Olympus E-P1 vs Panasonic GH5
The Olympus PEN E-P1 and the Panasonic Lumix DC-GH5 are two enthusiast cameras that were announced, respectively, in June 2009 and January 2017. Both the E-P1 and the GH5 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P1 and the Panasonic Lumix DC-GH5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-P1 and the Panasonic GH5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-P1 can be obtained in three different colors (black, silver, white), while the GH5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 is considerably larger (61 percent) than the Olympus E-P1. Moreover, the GH5 is substantially heavier (104 percent) than the E-P1. It is noteworthy in this context that the GH5 is splash and dust-proof, while the E-P1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799|
|2.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|3.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|4.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|5.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799|
|6.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|7.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|8.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599|
|9.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|10.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799|
|11.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|12.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|13.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|14.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|15.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|16.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|17.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P1 was launched at a markedly lower price (by 60 percent) than the GH5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GH5 offers a higher resolution of 20.2 megapixels, compared with 12.2 MP of the E-P1. This megapixels advantage translates into a 29 percent gain in linear resolution. On the other hand, these sensor specs imply that the GH5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.29μm for the E-P1). However, it should be noted that the GH5 is much more recent (by 7 years and 6 months) than the E-P1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GH5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH5 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-P1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus PEN E-P1 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DC-GH5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the GH5 offers substantially better image quality than the E-P1 (overall score 22 points higher). The advantage is based on 2.5 bits higher color depth, 2.6 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|2.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|4.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|5.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|6.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|7.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|8.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|9.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|10.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|11.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|12.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|13.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|14.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|15.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|16.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|17.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH5 provides a better video resolution than the E-P1. It can shoot movie footage at 4K/60p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH5 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Olympus E-P1, the Panasonic GH5, and comparable cameras.
|1.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|2.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|3.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|4.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|5.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|6.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|7.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|8.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||Y|
|9.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|10.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|11.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|12.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|13.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|14.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|15.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|16.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|17.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH5 has a touchscreen, while the E-P1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GH5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-P1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-P1 writes its imaging data to SDHC cards, while the GH5 uses SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P1 only has one slot. The GH5 supports UHS-II cards (on both slots), while the E-P1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P1 and Panasonic Lumix DC-GH5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|2.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|4.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|5.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|6.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|13.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|15.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|16.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
It is notable that the GH5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-P1 does not provide wifi capability.
Studio photographers will appreciate that the Panasonic GH5 (unlike the E-P1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-P1 and the GH5 have been discontinued, but can regularly be found used on eBay. The E-P1 was replaced by the Olympus E-P2, while the GH5 was followed by the Panasonic GH5 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So how do things add up? Is the Olympus E-P1 better than the Panasonic GH5 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Olympus PEN E-P1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (121x70mm vs 139x98mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 370g or 51 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2009).
Reasons to prefer the Panasonic Lumix DC-GH5:
- More detail: Has more megapixels (20.2 vs 12.2MP), which boosts linear resolution by 29%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (410 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 7 years and 6 months of technical progress since the E-P1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GH5 is the clear winner of the contest (29 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-P1 and the Panasonic GH5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-P1 and the GH5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799|
|2.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|3.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|4.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|5.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799|
|6.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|7.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|8.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599|
|9.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|10.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799|
|11.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|12.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699|
|13.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|14.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|15.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|16.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|17.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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Specifications: Olympus E-P1 vs Panasonic GH5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-P1||Panasonic GH5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||June 2009||January 2017|
|Launch Price||USD 799||USD 1,999|
|Sensor Specs||Olympus E-P1||Panasonic GH5|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||20.2 Megapixels|
|Image Resolution||4032 x 3024 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.29 μm||3.34 μm|
|Pixel Density||5.42 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||720/30p Video||4K/60p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||TruePic V||Venus 10|
|DXO Sensor Quality (score)||55||77|
|DXO Color Depth (bits)||21.4||23.9|
|DXO Dynamic Range (EV)||10.4||13.0|
|DXO Low Light (ISO)||536||807|
|Screen Specs||Olympus E-P1||Panasonic GH5|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||230k dots||1620k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-P1||Panasonic GH5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Olympus E-P1||Panasonic GH5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-P1||Panasonic GH5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||410 shots per charge|
121 x 70 x 36 mm
(4.8 x 2.8 x 1.4 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||355 g (12.5 oz)||725 g (25.6 oz)|
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