Olympus E-M5 II vs Sony A6600

The Olympus OM-D E-M5 Mark II and the Sony Alpha A6600 are two enthusiast cameras that were announced, respectively, in February 2015 and August 2019. Both the E-M5 II and the A6600 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M5 II) and an APS-C (A6600) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5 II		Sony A6600
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.9 MP – Four Thirds sensor		24 MP – APS-C sensor
1080/60p Video		4K/30p Video
ISO 200-25,600		ISO 100-32,000 (100 - 102,400)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2359k dots)
3.0" LCD – 1037k dots		3.0" LCD – 922k dots
Swivel touchscreen		Tilting touchscreen
10 shutter flaps per second		11 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
310 shots per battery charge		810 shots per battery charge
124 x 85 x 45 mm, 469 g		120 x 67 x 69 mm, 503 g

Check E-M5 II offers at
ebay.com
Check A6600 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus E-M5 II and the Sony A6600 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the A6600 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is notably smaller (24 percent) than the Olympus E-M5 II. However, the A6600 is markedly heavier (7 percent) than the E-M5 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M5 II) and the Sony E-Mount Lens Catalog (A6600). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M5 II gets 310 shots out of its Olympus BLN-1 battery, while the A6600 can take 810 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A6600 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310		Feb 2015	US$ 1 099	ebay.com
2.		Sony A6600	120 mm	67 mm	69 mm	503 g	810		Aug 2019	US$ 1 399	amazon.com
3.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500		Feb 2020	US$ 1 699	ebay.com
4.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350		Sep 2013	US$ 1 399	ebay.com
5.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360		Feb 2012	US$ 1 299	ebay.com
6.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310		Oct 2019	US$ 1 199	ebay.com
7.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320		Jan 2014	US$ 699	ebay.com
8.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320		Aug 2015	US$ 649	ebay.com
9.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330		May 2013	US$ 999	ebay.com
10.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330		Jan 2016	US$ 1 199	ebay.com
11.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330		Sep 2016	US$ 899	ebay.com
12.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330		Jul 2015	US$ 1 199	ebay.com
13.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290		Apr 2016	US$ 799	amazon.com
14.		Sony A7C	124 mm	71 mm	60 mm	509 g	740		Sep 2020	US$ 1 799	amazon.com
15.		Sony A77	143 mm	104 mm	81 mm	732 g	470		Aug 2011	US$ 1 399	ebay.com
16.		Sony A6500	120 mm	67 mm	53 mm	453 g	350		Oct 2016	US$ 1 399	ebay.com
17.		Sony A6700	122 mm	69 mm	64 mm	493 g	570		Jul 2023	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial
		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
		Camera Model

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M5 II was launched at a somewhat lower price (by 21 percent) than the A6600, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M5 II features a Four Thirds sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M5 II has a native 4:3 aspect ratio, while the one in the A6600 offers a 3:2 aspect.

With 24MP, the A6600 offers a higher resolution than the E-M5 II (15.9MP), but the A6600 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the E-M5 II) due to its larger sensor. Moreover, the A6600 is a much more recent model (by 4 years and 6 months) than the E-M5 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the A6600, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6600 has a markedly higher DXO score than the E-M5 II (overall score 9 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 0.9 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
2.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
3.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
4.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
5.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
6.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
7.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
8.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
9.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
10.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
11.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
12.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
13.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
14.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
15.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
16.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
17.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
Note: DXO values in italics represent estimates based on sensor size and age.
		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
		Camera Model

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6600 provides a better video resolution than the E-M5 II. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 II offers a slightly higher resolution than the one in the A6600 (2360k vs 2359k dots). The adjacent table lists some of the other core features of the Olympus E-M5 II and Sony A6600 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5 II	2360		3.0 / 1037	swivel		1/8000s	10.0/s
2.		Sony A6600	2359		3.0 / 922	tilting		1/4000s	11.0/s
3.		Fujifilm X-T4	3690		3.0 / 1620	swivel		1/8000s	15.0/s
4.		Olympus E-M1	2360		3.0 / 1037	tilting		1/8000s	10.0/s
5.		Olympus E-M5	1440		3.0 / 610	tilting		1/4000s	9.0/s
6.		Olympus E-M5 III	2360		3.0 / 1040	swivel		1/8000s	10.0/s
7.		Olympus E-M10	1440		3.0 / 1037	tilting		1/4000s	8.0/s
8.		Olympus E-M10 II	2360		3.0 / 1040	tilting		1/4000s	8.0/s
9.		Olympus E-P5	optional		3.0 / 1037	tilting		1/8000s	9.0/s
10.		Olympus PEN-F	2360		3.0 / 1037	swivel		1/8000s	10.0/s
11.		Panasonic G85	2360		3.0 / 1040	swivel		1/4000s	9.0/s
12.		Panasonic GX8	2360		3.0 / 1040	swivel		1/8000s	10.0/s
13.		Panasonic GX85	2765		3.0 / 1040	tilting		1/4000s	8.0/s
14.		Sony A7C	2360		3.0 / 922	swivel		1/4000s	10.0/s
15.		Sony A77	2359		3.0 / 921	full-flex		1/8000s	12.0/s
16.		Sony A6500	2359		3.0 / 922	tilting		1/4000s	11.0/s
17.		Sony A6700	2360		3.0 / 1037	swivel		1/4000s	11.0/s
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
		Camera Model

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 II and the Sony A6600 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-M5 II writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A6600 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5 II		stereo / mono			micro	2.0
2.		Sony A6600		stereo / mono			YES	2.0
3.		Fujifilm X-T4		stereo / mono			micro	3.1
4.		Olympus E-M1		stereo / mono			micro	2.0
5.		Olympus E-M5		stereo / mono			mini	2.0
6.		Olympus E-M5 III		stereo / mono			micro	2.0
7.		Olympus E-M10		stereo / mono			micro	2.0
8.		Olympus E-M10 II		stereo / mono			micro	2.0
9.		Olympus E-P5		stereo / mono			micro	2.0
10.		Olympus PEN-F		stereo / mono			micro	2.0
11.		Panasonic G85		stereo / mono			micro	2.0
12.		Panasonic GX8		stereo / mono			micro	2.0
13.		Panasonic GX85		stereo / mono			micro	2.0
14.		Sony A7C		stereo / mono			micro	3.2
15.		Sony A77		stereo / mono			mini	2.0
16.		Sony A6500		stereo / mono			micro	2.0
17.		Sony A6700		stereo / mono			YES	3.2
		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
		Camera Model

It is notable that the A6600 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The E-M5 II lacks such a headphone port.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the A6600) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the features and operation of the E-M5 II and A6600 can be found, respectively, in the Olympus E-M5 II Manual (free pdf) or the online Sony A6600 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Olympus E-M5 II and the Sony A6600? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Olympus OM-D E-M5 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More affordable: Was introduced into a lower priced segment (21 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2015).

Advantages of the Sony Alpha A6600:

• More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
• Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
• More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More compact: Is smaller (120x67mm vs 124x85mm) and will fit more readily into a bag.
• Longer lasting: Gets more shots (810 versus 310) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 4 years and 6 months of technical progress since the E-M5 II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A6600 is the clear winner of the contest (13 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 II and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-M5 II or the A6600 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
2.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	US$ 1 399	amazon.com
3.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	US$ 1 699	ebay.com
4.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
5.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	US$ 1 299	ebay.com
6.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
7.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	US$ 699	ebay.com
8.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	US$ 649	ebay.com
9.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	US$ 999	ebay.com
10.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	US$ 1 199	ebay.com
11.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	US$ 899	ebay.com
12.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	US$ 1 199	ebay.com
13.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	US$ 799	amazon.com
14.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	US$ 1 799	amazon.com
15.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	US$ 1 399	ebay.com
16.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	US$ 1 399	ebay.com
17.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
		Camera   Model

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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• Ricoh GR
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• YI M1
• Zeiss ZX1

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