Olympus E-PL9 vs Fujifilm GFX 50S
The Olympus PEN E-PL9 and the Fujifilm GFX 50S are two digital cameras that were revealed to the public, respectively, in February 2018 and September 2016. Both the E-PL9 and the GFX 50S are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-PL9) and a medium format (GFX 50S) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-PL9 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Olympus E-PL9 and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PL9 can be obtained in four different colors (black, brown, blue, white), while the GFX 50S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably larger (75 percent) than the Olympus E-PL9. Moreover, the GFX 50S is substantially heavier (95 percent) than the E-PL9. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the E-PL9 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the E-PL9 gets 350 shots out of its Olympus BLS-50 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PL9 | 117 mm | 68 mm | 39 mm | 380 g | 350 | n | Feb 2018 | 599 | ebay.com | |
2. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
3. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
4. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
5. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
6. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
7. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
8. | Olympus E-M10 | 119 mm | 82 mm | 46 mm | 396 g | 320 | n | Jan 2014 | 699 | ebay.com | |
9. | Olympus E-M10 II | 120 mm | 83 mm | 47 mm | 390 g | 320 | n | Aug 2015 | 649 | ebay.com | |
10. | Olympus E-M10 III | 122 mm | 84 mm | 50 mm | 410 g | 330 | n | Aug 2017 | 649 | ebay.com | |
11. | Olympus E-PL3 | 110 mm | 64 mm | 37 mm | 313 g | 300 | n | Jun 2011 | 599 | ebay.com | |
12. | Olympus E-PL5 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | Sep 2012 | 599 | ebay.com | |
13. | Olympus E-PL6 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | May 2013 | 599 | ebay.com | |
14. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | 599 | ebay.com | |
15. | Olympus E-PL8 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Sep 2016 | 549 | ebay.com | |
16. | Olympus E-PL10 | 117 mm | 68 mm | 39 mm | 380 g | 350 | n | Oct 2019 | 599 | ebay.com | |
17. | Olympus E-PM2 | 110 mm | 64 mm | 34 mm | 269 g | 360 | n | Sep 2012 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-PL9 was launched at a markedly lower price (by 91 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-PL9 features a Four Thirds sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 545 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50S offers a higher resolution than the E-PL9 (15.9MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.76μm for the E-PL9) due to its larger sensor. However, the E-PL9 is a somewhat more recent model (by 1 year and 4 months) than the GFX 50S, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Olympus E-PL9 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Olympus PEN E-PL9 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PL9 | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.1 | 12.8 | 1162 | 74 | |
2. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
3. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
4. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
5. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
6. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
7. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
8. | Olympus E-M10 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 884 | 72 | |
9. | Olympus E-M10 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.1 | 12.5 | 842 | 73 | |
10. | Olympus E-M10 III | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.1 | 12.8 | 1120 | 74 | |
11. | Olympus E-PL3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.9 | 10.3 | 499 | 52 | |
12. | Olympus E-PL5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 889 | 72 | |
13. | Olympus E-PL6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.5 | 12.0 | 717 | 68 | |
14. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
15. | Olympus E-PL8 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.6 | 1030 | 73 | |
16. | Olympus E-PL10 | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.3 | 13.1 | 1324 | 76 | |
17. | Olympus E-PM2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.2 | 932 | 72 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-PL9 provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The E-PL9 and the GFX 50S are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Olympus E-PL9 and Fujifilm GFX 50S along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PL9 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.6/s | Y | Y | |
2. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
3. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
4. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
5. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
6. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
7. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
8. | Olympus E-M10 | 1440 | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
9. | Olympus E-M10 II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
10. | Olympus E-M10 III | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.6/s | Y | Y | |
11. | Olympus E-PL3 | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 5.5/s | n | Y | |
12. | Olympus E-PL5 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
13. | Olympus E-PL6 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
14. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
15. | Olympus E-PL8 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
16. | Olympus E-PL10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.6/s | Y | Y | |
17. | Olympus E-PM2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 8.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The E-PL9 has one, while the GFX 50S does not. While the built-in flash of the E-PL9 is not very powerful, it can at times be useful as a fill-in light.
The E-PL9 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50S does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-PL9 and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-PL9 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-PL9 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the E-PL9 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-PL9 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PL9 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
3. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
4. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
5. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
6. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
7. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
8. | Olympus E-M10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Olympus E-M10 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Olympus E-M10 III | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Olympus E-PL3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
12. | Olympus E-PL5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Olympus E-PL6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
15. | Olympus E-PL8 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Olympus E-PL10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
17. | Olympus E-PM2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The E-PL9 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the E-PL9) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-PL9 and the GFX 50S have been discontinued, but can regularly be found used on ebay. The GFX 50S was replaced by the Fujifilm GFX 50S II, while the E-PL9 was followed by the Olympus E-PL10. Further information on the features and operation of the E-PL9 and GFX 50S can be found, respectively, in the Olympus E-PL9 Manual (free pdf) or the online Fujifilm GFX 50S Manual.
Review summary
So how do things add up? Is there a clear favorite between the Olympus E-PL9 and the Fujifilm GFX 50S? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Olympus PEN E-PL9:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8.6 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x68mm vs 148x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 360g or 49 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 4 months after the GFX 50S).
Advantages of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 15.9MP), which boosts linear resolution by 79%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (20 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-PL9 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-PL9 or the GFX 50S perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-PL9 | .. | + | .. | .. | 4.5/5 | 4/5 | Feb 2018 | 599 | ebay.com | |
2. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
3. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
4. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
5. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
6. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
7. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
8. | Olympus E-M10 | 4/5 | .. | .. | 80/100 | 5/5 | 5/5 | Jan 2014 | 699 | ebay.com | |
9. | Olympus E-M10 II | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | Aug 2015 | 649 | ebay.com | |
10. | Olympus E-M10 III | .. | + | 5/5 | 80/100 | 4.5/5 | 4.5/5 | Aug 2017 | 649 | ebay.com | |
11. | Olympus E-PL3 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4/5 | Jun 2011 | 599 | ebay.com | |
12. | Olympus E-PL5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | 599 | ebay.com | |
13. | Olympus E-PL6 | .. | .. | .. | .. | .. | .. | May 2013 | 599 | ebay.com | |
14. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | 599 | ebay.com | |
15. | Olympus E-PL8 | .. | .. | .. | .. | 4.5/5 | 4/5 | Sep 2016 | 549 | ebay.com | |
16. | Olympus E-PL10 | .. | .. | 4/5 | 77/100 | .. | 4/5 | Oct 2019 | 599 | ebay.com | |
17. | Olympus E-PM2 | 3/5 | .. | .. | 77/100 | 5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon R vs Fujifilm GFX 50S
- Canon SL1 vs Olympus E-PL9
- Fujifilm GFX 50S II vs Olympus E-PL9
- Fujifilm GFX 50S vs Nikon D3X
- Fujifilm GFX 50S vs Olympus XZ-2
- Fujifilm GFX 50S vs Sony A58
- Fujifilm GFX 50S vs Sony NEX-5R
- Fujifilm GFX 50S vs Sony RX100 III
- Fujifilm X-T10 vs Olympus E-PL9
- Nikon B600 vs Olympus E-PL9
- Nikon D750 vs Olympus E-PL9
- Olympus E-PL9 vs Panasonic GM5
Specifications: Olympus E-PL9 vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-PL9 | Fujifilm GFX 50S |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Fujifilm G mount lenses |
Launch Date | February 2018 | September 2016 |
Launch Price | USD 599 | USD 6,499 |
Sensor Specs | Olympus E-PL9 | Fujifilm GFX 50S |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Medium Format Sensor |
Sensor Size | 17.3 x 13.0 mm | 44.0 x 33.0 mm |
Sensor Area | 224.9 mm2 | 1452 mm2 |
Sensor Diagonal | 21.6 mm | 55 mm |
Crop Factor | 2.0x | 0.79x |
Sensor Resolution | 15.9 Megapixels | 51.1 Megapixels |
Image Resolution | 4608 x 3456 pixels | 8256 x 6192 pixels |
Pixel Pitch | 3.76 μm | 5.33 μm |
Pixel Density | 7.08 MP/cm2 | 3.52 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 200 - 6,400 ISO | 100 - 12,800 ISO |
ISO Boost | 100 - 25,600 ISO | 50 - 102,400 ISO |
Image Processor | TruePic VIII | X Processor Pro |
Screen Specs | Olympus E-PL9 | Fujifilm GFX 50S |
Viewfinder Type | no viewfinder | Viewfinder optional |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 2360k dots |
LCD Attachment | Tilting screen | Fully flexible screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Olympus E-PL9 | Fujifilm GFX 50S |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 8.6 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Olympus E-PL9 | Fujifilm GFX 50S |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Olympus E-PL9 | Fujifilm GFX 50S |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Olympus BLS-50 | Fujifilm NP-T125 |
Battery Life (CIPA) | 350 shots per charge | 400 shots per charge |
Body Dimensions |
117 x 68 x 39 mm (4.6 x 2.7 x 1.5 in) |
148 x 94 x 91 mm (5.8 x 3.7 x 3.6 in) |
Camera Weight | 380 g (13.4 oz) | 740 g (26.1 oz) |
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