Panasonic G2 vs Sony RX0
The Panasonic Lumix DMC-G2 and the Sony Cyber-shot DSC-RX0 are two digital cameras that were officially introduced, respectively, in March 2010 and August 2017. The G2 is a mirrorless interchangeable lens camera, while the RX0 is a fixed lens compact. The cameras are based on a Four Thirds (G2) and an one-inch (RX0) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 15.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G2 and the Sony Cyber-shot DSC-RX0? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic G2 and the Sony RX0 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The G2 can be obtained in three different colors (black, blue, red), while the RX0 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX0 is considerably smaller (77 percent) than the Panasonic G2. It is noteworthy in this context that the RX0 is splash and dust-proof, while the G2 does not feature any corresponding weather-sealing. More than that, the RX0 is water-proof up to 10m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX0 has a lens built in, whereas the G2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G2 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G2 gets 360 shots out of its DMW-BLB13 battery, while the RX0 can take 240 images on a single charge of its NP-BJ1 power pack. The power pack in the RX0 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|2.||Sony RX0||59 mm||41 mm||30 mm||110 g||240||Y||Aug 2017||699|
|3.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|4.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|5.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|6.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|7.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|8.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|9.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|10.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|11.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|12.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|13.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|14.||Sony RX0 II||59 mm||41 mm||35 mm||132 g||240||Y||Mar 2019||699|
|15.||Sony RX10 IV||133 mm||94 mm||145 mm||1095 g||400||Y||Sep 2017||1,699|
|16.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|17.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic G2 features a Four Thirds sensor and the Sony RX0 an one-inch sensor. The sensor area in the RX0 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the G2 has a native 4:3 aspect ratio, while the one in the RX0 offers a 3:2 aspect.
Despite having a smaller sensor, the RX0 offers a higher resolution of 15.4 megapixels, compared with 12 MP of the G2. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.74μm versus 4.33μm for the G2). However, it should be noted that the RX0 is much more recent (by 7 years and 5 months) than the G2, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony RX0 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX0 for good quality output (200 dots per inch) amounts to 24 x 16 inches or 61 x 40.6 cm, for very good quality (250 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm, and for excellent quality (300 dpi) 16 x 10.7 inches or 40.6 x 27.1 cm. The corresponding values for the Panasonic G2 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-G2 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX0 are ISO 125 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the RX0 offers substantially better image quality than the G2 (overall score 15 points higher). The advantage is based on 1.2 bits higher color depth, 2.1 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|4.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|5.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|6.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|7.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|8.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|9.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|10.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|11.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|12.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|13.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|14.||Sony RX0 II||1-inch||15.4||4800||3200||4K/30p||22.1||12.4||555||65|
|15.||Sony RX10 IV||1-inch||20.0||5472||3648||4K/30p||22.0||12.2||408||63|
|16.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|17.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the RX0 provides a better video resolution than the G2. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G2 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX0 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic G2, the Sony RX0, and comparable cameras.
|1.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|2.||Sony RX0||none||n||1.5 / 230||fixed||n||..||5.5/s||n||n|
|3.||Fujifilm X70||optional||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|4.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|5.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|6.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|7.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|8.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|9.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6/s||Y||n|
|10.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|11.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|13.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|14.||Sony RX0 II||none||n||1.5 / 230||tilting||n||..||5.5/s||n||n|
|15.||Sony RX10 IV||2359||Y||3.0 / 1440||tilting||Y||1/2000s||24.0/s||Y||Y|
|16.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0/s||Y||Y|
|17.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G2 has one, while the RX0 does not. While the built-in flash of the G2 is not very powerful, it can at times be useful as a fill-in light.The G2 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX0 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX0 only has electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The G2 writes its imaging data to SDXC cards, while the RX0 uses micro SDXC or Memory Stick Micro cards. The RX0 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G2 and Sony Cyber-shot DSC-RX0 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony RX0||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Fujifilm X70||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|9.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|14.||Sony RX0 II||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Sony RX10 IV||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the G2 has a hotshoe, while the RX0 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the G2 and the RX0 have been discontinued, but can regularly be found used on eBay. The G2 was replaced by the Panasonic G3, while the RX0 was followed by the Sony RX0 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G2 and the Sony RX0? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-G2:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (360 versus 240) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in March 2010).
Arguments in favor of the Sony Cyber-shot DSC-RX0:
- More detail: Has more megapixels (15.4 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Faster burst: Shoots at higher frequency (5.5 vs 2.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the G2 necessitates an extra lens.
- More compact: Is smaller (59x41mm vs 124x84mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the G2).
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 10m).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 7 years and 5 months of technical progress since the G2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the RX0 is the clear winner of the contest (18 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G2 and the Sony RX0 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G2 or the RX0 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|2.||Sony RX0||..||..||..||..||3.5/5||4/5||Aug 2017||699|
|3.||Fujifilm X70||4.5/5||..||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|4.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|5.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|6.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|7.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|8.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|9.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|10.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|11.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|12.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|13.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|14.||Sony RX0 II||..||..||..||..||3.5/5||4/5||Mar 2019||699|
|15.||Sony RX10 IV||5/5||+||..||84/100||4.5/5||5/5||Sep 2017||1,699|
|16.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|17.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Panasonic G2 vs Sony RX0
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G2||Sony RX0|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24mm f/4.0|
|Launch Date||March 2010||August 2017|
|Launch Price||USD 599||USD 699|
|Sensor Specs||Panasonic G2||Sony RX0|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||12 Megapixels||15.4 Megapixels|
|Image Resolution||4000 x 3000 pixels||4800 x 3200 pixels|
|Pixel Pitch||4.33 μm||2.74 μm|
|Pixel Density||5.34 MP/cm2||13.22 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||125 - 12,800 ISO|
|Image Processor||Venus HD II||BIONZ X|
|DXO Sensor Quality (score)||53||68|
|DXO Color Depth (bits)||21.2||22.4|
|DXO Dynamic Range (EV)||10.3||12.4|
|DXO Low Light (ISO)||493||548|
|Screen Specs||Panasonic G2||Sony RX0|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||1.5inch|
|LCD Resolution||460k dots||230k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G2||Sony RX0|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||..|
|Continuous Shooting||2.6 shutter flaps/s||5.5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||mMS or mSDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic G2||Sony RX0|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic G2||Sony RX0|
|Environmental Sealing||not weather sealed||Waterproof body (10m)|
|Battery Life (CIPA)||360 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 84 x 74 mm
(4.9 x 3.3 x 2.9 in)
59 x 41 x 30 mm
(2.3 x 1.6 x 1.2 in)
|Camera Weight||428 g (15.1 oz)||110 g (3.9 oz)|
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