Olympus E-M5 II vs Panasonic LX100
The Olympus OM-D E-M5 Mark II and the Panasonic Lumix DMC-LX100 are two enthusiast cameras that were announced, respectively, in February 2015 and September 2014. The E-M5 II is a mirrorless interchangeable lens camera, while the LX100 is a fixed lens compact. Both cameras are equipped with a Four Thirds sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Panasonic provides 12.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Panasonic Lumix DMC-LX100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-M5 II and the Panasonic LX100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 is notably smaller (28 percent) than the Olympus E-M5 II. It is worth mentioning in this context that the E-M5 II is splash and dust resistant, while the LX100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|2.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|3.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|4.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|5.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|6.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|7.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|8.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|9.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|10.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|11.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|12.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|13.||Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|14.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|15.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|16.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX100 was launched at a lower price than the E-M5 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor, but their sensors differ slightly in size. The sensor area in the LX100 is 18 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 2.0 (E-M5 II) and 2.2. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX100 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 15.9MP, the E-M5 II offers a higher resolution than the LX100 (12.7MP), but the E-M5 II has marginally smaller individual pixels (pixel pitch of 3.76μm versus 3.82μm for the LX100). However, the E-M5 II is a somewhat more recent model (by 4 months) than the LX100, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Olympus E-M5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 II for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic LX100 are 20.6 x 15.4 inches or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inches or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inches or 34.8 x 26.1 cm for excellent quality prints.
Unlike the LX100, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The Panasonic Lumix DMC-LX100 offers exactly the same ISO settings.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the E-M5 II has a notably higher overall DXO score than the LX100 (overall score 6 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.7 bits higher color depth, and 0.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|2.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|3.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|4.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|5.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|6.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|7.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|8.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|9.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|10.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|11.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|12.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|13.||Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|14.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|16.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX100 provides a better video resolution than the E-M5 II. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the LX100 offers a higher resolution than the one in the E-M5 II (2764k vs 2360k dots). The table below summarizes some of the other core capabilities of the Olympus E-M5 II and Panasonic LX100 in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|2.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0||n||Y|
|3.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|4.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|5.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|6.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|7.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|8.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|9.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|10.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|11.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0||n||Y|
|12.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|13.||Panasonic G80||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|14.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|15.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|16.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|17.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 II has a touchscreen, while the LX100 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The E-M5 II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M5 II and the Panasonic LX100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-M5 II and the LX100 write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX100 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Panasonic Lumix DMC-LX100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|6.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|13.||Panasonic G80||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|17.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the E-M5 II has a microphone port, which is missing on the LX100. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the LX100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The LX100 is a recent model that features in the current product line-up of Panasonic. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Olympus E-M5 II and the Panasonic LX100? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus OM-D E-M5 Mark II:
- More detail: Offers more megapixels (15.9 vs 12.7MP) with a 12% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (6 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 4 months after the LX100).
Reasons to prefer the Panasonic Lumix DMC-LX100:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2360k dots).
- Ready to shoot: Has an integrated lens, whereas the E-M5 II necessitates an extra lens.
- More compact: Is smaller (115x66mm vs 124x85mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-M5 II).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the match-up (16 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M5 II and the Panasonic LX100 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-M5 II or the LX100 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|2.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|3.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|4.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199|
|5.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|6.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|7.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|8.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|9.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|10.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|11.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299|
|12.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|13.||Panasonic G80||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|14.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|15.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|16.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|17.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon SL3 vs Panasonic LX100
- Fujifilm X-T4 vs Olympus E-M5 II
- Hasselblad X1D II vs Panasonic LX100
- Leica Q2 vs Olympus E-M5 II
- Nikon D100 vs Panasonic LX100
- Nikon D5600 vs Panasonic LX100
- Nikon D750 vs Olympus E-M5 II
- Nikon L840 vs Olympus E-M5 II
- Olympus E-M5 II vs Olympus E-PL8
- Olympus E-M5 II vs Samsung NX1
- Panasonic GH3 vs Panasonic LX100
- Panasonic LX100 vs Panasonic S1R
Specifications: Olympus E-M5 II vs Panasonic LX100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M5 II||Panasonic LX100|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-75mm f/1.7-2.8|
|Launch Date||February 2015||September 2014|
|Launch Price||USD 1,099||USD 899|
|Sensor Specs||Olympus E-M5 II||Panasonic LX100|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||15.7 x 11.8 mm|
|Sensor Area||224.9 mm2||185.26 mm2|
|Sensor Diagonal||21.6 mm||19.6 mm|
|Sensor Resolution||15.9 Megapixels||12.7 Megapixels|
|Image Resolution||4608 x 3456 pixels||4112 x 3088 pixels|
|Pixel Pitch||3.76 μm||3.82 μm|
|Pixel Density||7.08 MP/cm2||6.85 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||TruePic VII||Venus|
|DXO Sensor Quality (score)||73||67|
|DXO Color Depth (bits)||23.0||22.3|
|DXO Dynamic Range (EV)||12.5||12.5|
|DXO Low Light (ISO)||842||553|
|Screen Specs||Olympus E-M5 II||Panasonic LX100|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||921k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-M5 II||Panasonic LX100|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Olympus E-M5 II||Panasonic LX100|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-M5 II||Panasonic LX100|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||310 shots per charge||300 shots per charge|
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
115 x 66 x 55 mm
(4.5 x 2.6 x 2.2 in)
|Camera Weight||469 g (16.5 oz)||393 g (13.9 oz)|
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