Panasonic G9 vs Canon 1D Mark IV
The Panasonic Lumix DC-G9 and the Canon EOS-1D Mark IV are two digital cameras that were officially introduced, respectively, in November 2017 and October 2009. The G9 is a mirrorless interchangeable lens camera, while the 1D Mark IV is a DSLR. The cameras are based on a Four Thirds (G9) and an APS-H (1D Mark IV) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Canon provides 16 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic G9||Canon 1D Mark IV|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Canon EF mount lenses|
|20.2 MP, Four Thirds Sensor||16 MP, APS-H Sensor|
|4K/60p Video||1080/30p Video|
|ISO 200-25600||ISO 100-12800 (50-102400)|
|Electronic viewfinder (3680k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|20 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||1500 shots per battery charge|
|137 x 97 x 92 mm, 658 g||156 x 157 x 80 mm, 1230 g|
Body comparison: Panasonic G9 vs Canon 1D Mark IV
An illustration of the physical size and weight of the Panasonic G9 and the Canon 1D Mark IV is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D Mark IV is considerably larger (84 percent) than the Panasonic G9. Moreover, the 1D Mark IV is substantially heavier (87 percent) than the G9. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G9) and the Canon EF Lens Catalog (1D Mark IV). Mirrorless cameras, such as the Panasonic G9, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the G9 gets 400 shots out of its DMW-BLF19 battery, while the 1D Mark IV can take 1500 images on a single charge of its LP-E4 power pack. As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the G9, Panasonic provides the DMW-BGG9 vertical grip as an optional accessory (see here on eBay). The power pack in the G9 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic G9»||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Canon 1D Mark IV«||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic GH5s« »||5.5 in||3.9 in||3.4 in||23.3 oz||440||Y||Jan 2018||2,499||Panasonic GH5s|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G9 was launched at a markedly lower price (by 66 percent) than the 1D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G9 vs Canon 1D Mark IV
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G9 features a Four Thirds sensor and the Canon 1D Mark IV an APS-H sensor. The sensor area in the 1D Mark IV is 131 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.3. The sensor in the G9 has a native 4:3 aspect ratio, while the one in the 1D Mark IV offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the Panasonic G9 offers a higher resolution of 20.2 megapixels, compared with 16 MP of the Canon 1D Mark IV. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 5.70μm for the 1D Mark IV). However, it should be noted that the G9 is much more recent (by 8 years) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the 1D Mark IV, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-G9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Canon EOS-1D Mark IV are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic G9»||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Canon 1D Mark IV«||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||-||-||-||-||Nikon Z6|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic GH5s« »||Four Thirds||9.9||3680||2700||4K/60p||-||-||-||-||Panasonic GH5s|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G9 provides a higher video resolution than the 1D Mark IV. It can shoot video footage at 4K/60p, while the Canon is limited to 1080/30p.
Feature comparison: Panasonic G9 vs Canon 1D Mark IV
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), while the 1D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Panasonic G9 and Canon 1D Mark IV in connection with corresponding information for a sample of similar cameras.
|Panasonic G9»||3680||Y||3.0||1040||swivel||Y||8000||20.0||n||Y||Panasonic G9|
|Canon 1D Mark IV«||optical||Y||3.0||920||fixed||n||8000||10.0||n||n||Canon 1D Mark IV|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||8000||10.0||n||n||Canon 1D Mark III|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||8000||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||8000||4.0||n||n||Canon 1Ds Mark II|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||8000||14.0||n||Y||Fujifilm X-H1|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||8000||12.0||n||Y||Nikon Z6|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y||Olympus E-M1 II|
|Panasonic GH5s« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||n||Panasonic GH5s|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||4000||9.0||Y||Y||Panasonic GX9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y||Panasonic GH5|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y||Panasonic G85|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||8000||10.0||n||Y||Panasonic GX8|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||8000||12.0||Y||n||Panasonic GH4|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
One feature that differentiates the G9 and the 1D Mark IV is in-body image stabilization (IBIS). The G9 reduces the risk of handshake-induced blur with all attached lenses, while the 1D Mark IV has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The G9 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the 1D Mark IV does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the G9 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The G9 writes its imaging data to SDXC cards, while the 1D Mark IV uses Compact Flash cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison: Panasonic G9 vs Canon 1D Mark IV
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-G9 and Canon EOS-1D Mark IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G9»||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Canon 1D Mark IV«||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic GH5s« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5s|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
It is notable that the G9 has a headphone jack, which is not present on the 1D Mark IV This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the 1D Mark IV has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the 1D Mark IV from Canon.
Review summary: Panasonic G9 vs Canon 1D Mark IV
So what is the bottom line? Is there a clear favorite between the Panasonic G9 and the Canon 1D Mark IV? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DC-G9:
- More detail: Offers more megapixels (20.2 vs 16MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (20 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (137x97mm vs 156x157mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 572g or 47 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
- More modern: Reflects 8 years of technical progress since the 1D Mark IV launch.
Reasons to prefer the Canon EOS-1D Mark IV:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (1500 versus 400) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in October 2009).
If the number of relative strengths (bullet points above) is taken as a guide, the G9 is the clear winner of the match-up (22 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G9 or the 1D Mark IV. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Panasonic G9 vs Canon 1D Mark IV
This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Panasonic G9»||HiRec||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Canon 1D Mark IV«||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||-||-||-||rev||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1D Mark II« »||-||HiRec||-||rev||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||-||HiRec||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Fujifilm X-H1« »||Rec||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic GH5s« »||-||84/100||4.5/5||-||4.5/5||Jan 2018||2,499||Panasonic GH5s|
|Panasonic GX9« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||Panasonic G85|
|Panasonic GX8« »||Rec||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||HiRec||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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- Leica Q Typ 116 vs Nikon Z6
- Olympus E-1 vs Panasonic FZ1000
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- Sony A7R vs Ricoh GR II
- Sony A850 vs Canon 1Ds Mark III
Specifications: Panasonic G9 vs Canon 1D Mark IV
|Camera Model||Panasonic G9||Canon 1D Mark IV|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Canon EF mount lenses|
|Launch Date||November 2017||October 2009|
|Launch Price||USD 1699||USD 4999|
|Sensor Format||Four Thirds Sensor||APS-H Sensor|
|Sensor Size||17.3 x 13.0 mm||27.9 x 13.0 mm|
|Sensor Area||224.9 mm2||518.94 mm2|
|Sensor Diagonal||21.6 mm||33.5 mm|
|Sensor Resolution||20.2 Megapixels||16 Megapixels|
|Image Resolution||5184 x 3888 pixels||4896 x 3264 pixels|
|Pixel Pitch||3.34 μm||5.70 μm|
|Pixel Density||8.96 MP/cm2||3.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/30p Video|
|ISO Setting||200-25600 ISO||100-12800 ISO|
|ISO Boost||100-25600 ISO||50-102400 ISO|
|Image Processor||Venus 10||DIGIC IV|
|DXO Sensor Quality (score)||..||74|
|DXO Color Depth (bits)||..||22.8|
|DXO Dynamic Range (EV)||..||12.0|
|DXO Low Light (ISO)||..||1320|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots||n/a|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/8000s||1/8000s|
|Continuous Shooting||20 shutter flaps/s||10 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||full HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||DMW-BLF19 power pack||LP-E4 power pack|
|Battery Life (CIPA)||400 shots per charge||1500 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
|Camera Weight||658 g (23.2 oz)||1230 g (43.4 oz)|
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