Panasonic G5 versus Panasonic G6
The Panasonic Lumix DMC-G5 and the Panasonic Lumix DMC-G6 are two digital cameras that were officially introduced, respectively, in July 2012 and April 2013. Both the Lumix G5 and the Lumix G6 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 15.9 megapixel.
The side-by-side display below illustrates the physical size and weight of the Panasonic G5 and the Panasonic G6. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the Lumix G5 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is somewhat larger (4 percent) than the Panasonic G5. However, the Lumix G6 is slightly lighter (2 percent) than the Lumix G5. In this context, it is worth noting that neither the Lumix G5 nor the Lumix G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic G5 (⇒ rgt)||4.7 in||3.3 in||2.8 in||14.0 oz||320||no||2012||599||discont.||check|
|Panasonic G6 (⇒ lft)||4.8 in||3.3 in||2.8 in||13.8 oz||340||no||2013||599||discont.||check|
|Canon T5i (⇒ lft | rgt)||5.2 in||3.9 in||3.1 in||20.5 oz||440||no||2013||649||discont.||check|
|Canon SL1 (⇒ lft | rgt)||4.6 in||3.6 in||2.7 in||14.4 oz||380||no||2013||549||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||4.6 in||2.6 in||1.5 in||11.6 oz||350||no||2013||699||latest||check|
|Panasonic GX850 (⇒ lft | rgt)||4.2 in||2.6 in||1.3 in||9.5 oz||210||no||2017||549||latest||check|
|Panasonic G7 (⇒ lft | rgt)||4.9 in||3.4 in||3.0 in||14.5 oz||350||no||2015||649||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||3.9 in||2.4 in||1.4 in||7.4 oz||220||no||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||3.9 in||2.2 in||1.2 in||7.2 oz||230||no||2013||749||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||4.5 in||3.3 in||1.9 in||11.9 oz||..||no||2011||599||discont.||check|
|Panasonic GX1 (⇒ lft | rgt)||4.6 in||2.7 in||1.5 in||11.2 oz||..||no||2011||949||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 15.9 megapixel. This similarity in sensor specs implies that both the Lumix G5 and the Lumix G6 have the same pixel density, as well as the same pixel size. It should, however, be noted that the Lumix G6 is a somewhat more recent model (by 9 months) than the Lumix G5, and its sensor might have benefitted from technological advances during this time.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G5 (⇒ rgt)||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-|
|Panasonic G6 (⇒ lft)||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Canon T5i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Fujifilm X-M1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Panasonic GX850 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic G7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic G3 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||21||10.6||667||56|
|Panasonic GX1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. The Lumix G5 and the Lumix G6 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The adjacent table lists some of the other core features of the Panasonic G5 and Panasonic G6 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic G5 (⇒ rgt)||1440||no||3.0||920||swivel||YES||4000||6.0||10.5||no|
|Panasonic G6 (⇒ lft)||1440||no||3.0||1036||swivel||YES||4000||7.0||10.5||no|
|Canon T5i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Fujifilm X-M1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Panasonic GX850 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||500||10.0||4||no|
|Panasonic G7 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||7.0||9.3||no|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Panasonic G3 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||4.0||11||no|
|Panasonic GX1 (⇒ lft | rgt)||no||no||3.0||460||fixed||YES||4000||4.2||7.6||no|
Both the Lumix G5 and the Lumix G6 have been discontinued, but can regularly be found used on ebay. The Lumix G5 was replaced by the Panasonic G6, while the Lumix G6 was followed by the Panasonic G7.
So what conclusions can be drawn? Is the Panasonic G5 better than the Panasonic G6 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-G5:
- More heavily discounted: Has been on the market for longer (launched in July 2012).
Arguments in favor of the Panasonic Lumix DMC-G6:
- More detailed LCD: Has a higher resolution rear screen (1036k vs 920k dots).
- More modern: Was introduced somewhat (9 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the Lumix G6 comes out slightly ahead of the Lumix G5 (2 : 1 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the Lumix G5 and the Lumix G6 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic G5 (⇒ rgt)||HiRec||-||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Panasonic G6 (⇒ lft)||HiRec||-||5/5||-||4.5/5||2013||599||discont.||check|
|Canon T5i (⇒ lft | rgt)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Panasonic GX850 (⇒ lft | rgt)||Rec||76/100||4.5/5||-||4.5/5||2017||549||latest||check|
|Panasonic G7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||4.5/5||2015||649||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||88/100 HiRec||75/100 Silver||4.5/5||4.5/5||5/5||2011||599||discont.||check|
|Panasonic GX1 (⇒ lft | rgt)||85/100 Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2011||949||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please send me an email, and I will try to update the database with the necessary infos.
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