Panasonic G80 vs Pentax K-1
The Panasonic Lumix DMC-G80 (called Panasonic G85 in some regions) and the Pentax K-1 are two digital cameras that were officially introduced, respectively, in September 2016 and February 2016. The G80 is a mirrorless interchangeable lens camera, while the K-1 is a DSLR. The cameras are based on a Four Thirds (G80) and a full frame (K-1) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Pentax provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G80 and the Pentax K-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G80 and the Pentax K-1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The K-1 can be obtained in two different colors (black, silver), while the G80 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 is notably larger (32 percent) than the Panasonic G80. Moreover, the K-1 is substantially heavier (100 percent) than the G80. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|2.||Pentax K-1||137 mm||110 mm||86 mm||1010 g||760||Y||Feb 2016||1,799|
|3.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|4.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|5.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|6.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|7.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|8.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|9.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|10.||Panasonic G90||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|11.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|12.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|13.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|14.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|15.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|16.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G80 was launched at a markedly lower price (by 50 percent) than the K-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G80 features a Four Thirds sensor and the Pentax K-1 a full frame sensor. The sensor area in the K-1 is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G80 has a native 4:3 aspect ratio, while the one in the K-1 offers a 3:2 aspect.
With 36.2MP, the K-1 offers a higher resolution than the G80 (15.8MP), but the K-1 nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.77μm for the G80) due to its larger sensor. However, the G80 is a somewhat more recent model (by 7 months) than the K-1, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax K-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Panasonic G80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
Unlike the G80, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DMC-G80 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax K-1 are ISO 100 to ISO 204800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the K-1 offers substantially better image quality than the G80 (overall score 25 points higher). The advantage is based on 2.6 bits higher color depth, 2.1 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|2.||Pentax K-1||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|3.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|5.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|6.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|7.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|8.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|9.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|10.||Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|11.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|12.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|13.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|14.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|15.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|16.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G80 provides a higher video resolution than the K-1. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G80 has an electronic viewfinder (2360k dots), while the K-1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the G80 has a higher magnification than the one of the K-1 (0.74x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic G80, the Pentax K-1, and comparable cameras.
|1.||Panasonic G80||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|2.||Pentax K-1||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4||n||Y|
|3.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|4.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|5.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|6.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|7.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|8.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|9.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|10.||Panasonic G90||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|11.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|12.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|13.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|14.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|15.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4||n||Y|
|16.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The G80 has one, while the K-1 does not. While the built-in flash of the G80 is not very powerful, it can at times be useful as a fill-in light.The G80 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G80 and the Pentax K-1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G80 and the K-1 write their files to SDXC cards. The K-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G80 only has one slot. The G80 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the K-1 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G80 and Pentax K-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G80||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Pentax K-1||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|3.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|5.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|6.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic G90||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|11.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|16.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
It is notable that the K-1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G80 lacks such a headphone port.
Studio photographers will appreciate that the Pentax K-1 (unlike the G80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-1 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the G80 and the K-1 have been discontinued, but can regularly be found used on eBay. The K-1 was replaced by the Pentax K-1 II, while the G80 was followed by the Panasonic G90. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So how do things add up? Which of the two cameras – the Panasonic G80 or the Pentax K-1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-G80:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 4.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (128x89mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 505g or 50 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 7 months after the K-1).
Arguments in favor of the Pentax K-1:
- More detail: Has more megapixels (36.2 vs 15.8MP), which boosts linear resolution by 54%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (25 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (760 versus 330) out of a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in February 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the K-1 emerges as the winner of the match-up (16 : 14 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G80 and the Pentax K-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G80 or the K-1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G80||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|2.||Pentax K-1||5/5||..||..||84/100||5/5||5/5||Feb 2016||1,799|
|3.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|4.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|5.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|6.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|7.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|8.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|9.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|10.||Panasonic G90||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|11.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|12.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|13.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|14.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|15.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|16.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Pentax K-1
- Canon 6D Mark II vs Panasonic G80
- Canon G1 X Mark II vs Panasonic G80
- Canon SX510 vs Panasonic G80
- Leica V-LUX 4 vs Pentax K-1
- Nikon B500 vs Panasonic G80
- Nikon D5300 vs Panasonic G80
- Nikon Z7 vs Pentax K-1
- Olympus E-P1 vs Panasonic G80
- Panasonic GH5s vs Pentax K-1
- Pentax K-1 vs Sony H200
- Pentax K-1 vs YI M1
Specifications: Panasonic G80 vs Pentax K-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G80||Pentax K-1|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Pentax K mount lenses|
|Launch Date||September 2016||February 2016|
|Launch Price||USD 899||USD 1,799|
|Sensor Specs||Panasonic G80||Pentax K-1|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||15.8 Megapixels||36.2 Megapixels|
|Image Resolution||4592 x 3448 pixels||7360 x 4912 pixels|
|Pixel Pitch||3.77 μm||4.88 μm|
|Pixel Density||7.04 MP/cm2||4.20 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||200 - 25,600 ISO||100 - 204,800 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||Venus||PRIME IV|
|DXO Sensor Quality (score)||71||96|
|DXO Color Depth (bits)||22.8||25.4|
|DXO Dynamic Range (EV)||12.5||14.6|
|DXO Low Light (ISO)||656||3280|
|Screen Specs||Panasonic G80||Pentax K-1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G80||Pentax K-1|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||9 shutter flaps/s||4.4 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Panasonic G80||Pentax K-1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Panasonic G80||Pentax K-1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||760 shots per charge|
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
|Camera Weight||505 g (17.8 oz)||1010 g (35.6 oz)|
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