Olympus E-P1 vs Fujifilm X-Pro2
The Olympus PEN E-P1 and the Fujifilm X-Pro2 are two enthusiast cameras that were announced, respectively, in June 2009 and January 2016. Both the E-P1 and the X-Pro2 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-P1) and an APS-C (X-Pro2) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN E-P1 and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Olympus E-P1 and the Fujifilm X-Pro2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-P1 can be obtained in three different colors (black, silver, white), while the X-Pro2 is available in two color-versions (black, graphite).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is notably larger (38 percent) than the Olympus E-P1. Moreover, the X-Pro2 is substantially heavier (39 percent) than the E-P1. It is noteworthy in this context that the X-Pro2 is splash and dust-proof, while the E-P1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-P1) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-P1 gets 300 shots out of its BLS-1 battery, while the X-Pro2 can take 350 images on a single charge of its NP-W126 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P1 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Jun 2009 | 799 | ebay.com | |
2. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
3. | Fujifilm X100V | 128 mm | 75 mm | 53 mm | 478 g | 420 | Y | Feb 2020 | 1,399 | ebay.com | |
4. | Fujifilm X-Pro3 | 141 mm | 83 mm | 46 mm | 497 g | 440 | Y | Oct 2019 | 1,799 | amazon.com | |
5. | Fujifilm X-T3 | 133 mm | 93 mm | 59 mm | 539 g | 390 | Y | Sep 2018 | 1,499 | ebay.com | |
6. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | 1,599 | ebay.com | |
7. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | 1,699 | ebay.com | |
8. | Olympus E-P3 | 122 mm | 69 mm | 34 mm | 369 g | 330 | n | Jun 2011 | 799 | ebay.com | |
9. | Olympus E-PL2 | 114 mm | 72 mm | 42 mm | 362 g | 280 | n | Jan 2011 | 599 | ebay.com | |
10. | Olympus E-PL3 | 110 mm | 64 mm | 37 mm | 313 g | 300 | n | Jun 2011 | 599 | ebay.com | |
11. | Olympus E-PL1 | 115 mm | 72 mm | 42 mm | 334 g | 290 | n | Feb 2010 | 599 | ebay.com | |
12. | Olympus E-620 | 130 mm | 94 mm | 60 mm | 521 g | 500 | n | Feb 2009 | 699 | ebay.com | |
13. | Olympus E-P2 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Nov 2009 | 799 | ebay.com | |
14. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
15. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
16. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
17. | Panasonic GH1 | 124 mm | 90 mm | 45 mm | 385 g | 300 | n | Mar 2009 | 899 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P1 was launched at a markedly lower price (by 53 percent) than the X-Pro2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-P1 features a Four Thirds sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-P1 has a native 4:3 aspect ratio, while the one in the X-Pro2 offers a 3:2 aspect.
With 24MP, the X-Pro2 offers a higher resolution than the E-P1 (12.2MP), but the X-Pro2 has smaller individual pixels (pixel pitch of 3.92μm versus 4.29μm for the E-P1). Yet, the X-Pro2 is a much more recent model (by 6 years and 7 months) than the E-P1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-P1 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus PEN E-P1 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the E-P1 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro2 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.4 | 536 | 55 | |
2. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
3. | Fujifilm X100V | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.6 | 1996 | 84 | |
4. | Fujifilm X-Pro3 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.6 | 1968 | 84 | |
5. | Fujifilm X-T3 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.0 | 13.4 | 1853 | 83 | |
6. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.1 | 1653 | 81 | |
7. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.1 | 12.3 | 1238 | 74 | |
8. | Olympus E-P3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.8 | 10.1 | 536 | 51 | |
9. | Olympus E-PL2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.2 | 573 | 55 | |
10. | Olympus E-PL3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.9 | 10.3 | 499 | 52 | |
11. | Olympus E-PL1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.1 | 487 | 54 | |
12. | Olympus E-620 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.3 | 536 | 55 | |
13. | Olympus E-P2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.4 | 505 | 56 | |
14. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
15. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
16. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
17. | Panasonic GH1 | Four Thirds | 12.0 | 4000 | 3000 | 1080/24p | 21.6 | 11.6 | 772 | 64 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-Pro2 provides a better video resolution than the E-P1. It can shoot movie footage at 1080/60p, while the Olympus is limited to 720/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Olympus E-P1, the Fujifilm X-Pro2, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P1 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
2. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
3. | Fujifilm X100V | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | n | |
4. | Fujifilm X-Pro3 | 3690 | n | 3.0 / 1620 | tilting | Y | 1/8000s | 8.0/s | n | n | |
5. | Fujifilm X-T3 | 3690 | n | 3.0 / 1040 | full-flex | Y | 1/8000s | 11.0/s | n | n | |
6. | Fujifilm X-T2 | 2360 | n | 3.0 / 1040 | full-flex | n | 1/8000s | 8.0/s | n | n | |
7. | Fujifilm X-Pro1 | 1440 | n | 3.0 / 1230 | fixed | n | 1/4000s | 6.0/s | n | n | |
8. | Olympus E-P3 | optional | n | 3.0 / 614 | fixed | Y | 1/4000s | 3.0/s | Y | Y | |
9. | Olympus E-PL2 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
10. | Olympus E-PL3 | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 5.5/s | n | Y | |
11. | Olympus E-PL1 | optional | n | 2.7 / 230 | fixed | n | 1/2000s | 3.0/s | Y | Y | |
12. | Olympus E-620 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
13. | Olympus E-P2 | optional | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
14. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
15. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
16. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
17. | Panasonic GH1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the E-P1 and the X-Pro2 is in-body image stabilization (IBIS). The E-P1 reduces the risk of handshake-induced blur with all attached lenses, while the X-Pro2 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-P1 writes its imaging data to SDHC cards, while the X-Pro2 uses SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P1 only has one slot. The X-Pro2 supports UHS-II cards on its first slot and UHS-I on its second one, while the E-P1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN E-P1 and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
2. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
3. | Fujifilm X100V | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
4. | Fujifilm X-Pro3 | Y | stereo / mono | Y | - | - | 3.1 | Y | - | Y | |
5. | Fujifilm X-T3 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
6. | Fujifilm X-T2 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
7. | Fujifilm X-Pro1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Olympus E-P3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
9. | Olympus E-PL2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
10. | Olympus E-PL3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
11. | Olympus E-PL1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
12. | Olympus E-620 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-P2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
14. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic GH1 | Y | stereo / - | Y | - | mini | 2.0 | - | - | - |
It is notable that the X-Pro2 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-P1 does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the E-P1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-P1 and the X-Pro2 have been discontinued, but can regularly be found used on ebay. The E-P1 was replaced by the Olympus E-P2, while the X-Pro2 was followed by the Fujifilm X-Pro3. Further information on the features and operation of the E-P1 and X-Pro2 can be found, respectively, in the Olympus E-P1 Manual (free pdf) or the online Fujifilm X-Pro2 Manual.
Review summary
So how do things add up? Which of the two cameras – the Olympus E-P1 or the Fujifilm X-Pro2 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus PEN E-P1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (121x70mm vs 141x83mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 140g or 28 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2009).
Reasons to prefer the Fujifilm X-Pro2:
- More detail: Has more megapixels (24 vs 12.2MP), which boosts linear resolution by 43%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 6 years and 7 months of technical progress since the E-P1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the contest (22 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-P1 and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-P1 or the X-Pro2. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-P1 | .. | + | .. | 66/100 | 4/5 | 4.5/5 | Jun 2009 | 799 | ebay.com | |
2. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
3. | Fujifilm X100V | 5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Feb 2020 | 1,399 | ebay.com | |
4. | Fujifilm X-Pro3 | 4/5 | + | 4/5 | 85/100 | 4/5 | .. | Oct 2019 | 1,799 | amazon.com | |
5. | Fujifilm X-T3 | 5/5 | + + | 4.5/5 | 88/100 | 5/5 | 5/5 | Sep 2018 | 1,499 | ebay.com | |
6. | Fujifilm X-T2 | 5/5 | + + | .. | 86/100 | 4.5/5 | 5/5 | Jul 2016 | 1,599 | ebay.com | |
7. | Fujifilm X-Pro1 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | 1,699 | ebay.com | |
8. | Olympus E-P3 | .. | 83/100 | .. | 74/100 | 4.5/5 | 4.5/5 | Jun 2011 | 799 | ebay.com | |
9. | Olympus E-PL2 | 3/5 | 83/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jan 2011 | 599 | ebay.com | |
10. | Olympus E-PL3 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4/5 | Jun 2011 | 599 | ebay.com | |
11. | Olympus E-PL1 | .. | 86/100 | .. | 69/100 | 4/5 | 4.5/5 | Feb 2010 | 599 | ebay.com | |
12. | Olympus E-620 | 3/5 | 88/100 | .. | 72/100 | 4.5/5 | 5/5 | Feb 2009 | 699 | ebay.com | |
13. | Olympus E-P2 | 3/5 | + | .. | 69/100 | 4/5 | 4.5/5 | Nov 2009 | 799 | ebay.com | |
14. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
15. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
16. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
17. | Panasonic GH1 | .. | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Mar 2009 | 899 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SX510 vs Fujifilm X-Pro2
- Fujifilm X-E3 vs Olympus E-P1
- Fujifilm X-Pro2 vs Leica C-LUX
- Fujifilm X-Pro2 vs Leica SL
- Fujifilm X-Pro2 vs Nikon D40
- Fujifilm X-Pro2 vs Panasonic FZ330
- Fujifilm X-Pro2 vs Sony A7S
- Nikon D50 vs Olympus E-P1
- Olympus E-P1 vs Sony A9
- Olympus E-P1 vs Sony HX350
- Olympus E-P1 vs Sony HX95
- Olympus E-P1 vs Sony RX10
Specifications: Olympus E-P1 vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-P1 | Fujifilm X-Pro2 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Fujifilm X mount lenses |
Launch Date | June 2009 | January 2016 |
Launch Price | USD 799 | USD 1,699 |
Sensor Specs | Olympus E-P1 | Fujifilm X-Pro2 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.6 x 15.6 mm |
Sensor Area | 224.9 mm2 | 368.16 mm2 |
Sensor Diagonal | 21.6 mm | 28.3 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 12.2 Megapixels | 24 Megapixels |
Image Resolution | 4032 x 3024 pixels | 6000 x 4000 pixels |
Pixel Pitch | 4.29 μm | 3.92 μm |
Pixel Density | 5.42 MP/cm2 | 6.52 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 720/30p Video | 1080/60p Video |
ISO Setting | 100 - 6,400 ISO | 200 - 12,800 ISO |
ISO Boost | no Enhancement | 100 - 51,200 ISO |
Image Processor | TruePic V | X Processor Pro |
DXO Sensor Quality (score) | 55 | .. |
DXO Color Depth (bits) | 21.4 | .. |
DXO Dynamic Range (EV) | 10.4 | .. |
DXO Low Light (ISO) | 536 | .. |
Screen Specs | Olympus E-P1 | Fujifilm X-Pro2 |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.39x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 230k dots | 1620k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Olympus E-P1 | Fujifilm X-Pro2 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 3 shutter flaps/s | 8 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Single UHS-II |
Connectivity Specs | Olympus E-P1 | Fujifilm X-Pro2 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Olympus E-P1 | Fujifilm X-Pro2 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | BLS-1 | NP-W126 |
Battery Life (CIPA) | 300 shots per charge | 350 shots per charge |
Body Dimensions |
121 x 70 x 36 mm (4.8 x 2.8 x 1.4 in) |
141 x 83 x 46 mm (5.6 x 3.3 x 1.8 in) |
Camera Weight | 355 g (12.5 oz) | 495 g (17.5 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.