Panasonic G7 vs Sony ZV-E10

The Panasonic Lumix DMC-G7 and the Sony ZV-E10 are two digital cameras that were revealed to the public, respectively, in May 2015 and July 2021. Both the G7 and the ZV-E10 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G7) and an APS-C (ZV-E10) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G7		Sony ZV-E10
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.8 MP – Four Thirds sensor		24 MP – APS-C sensor
4K/30p Video		4K/30p Video
ISO 160-25,600		ISO 100-32,000 (100 - 51,200)
Electronic viewfinder (2360k dots)		No viewfinder, LCD framing
3.0" LCD – 1040k dots		3.0" LCD – 922k dots
Swivel touchscreen		Swivel touchscreen
7 shutter flaps per second		11 shutter flaps per second
350 shots per battery charge		440 shots per battery charge
125 x 86 x 77 mm, 410 g		115 x 64 x 45 mm, 343 g

Check G7 offers at
ebay.com
Check ZV-E10 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G7 and the Sony ZV-E10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic G7 and the Sony ZV-E10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The G7 can be obtained in two different colors (black, silver), while the ZV-E10 is also available in two color-versions, but different ones (black, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E10 is considerably smaller (32 percent) than the Panasonic G7. Moreover, the ZV-E10 is markedly lighter (16 percent) than the G7. In this context, it is worth noting that neither the G7 nor the ZV-E10 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G7) and the Sony E-Mount Lens Catalog (ZV-E10). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G7 gets 350 shots out of its Panasonic DMW-BLC12 battery, while the ZV-E10 can take 440 images on a single charge of its Sony NP-FW50 power pack. The power pack in the ZV-E10 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
2.		Sony ZV-E10	115 mm	64 mm	45 mm	343 g	440	n	Jul 2021	699	amazon.com
3.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	599	ebay.com
4.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
5.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
6.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
7.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
8.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	749	ebay.com
9.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	499	ebay.com
10.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
11.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
12.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
13.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
14.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
15.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
16.		Sony A6100	120 mm	67 mm	59 mm	396 g	420	n	Aug 2019	749	ebay.com
17.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7 was somewhat cheaper (by 7 percent) than the ZV-E10 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Sony ZV-E10 an APS-C sensor. The sensor area in the ZV-E10 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the ZV-E10 offers a 3:2 aspect.

With 24MP, the ZV-E10 offers a higher resolution than the G7 (15.8MP), but the ZV-E10 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the ZV-E10 is a much more recent model (by 6 years and 2 months) than the G7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony ZV-E10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZV-E10 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The ZV-E10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600. The corresponding ISO settings for the Sony ZV-E10 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
2.		Sony ZV-E10	APS-C	24.0	6000	4000	4K/30p	24.2	13.8	2134	85
3.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
4.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
5.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
6.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
7.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
8.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
9.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
10.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
11.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
12.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
13.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
14.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
15.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
16.		Sony A6100	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1947	84
17.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-E10 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic G7 and Sony ZV-E10 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
2.		Sony ZV-E10	none	n	3.0 / 922	swivel	Y	1/4000s	11.0/s	n	n
3.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
4.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
5.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
6.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
7.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
8.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
9.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
10.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
11.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
12.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
13.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
14.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
15.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6100	1440	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
17.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G7 has one, while the ZV-E10 does not. While the built-in flash of the G7 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The G7 writes its imaging data to SDXC cards, while the ZV-E10 uses SDXC or Memory Stick PRO Duo cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the ZV-E10 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Sony ZV-E10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Sony ZV-E10	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
3.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
4.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony A6100	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
17.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the ZV-E10 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The G7 lacks such a headphone port.

The ZV-E10 is a recent model that features in the current product line-up of Sony. In contrast, the G7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G7 was succeeded by the Panasonic G85. Further information on the features and operation of the G7 and ZV-E10 can be found, respectively, in the Panasonic G7 Manual (free pdf) or the online Sony ZV-E10 Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic G7 better than the Sony ZV-E10 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-G7:

• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been available for much longer (launched in May 2015).

Advantages of the Sony ZV-E10:

• More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (115x64mm vs 125x86mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 67g or 16 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (440 versus 350) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 6 years and 2 months of technical progress since the G7 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the ZV-E10 is the clear winner of the contest (16 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G7 and the Sony ZV-E10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G7 or the ZV-E10. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
2.		Sony ZV-E10	4/5	..	4/5	82/100	4.5/5	4.5/5	Jul 2021	699	amazon.com
3.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	599	ebay.com
4.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
5.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
6.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
7.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
8.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	749	ebay.com
9.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	499	ebay.com
10.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
11.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
12.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
13.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
14.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
15.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
16.		Sony A6100	..	..	4/5	82/100	4/5	5/5	Aug 2019	749	ebay.com
17.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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