Panasonic G7 vs Pentax KP
The Panasonic Lumix DMC-G7 and the Pentax KP are two digital cameras that were officially introduced, respectively, in May 2015 and January 2017. The G7 is a mirrorless interchangeable lens camera, while the KP is a DSLR. The cameras are based on a Four Thirds (G7) and an APS-C (KP) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G7 and the Pentax KP? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic G7 and the Pentax KP. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax KP is notably larger (24 percent) than the Panasonic G7. Moreover, the KP is substantially heavier (71 percent) than the G7. It is noteworthy in this context that the KP is splash and dust-proof, while the G7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|2.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|3.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|4.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|5.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|6.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|7.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|8.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|9.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|10.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|11.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|12.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|13.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649|
|14.||Pentax K-S2||123 mm||91 mm||73 mm||678 g||410||Y||Feb 2015||749|
|15.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|16.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|17.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7 was launched at a markedly lower price (by 41 percent) than the KP, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G7 features a Four Thirds sensor and the Pentax KP an APS-C sensor. The sensor area in the KP is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G7 has a native 4:3 aspect ratio, while the one in the KP offers a 3:2 aspect.
With 24.1MP, the KP offers a higher resolution than the G7 (15.8MP), but the KP nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the KP is a somewhat more recent model (by 1 year and 8 months) than the G7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the KP has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax KP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the KP for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
Unlike the G7, the KP has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DMC-G7 has a native sensitivity range from ISO 160 to ISO 25600. The corresponding ISO settings for the Pentax KP are ISO 100 to ISO 819200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|3.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|4.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|5.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|6.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|7.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|8.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|9.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|10.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|11.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|12.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|15.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|17.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7 provides a higher video resolution than the KP. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), while the KP has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the G7 has a higher magnification than the one of the KP (0.70x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic G7 and Pentax KP along with similar information for a selection of comparators.
|1.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|2.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0||Y||Y|
|3.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|4.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8||Y||n|
|5.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|6.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|7.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|8.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0||Y||n|
|9.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|10.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|11.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|12.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|13.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0||Y||Y|
|14.||Pentax K-S2||optical||n||3.0 / 921||swivel||n||1/6000s||5.4||Y||Y|
|15.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|16.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||Y||Y|
|17.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the KP has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the KP does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 and the Pentax KP both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G7 and the KP write their files to SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the KP can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G7 and Pentax KP and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|3.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|14.||Pentax K-S2||Y||mono / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|16.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
The KP is a recent model that features in the current product line-up of Pentax. In contrast, the G7 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7 was succeeded by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G7 and the Pentax KP? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-G7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (125x86mm vs 132x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 293g or 42 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (41 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in May 2015).
Arguments in favor of the Pentax KP:
- More detail: Has more megapixels (24.1 vs 15.8MP), which boosts linear resolution by 26%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (390 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the G7 comes out slightly ahead of the KP (14 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G7 and the Pentax KP place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G7 or the KP perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|2.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099|
|3.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|4.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|5.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|6.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|7.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|8.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|9.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|10.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|11.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|12.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|13.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649|
|14.||Pentax K-S2||4.5/5||..||..||..||5/5||4.5/5||Feb 2015||749|
|15.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|16.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|17.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Panasonic G7 vs Pentax KP
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G7||Pentax KP|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Pentax K mount lenses|
|Launch Date||May 2015||January 2017|
|Launch Price||USD 649||USD 1,099|
|Sensor Specs||Panasonic G7||Pentax KP|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||15.8 Megapixels||24.1 Megapixels|
|Image Resolution||4592 x 3448 pixels||6016 x 4000 pixels|
|Pixel Pitch||3.77 μm||3.90 μm|
|Pixel Density||7.04 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||160 - 25,600 ISO||100 - 819,200 ISO|
|Image Processor||Venus||PRIME IV|
|Screen Specs||Panasonic G7||Pentax KP|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G7||Pentax KP|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/6000s|
|Continuous Shooting||7 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/24000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Panasonic G7||Pentax KP|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Panasonic G7||Pentax KP|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||390 shots per charge|
125 x 86 x 77 mm
(4.9 x 3.4 x 3.0 in)
132 x 101 x 76 mm
(5.2 x 4.0 x 3.0 in)
|Camera Weight||410 g (14.5 oz)||703 g (24.8 oz)|
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