Panasonic G1 versus Leica D-LUX Typ 109
The Panasonic Lumix DMC-G1 and the Leica D-LUX (Typ 109) are two digital cameras that were announced, respectively, in September 2008 and September 2014. The G1 is a mirrorless interchangeable lens camera, while the D-LUX Typ 109 is a fixed lens compact. Both cameras are equipped with a Four Thirds sensor. The Panasonic has a resolution of 12 megapixel, whereas the Leica provides 12.7 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic G1 vs Leica D-LUX Typ 109
The side-by-side display below illustrates the physical size and weight of the Panasonic G1 and the Leica D-LUX Typ 109. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the G1 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX Typ 109 is notably smaller (25 percent) than the Panasonic G1. In this context, it is worth noting that neither the G1 nor the D-LUX Typ 109 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX Typ 109 has a lens build in, whereas the G1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the G1 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Panasonic G1 (⇒ rgt)||4.9 in||3.3 in||1.8 in||12.7 oz||410||no||2008||599||discont.||check|
|Leica D-LUX Typ 109 (⇒ lft)||4.6 in||2.6 in||2.2 in||14.3 oz||300||no||2014||1,195||latest||check|
|Canon G16 (⇒ lft | rgt)||4.3 in||3.0 in||1.6 in||12.6 oz||360||no||2013||549||latest||check|
|Fujifilm X100T (⇒ lft | rgt)||5.0 in||2.9 in||2.0 in||15.5 oz||330||no||2014||1,299||discont.||check|
|Fujifilm X100S (⇒ lft | rgt)||5.0 in||2.9 in||2.1 in||15.7 oz||330||no||2013||1,299||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||4.6 in||2.8 in||2.2 in||12.5 oz||270||no||2013||599||discont.||check|
|Leica X Typ 113 (⇒ lft | rgt)||5.2 in||2.9 in||3.1 in||17.1 oz||350||no||2014||2,295||latest||check|
|Panasonic GF6 (⇒ lft | rgt)||4.4 in||2.6 in||1.5 in||11.4 oz||340||no||2013||499||discont.||check|
|Panasonic GF5 (⇒ lft | rgt)||4.3 in||2.6 in||1.5 in||9.4 oz||360||no||2012||499||discont.||check|
|Panasonic GF3 (⇒ lft | rgt)||4.3 in||2.6 in||1.3 in||9.3 oz||300||no||2011||549||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||4.5 in||3.3 in||1.9 in||11.9 oz||270||no||2011||599||discont.||check|
|Panasonic GF2 (⇒ lft | rgt)||4.4 in||2.7 in||1.3 in||10.9 oz||300||no||2010||549||discont.||check|
|Panasonic G2 (⇒ lft | rgt)||4.9 in||3.3 in||2.9 in||15.1 oz||360||no||2010||599||discont.||check|
|Panasonic G10 (⇒ lft | rgt)||4.9 in||3.3 in||2.9 in||13.7 oz||380||no||2010||499||discont.||check|
|Panasonic GF1 (⇒ lft | rgt)||4.7 in||2.8 in||1.4 in||13.6 oz||380||no||2009||749||discont.||check|
|Panasonic GH1 (⇒ lft | rgt)||4.9 in||3.5 in||1.8 in||13.6 oz||300||no||2009||1,499||discont.||check|
|Panasonic L10 (⇒ lft | rgt)||5.3 in||3.8 in||3.1 in||19.6 oz||450||no||2007||599||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G1 vs Leica D-LUX Typ 109
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the D-LUX Typ 109 offers a slightly higher resolution of 12.7 megapixel, compared with 12 MP of the G1. This megapixel advantage translates into a 3 percent gain in linear resolution. On the other hand, these sensor specs imply that the D-LUX Typ 109 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.21μm versus 4.33μm for the G1). However, it should be noted that the D-LUX Typ 109 is much more recent (by 6 years) than the G1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic G1 (⇒ rgt)||Four Thirds||12.0||4000||3000||no||21.1||10.3||463||53|
|Leica D-LUX Typ 109 (⇒ lft)||Four Thirds||12.7||4112||3088||4K/30p||-||-||-||-|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Fujifilm X100T (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X100S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X20 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Leica X Typ 113 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Panasonic GF6 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GF5 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|Panasonic GF3 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||1080/60i||20.6||10||458||49|
|Panasonic G3 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||21||10.6||667||56|
|Panasonic GF2 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|Panasonic G2 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Panasonic G10 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic GF1 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|Panasonic GH1 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|Panasonic L10 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.3||10.8||429||55|
Many modern cameras cannot only take still pictures, but also record videos. The D-LUX Typ 109 indeed provides for movie recording, while the G1 does not. The highest resolution format that the D-LUX Typ 109 can use is 4K/30p.
Feature comparison: Panasonic G1 vs Leica D-LUX Typ 109
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the D-LUX Typ 109 offers a substantially higher resolution than the one in the G1 (2764k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G1 and Leica D-LUX Typ 109 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic G1 (⇒ rgt)||1440||no||3.0||460||swivel||no||4001||3.0||10.5||no|
|Leica D-LUX Typ 109 (⇒ lft)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Fujifilm X100T (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||6.0||9||no|
|Fujifilm X100S (⇒ lft | rgt)||2360||no||2.8||460||fixed||no||4000||6.0||9||no|
|Fujifilm X20 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||12.0||7||YES|
|Leica X Typ 113 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Panasonic GF6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||6.3||no|
|Panasonic GF5 (⇒ lft | rgt)||no||no||3.0||920||fixed||YES||4000||4.0||6.3||no|
|Panasonic GF3 (⇒ lft | rgt)||no||no||3.0||460||fixed||YES||4000||3.2||6.3||no|
|Panasonic G3 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||4.0||11||no|
|Panasonic GF2 (⇒ lft | rgt)||no||no||3.0||460||fixed||YES||4000||2.6||6.0||no|
|Panasonic G2 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||2.6||11||no|
|Panasonic G10 (⇒ lft | rgt)||202||no||3.0||460||fixed||no||4000||2.6||11||no|
|Panasonic GF1 (⇒ lft | rgt)||no||no||3.0||460||fixed||no||4000||3.0||6.0||no|
|Panasonic GH1 (⇒ lft | rgt)||1440||no||3.0||460||swivel||no||4000||3.0||10.5||no|
|Panasonic L10 (⇒ lft | rgt)||optical||no||2.5||207||swivel||no||4000||3.0||11||no|
The D-LUX Typ 109 is a current model that online retailers, such as amazon, will have in stock. In contrast, the G1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G1 was succeeded by the Panasonic G2.
Review summary: Panasonic G1 vs Leica D-LUX Typ 109
So how do things add up? Is there a clear favorite between the Panasonic G1 and the Leica D-LUX Typ 109? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-G1:
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (4001/sec vs 4000/sec) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (410 versus 300) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Advantages of the Leica D-LUX (Typ 109):
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the G1 necessitates an extra lens.
- More compact: Is smaller (118x66mm vs 124x84mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Reflects 6 years of technical progress since the G1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D-LUX Typ 109 emerges as the winner of the match-up (9 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the G1 or the D-LUX Typ 109. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic G1 (⇒ rgt)||88/100 HiRec||70/100 HiRec||4/5||4.5/5||4.5/5||2008||599||discont.||check|
|Leica D-LUX Typ 109 (⇒ lft)||-||-||4.5/5||-||4.5/5||2014||1,195||latest||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Fujifilm X100T (⇒ lft | rgt)||Rec||81/100 Silver||4.5/5||4.5/5||5/5||2014||1,299||discont.||check|
|Fujifilm X100S (⇒ lft | rgt)||HiRec||81/100 Gold||4.5/5||4/5||5/5||2013||1,299||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||-||5/5||2013||599||discont.||check|
|Leica X Typ 113 (⇒ lft | rgt)||-||-||3.5/5||-||4/5||2014||2,295||latest||check|
|Panasonic GF6 (⇒ lft | rgt)||HiRec||-||4.5/5||-||4.5/5||2013||499||discont.||check|
|Panasonic GF5 (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2012||499||discont.||check|
|Panasonic GF3 (⇒ lft | rgt)||82/100||71/100||4.5/5||4.5/5||4/5||2011||549||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||88/100 HiRec||75/100 Silver||4.5/5||4.5/5||5/5||2011||599||discont.||check|
|Panasonic GF2 (⇒ lft | rgt)||82/100||70/100||4.5/5||4.5/5||4.5/5||2010||549||discont.||check|
|Panasonic G2 (⇒ lft | rgt)||-||72/100 Silver||4/5||4/5||4.5/5||2010||599||discont.||check|
|Panasonic G10 (⇒ lft | rgt)||-||70/100||4/5||-||4/5||2010||499||discont.||check|
|Panasonic GF1 (⇒ lft | rgt)||85/100||69/100||4.5/5||4.5/5||4.5/5||2009||749||discont.||check|
|Panasonic GH1 (⇒ lft | rgt)||89/100 HiRec||72/100 HiRec||4.5/5||5/5||4.5/5||2009||1,499||discont.||check|
|Panasonic L10 (⇒ lft | rgt)||85/100||Rec||3.5/5||reviewed||4/5||2007||599||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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