)||606 g (21.4 oz)|
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